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Journal Article
Theater (2017) 47 (3): 19–35.
Published: 01 November 2017
...Carrie Mae Weems Copyright © 2017 Yale School of Drama/Yale Repertory Theatre 2017 Carrie Mae Weems
Grace Notes: Reflections for Now
A Work in Progress
Characters to read, to do the accounting, to show slide...
Journal Article
Theater (2017) 47 (2): 108–115.
Published: 01 May 2017
...Daniel Sack The Builders Association: Performance and Media in Contemporary Theater by Jackson Shannon and Weems Marianne MIT Press , 2015 © 2017 by Daniel Sack 2017 Books
Daniel Sack
The Reciprocating Saw
The Builders Association: Performance and Media...
Journal Article
Theater (2017) 47 (3): 13–17.
Published: 01 November 2017
... that it was incantatory, magical; art was an instrument of
ritual.”1
In the seemingly banal rituals of Carrie Mae Weems’s vernacular photogra-
phy, one experiences the soft positioning and glower and glare of the subject, whether
belonging to past, present, or dystopian future. One sees the female figure...
Journal Article
Theater (1993) 24 (3): 120–121.
Published: 01 November 1993
... repressed as to be
see with a virgin eye Ron Vawter and Marianne almost humanly undetectable). Despite
Weems’s production at the Kitchen. The queer Desmond’s scatological preoccupations and his
desolation of New Haven seemed simply too somewhat reluctant...
Journal Article
Theater (2017) 47 (3): 1–2.
Published: 01 November 2017
...
Mae Weems casts her gaze at the historical transitions underway in her performance
text Grace Notes: Reflections for Now. Nobel laureate playwright Elfriede Jelinek’s new-
est work delves into the psyche of The Burgher King, a businessman tyrant whose hold
on power gets channeled through Miss...
Journal Article
Theater (2002) 32 (2): 27–43.
Published: 01 May 2002
...-
ing that artists now accepted by both the white and black mainstream were rejected,
sometimes virulently, in their early days. The visual artist Carrie Mae Weems, for
example, is now regarded as a sharp interpreter of the ironies and hurts of America’s
legacy of racism, but she was attacked...
Journal Article
Theater (1993) 24 (3): 121–123.
Published: 01 November 1993
... brings
thing as commonplace as AIDS. a sad awareness of acting’s ephemerality.
Ron Vawter and Marianne Weems’s rather Unfortunately, neither the book nor the textual
queer (in every sense) stage production came adaptation has the dramatic fluidity or political
then as quite a lovely...
Journal Article
Theater (2001) 31 (2): 45–53.
Published: 01 May 2001
...-
tor Marianne Weems was the Group’s dramaturg and performed in Brace Up!; Target
Margin’s artistic director David Herskovits, Maxwell, and Collins all interned, served
on staff, or premiered new work at the Ontological. Together, they and their collabora...
Journal Article
Theater (1997) 27 (2_and_3): 87–95.
Published: 01 May 1997
... artificiality suggests something about the instruction. The Parson Weems approach.
way people really do talk. Vocabularies open up History is pointless, and without plots or story-
the vast and mysterious world of the language line, although it is the stuff of which stories are
of work. I refuse...
Journal Article
Theater (2020) 50 (3): 69–85.
Published: 01 November 2020
..., but imagine an abundance of we? it s all inevitable; the earth will not outlive us at the rate we re going. to listen. to imagine an abundance of we. See also Mladen Dolar, Jacques Lacan, Adrian Piper, Plato, Bryan Stevenson, Carrie Mae Weems. Fa m i ly M at t e r i n g : Th e M o v i n g he moved a little...