... of Whales and An Idiot Divine deconstruction. Those heroes find their con- sciousness inextricably intertwined with grand In the densely layered music-theater where he narratives and classic themes...

... as a tri- bune of the pomo. Anderson’s take on the great Laurie Anderson reaches for epic statements, whale hunt is typically askew: she throws away but does so with gestures that are minimal and major episodes and elaborates on wispy digres- weirdly resonant...

... in America’s cities and the power ofthe imagi- nation to create a magical world in the face of great adversity and challenge. Whale looks...

... has something larger in view, akin, let us say, to Ahab's destruction of the quadrant in his search for the white whale or Ike...

... and perseverance to battle the whale, I gave up. Now I feel remorse because it was one of his last long essays, and Kott kept urging me to return to it. Kott was a master stylist in Polish. Avoiding the usually abstract, syntactically involved, colorless, evasive, and noncommittal language used by most...

..., and the verse became queen to die a little and the queen became a whale and the children all ran 'till their breaths did fail. Then came the great ambassadors...

..., Jean-Claude Carri@rcand the Inter- to see connections with Western myths such national Center for Theater Research dared as Jonah and the Whale, Moses and the adapt and stage the Sanskrit masterwork, Th...

... and the arts, and the politics of both. In often commissioned by the theater (Step on a Crack by a time when theater as a public art medium, and education Susan Zeder, The Boy Who Talked to Whales by Webster as, among other things, the inculcation of cultural values, Smalley). SCT has won several...

... more often than not, they tell the stories cohering into a narrative: has this watch moved from the in chronological order. Once Five Years Pass contains such branch to the platform to that strange variation on a a narrative. Borrowed from Hugo, it is like a fairy tale in its beached whale...

...- 55 rugg mon. Each theater can perform one or all of these three short plays in conjunction with others they are producing. The 2nd Constant (Action in Inaction) reads, in its entirety: “Someone standing still. They could be dressed in mourning. The sound of wind or whales for- ever...

... would be primarily for playwrites & for actors & designers work- ing with the playwrite. Audience would be mostly friends, in the sense that the White Whale or Deux Megots coffee shop readings are among friends & have this kind of atmosphere. Pattern of performance as follows: one play done...

... Artaud demanded new texts. I am often a director's playwright (composing plays to be directed)- -or making plays for an imaginary troupe. I write for theatre that is capable of becoming an organism. A PLAY IS AN ORGANISM-AN OTTER, A TITAN, A WHALE, AN AMOEBA...

... Mostel, the most delicate whale who ever hit the stage, never played the Falstaff almost written for him because American theater was not yet there. rogoff 22 Titus Andronicus, directed by Peter Brook, Théâtre de la Ville, Paris, 1957. Photo: Pierre Vauthey/Corbis Sygma John Osborne s The Entertainer...

... of, say, the great apes and whales of the American Museum of National History — and additionally poised thus if we know anything about the strong historical connections between early twentieth-­century museum displays and early twentieth-­century documentary filmmaking20 — we might wonder...

.... And the whales and the dolphins. some human minds? And the gulls and the eagles, and all the other If I were a pessimist, I might say that sea birds . . . the development of the human race went off I’ve tried. Then he thinks . . . Oh, she’s the track from the start...

... instantly. As if the car each other and gently pat each other’s backs, was a whale, which had to move quickly from while we cry softly, because so many of us land into the sea because fishermen with died and now us, too; well, I am dead in any flashing cameras were after him. That poor case. It’s...

... 12 MUD: FERD: (very conversationally) My friend libby libby doesn't have hips. She has pieces of always come out to visit at Christmas raw whale skin wrapped around a septic...

... an elephant, there from a pig, a dog, a rhinoceros, also waiting and then a third who plays the waiting of a steer, a donkey, a whale, a dinosaur, a cat, a hedgehog, the two. a turtle, an earthworm, a tiger, the leviathan. A man and a woman put their hand...

... hangs limp, a shred of telephone cord dangling from his neck. She FEBUS You fucking whale! looks around, sees the crumbled tower.) (FEBUS casts his reel, but the tape unwinds, he...