.... Jonathan Shandell Robbie McCauley, Anna Deavere Smith, and Suzan-Lori Parks are three of the The Zoo Story and the most talented, important figures in contempo- Whole Story rary African American...

...Tom Sellar © 2014 by Yale School of Drama/Yale Repertory Theatre 2014 Bennett Miller’s Dachshund un, Festival TransAmériques, Montreal, 2013. Photo: Nino Ellison Up Front The Whole Pack of You Tom Sellar The delegates took to their podiums in Montreal with a veneer...

...Suzan-Lori Parks Copyright © THEATER 1990 1990 The Death of the Last Black Man THE SECTIONS The black man moves his hands. in the Whole Entire World is QUEEN-THEN-PHARAOH scheduled to be staged at BACA...

... a “holy theater” in which black consciousness becomes simultaneous with the whole history of black experience. In an attempt to disrupt the pornographic and objectifying imagination of white supremacy as its gazes on the black body, M. Lamar imagines the black body being transformed into more elusive...

...Erin Manning Erin Manning, a participant in goat island archive—we have discovered the performance by making it , suggests the concept of “anarchive” as a new approach to understanding the archive. She argues that the anarchival “follow[s] the logic not of originality or wholeness, but of emergent...

... excitement and Tina Packer, Artistic Director of Shakespeare and pain. What better material, what better script to put into Company, Elizabethans knew that they experienced with the hands of adolescents than Shakespeare? The their whole bodies. Emotions stored in organ, sinew...

..., it becomes apparent that the narrowness of the auditorium and the steep angles of the seats and stage make not only the width and depth of the stage an ac- ting area but also its entire height. That is to say, the whole prB scenium opening can be employed in much the same way as a projection...

.... But they rarely reveal much about the actor or actress as a whole person with weaknesses as well as strengths of character. For example, in his Life and Art of Edwin Booth, Winter lists only Booth's virtues. When he mentions the subject of Booth's...

... you could be free long before tomorrow by Mike you know what do you think maybe that’s the whole problem take care of yourself please hold kid you almost got it (loud voice) there’s nothing...

... the whole point. How far can they go within their purport- ed profession of acting? Here's the whole point-where acting has to turn into doing. They're either actors or doers. You cannot act a doing thing. You have to act an acting thing, you have to be a being thing, and you have to know where...

... is a play There’s a whole tradition of American writing that’s generally that’s sort of been covered-over. Very few people know about it. obscured by the academics, and by those people who come into It was printed in 1932 in a pamphlet called Scottsboro Limited. urban centers thinking they’re...

...? Project released in September, The Re- culture in general. port on the Status of Women Directors and Playwrights in New York City Theater, by Celia STEIN We’ve always taken tangents. A whole Braxton...

... is a peculiar kind of a journey. There is nothing extraneous. You can perform the whole thing. Mildred Dunnock: Children do things so freshly, without any premeditation, without any...

.... OK. Let’s go. ravi It doesn’t matter, Bob. bob moves. Crowd laughs. oppy I get a guy whose whole family has bob Is that OK? been killed on one of your bombing raids...

... and lilac month as Soviet periodicals rush to although we do know that at least two leaves. Alyosha constructs a whole publish poems, novels, memoirs and other of his plays from this same period series of mechanisms to prepare, serve plays either decades out of print or were read, discussed...

... the original distance is between child and of nudity, of simulated (or real?) inter• parent Separately both actor and course, of perverse and scatological audience are incomplete, castrated; but material, end, as it does on 42nd Street, together they make up a whole: the de...

... him in a coffee place, and on the front cover of Life magazine was Nichols & May, and he was in Paris on a Fulbright and he was very mad about the whole thing. S: It's true. D: How did you guys get together? You said the Playwrights...

... of human equivalent of a horse or dog show. And of course the theatre can do much else. It can present the whole sensual lure of this world, and that through the world's darling allurement, the human body. So no wonder the theatre incurred the wrath of St. Augustine and of all those...

..., don’t worry when there’s a mystery there, they just days every year, and every one of those about him honey, he’s just using cold believe the first thing they’re told for ten days I’d go to the fair, and every day fire.” Yeah. their whole life, or they pretend to have...

... was an actor that is important to me as a director, but the whole system of theatre-thinking that I’ve learned from those four men. I’ve learned that one has a responsibility to the community in the work that one does, that theatre is an outgoing event, a dialogue between...