Search Results for way
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Theater (1 May 1969) 2 (2): 31–39.
Published: 01 May 1969
...David Epstein Copyright © by yale/theatre 1969 1969 THEY TOLD ME THAT YOU CAME THIS WAY A Play in One Act by David Epstein They Told Me That You Came This Way was (PETER gets up, ALEX stands, block- first performed in May, 1968 at Branford Col- ing his path.) lege, Yale...
Theater (1 November 2009) 39 (3): 35–41.
Published: 01 November 2009
... Serbia. © 2009 by Yale School of Drama/Yale Repertory Theatre 2009 Interviewed by Tom Sellar The Dreamers, by Robert Musil, directed by MiloŠ Lolić, Yugoslav Drama Theater, Belgrade, 2008. Courtesy of Yugoslav Drama Theater Finding Our Way Milena Bogavac and Miloš Lolić...
Theater (1 February 1995) 26 (1_and_2): 176–179.
Published: 01 February 1995
Theater (1 February 1994) 25 (1): 109–111.
Published: 01 February 1994
... Enaver Ionesco ’s Imperatives Subjectivity and Subjugation in Seventeenth- Century Drama and Prose Two-way Drag drag, one thing remains clear: context can change everything. What could be considered Charles...
Theater (1 November 2008) 38 (3): 67–83.
Published: 01 November 2008
... censorship of theater arts into three eras: 1) Zimbabwe's liberation struggle from the late 1960s through the 1970s, 2) the newly won independence of 1980s, with hope of economic and social progress giving way to frustration, and 3) the contemporary clash of President Mugabe's strong response against...
Theater (1 May 2012) 42 (2): 43–63.
Published: 01 May 2012
...John H. Muse This article surveys the new forms of drama, performance, and spectatorship created by artists making use of the real-time microblogging website Twitter—as either a forum for performance in itself, or way to extend the boundaries of a more conventionally theatrical performance. He goes...
Theater (1 May 2016) 46 (2): 55–67.
Published: 01 May 2016
...Lawrence Switzky Investigating the use of the famous trolley problem in a stage play, virtual reality simulation, and video game, Switzky explores the ways in which the transmediation of this philosophical thought experiment colors the process of moral decision making. Switzky focuses on the ways...
Theater (1 May 1994) 25 (2): 24–41.
Published: 01 May 1994
... make any difference in how a director staged a play, or a critic judged a production? Would it change the interpretation of Brecht's theories or his politics? Was any of this new information about the way his plays were created more than biographically and historically interesting? Was it really new...
Theater (1 February 2010) 40 (1): 11–23.
Published: 01 February 2010
... ways in which gesture, choreography, and dance knowledge circulates by physical exchange among dancers performing internationally. She describes these choreographers' work as joining tradition with innovation toward an integrated, globalized world. © 2010 by Yale School of Drama/Yale Repertory Theatre...
Theater (1 November 2010) 40 (3): 55–65.
Published: 01 November 2010
... Deutschland 2—Berlin Back Up (2002), which restages a German parliamentary debate. She discusses the role of participation and spectatorship in such reenactments, arguing that these performance pieces embody new ways of thinking about history and politics. © 2010 by Yale School of Drama/Yale Repertory Theatre...
Theater (1 February 2015) 45 (1): 11–31.
Published: 01 February 2015
...Ryan M. Davis This profile traces the creative trajectory of the queer choreographer and performance maker Miguel Gutierrez. Drawing on José Esteban Muñoz’s theories of queer futurity and resistance, it analyzes the ways in which Gutierrez and his dancers defy reductive constraints on sexual...
Theater (1 February 2018) 48 (1): 21–31.
Published: 01 February 2018
...Shonni Enelow Shonni Enelow asks, “What can we learn from looking at actors about the ways that surveillance has shaped contemporary life?” Her article examines performances in Leos Carax’s Holy Motors (2012), as well as works within the performance exhibition We’re Watching at Bard College (2017...
Theater (1 February 2019) 49 (1): 52–63.
Published: 01 February 2019
... community-based theater. Drawing on anecdotes, ruminations, and meditations, Alfaro narrates the story of his convergence with the larger Latinx theater community, and his account considers how artists past and present are paving the way for the potential future of Latinx theater. Copyright © 2019 Yale...
Theater (1 May 1999) 29 (2): 34–44.
Published: 01 May 1999
... moment in which you saw going this way versus that way as Brecht says, “the familiar stripped of its inconspicuousness” [a few bars of an ugly tune, sweetly] that all necessity is false; there is only possibility, rather probability maybe just [z road signs] spray painted over that [def...
Theater (1 May 2004) 34 (2): 105–111.
Published: 01 May 2004
... events that He liked the idea of independence and won- have led to large discoveries in my work.” Today, dered if there were another way we could work at the company’s ﬁfty-year milestone, we have separately to produce a work of music and dance. assembled a distinguished panel of artistic col- The...
Theater (1 February 2004) 34 (1): 61–65.
Published: 01 February 2004
...? Who are ﬁdelity to a complex source. they? In what way can they be noble to others— or to themselves, for that matter? To me that’s langworthy I think another thing that a the great Kleistian bundle of questions. Be- new translation...
Theater (1 November 2007) 37 (3): 117–127.
Published: 01 November 2007
...-2007-007 © 2007 by Gitta Honegger 117 honegger When I read Harold Bloom’s introduction to the In a way you seem to take on the classic role of the 1 book he edited, of essays on your work, it occurred fool...
Theater (1 May 2002) 32 (2): 57–61.
Published: 01 May 2002
...? almost no story. She does this thing, this sort of symbolic burial of her brother that creates a Actually, this came out of Gordon Rogoff’s horrible situation, and she’s walled up. In a way Exiles’ summer theater...
Theater (1 February 1993) 24 (1): 93–105.
Published: 01 February 1993
... a pothole-are four, five, six, seven figures and It begins when someone runs across, quickly. more-an entire team comes running in. Then another, from the other direction, the same They too don’t stop in the square as they fan out way. in...
Theater (1 February 2014) 44 (1): 1–2.
Published: 01 February 2014
... pause — and and gawk,laughed lattes at spontaneous in hand. They behavior admired tinged the withQatar. anthropomorphic Germany stood poisedfantasia. and Jordan deliberative glanced in nervously front of theat neighborsmic. China Bahrain kept look and- inglooked the cold.wrong The way; United...