...Elfriede Jelinek Yale School of Drama/Yale Repertory Theatre 2006 Translated by Gitta Honegger Sabine Hollweck as Snow White, directed by André Bastian, 2005. Courtesy of Theater in der Tonne Elfriede Jelinek Translated by Gitta Honegger Snow White Two giant...

... Rachel Rusch Black and White Fires Tragedia Endogonidia: L. #09 directed by Romeo Castellucci Montclair State University/Peak Performances October 2005 4.48 Psychose directed by Claude Régy Brooklyn Academy of Music October 2005 There are two ways the heart can stop: It can slow...

... into “Ladies Against Women” (LAW) and White When Phyllis Schlafly arrived here organized a rally in her honor. (LAW’S February 12, local feminists were ready motto: “I’d rather be ironing...

.... -Sung to Gorky by prisoners at Apologist the Solovki labor camps.’ In a recent article in the New York Review The White Sea Canal Project of Books the noted historian...

...Anthony Graham-White Copyright © by yale/theatre 1976 1976 The Characteristics of Traditional Drama Anthony Graham-White The morefiuitfur a theory, the more it provides an understanding of facts extraneous to the primary area of observation to which it rehtes, and the more...

...Christopher W. White © 2004 by Yale School of Drama/Yale Repertory Theatre 2004 Productions Wendy Weckwerth Playing with Dolls and Houses A Doll’s House directed by Carey Perloff American Conservatory Theater San Francisco January 2004 Dollhouse directed by Lee Breuer...

... issues of representation and ghettoization of artists to the challenges of the so-called white cube phenomenon. © 2017 by Sigrid Gareis and Tilmann Broszat 2017 global contemporary performance curation spielart Festival Show Me the World white cube “Show Me The World,” Haus der Kunst...

... a “holy theater” in which black consciousness becomes simultaneous with the whole history of black experience. In an attempt to disrupt the pornographic and objectifying imagination of white supremacy as its gazes on the black body, M. Lamar imagines the black body being transformed into more elusive...

... reflecting on her childhood, while a white woman contemplates her time volunteering in the Congo. Walter-Jochum dissects each monologue, analyzing deeper meaning in Rau’s projects. © 2021 by Robert Walter-Jochum 2021 Milo Rau hate speech Congo immigration Breivik’s Statement Compassion...

...Ryan Adelsheim; Rye Gentleman; Michelle Hayford Devised theater genealogies too often take shape around a set of primarily white, Western “ensemble-based” theater companies and training schools working in modes that emerged in Europe and the United States in the 1960s and 1970s in response...

..., and contains two distinct traditions, according to Wilson: ”art that is 9 BEYOND THE WILSON BRUSTEIN DEBATE conceived and designed to entertain white society, and art that feeds the spirit and celebrates the life of black America,” art for the master and art for the slaves...

... directly George Moscone and Supervisor Harvey their songs might be. In your 50’s play, to the audience, Mann explains, so that it Milk. “The suspect,” she adds, “is Supervisor Fences, the father has a beautiful speech “can hear what I heard, experience what I ex- Dan White.” A man’s voice calls out...

... and white, she’s “We may never be able to heal,” she says. “You affected, too. I wonder if I were a Martian, look so young.” I let her touch my hand and would I feel it. I swear it’s in the air, the terror. notice the exquisite way her checked blouse...

... . The Federal Theatre 1935–1939: Plays, Relief and Politics . Princeton: Princeton UP, 1967 . Ward , Theodore . Big White Fog: A Negro Tragedy . Federal Theatre Project Records. George Mason University, Fairfax, VA. ZANTHETAYLOR SINGINGFOR THEIRSUPPER...

...Thomas F. DeFrantz © 2017 by Thomas F. DeFrantz 2017 American Realness, Abrons Arts Center, New York, 2016. Photo: Ian Douglas Thomas F. DeFrantz I Am Black (you have to be willing to not know) The discourse of race in contemporary performance falls apart when whites try...

..., they pull out the big guns: the cork and the dialect. (No African Americans were involved in this production.) An actor kneels on a carpet, and begins rocking to and fro while smearing on dark makeup and droning about “blackness” and “the jungle.” A white friend leans over to me (also white) and says...

... mortified because as I remembered, growing rauch Port Gibson? Cornerstone did Romeo up, the white people were the scary ones. My and Juliet there in 1989! visceral impulse was to get the story straight. That was what was roaring inside of me...

...- way Union Takes Issue with ‘Hamilton’ Casting Call for ‘Non-­white’ Performers.” The breakout phenomenon of the 2015 – 16 theatrical season, Lin-­Manuel Miranda’s Hamil- ton tells the story of Alexander Hamilton using a mash-­up of musical styles (hip-­hop, rap, musical theater) and featuring...