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Theater (2009) 39 (2): 53–59.
Published: 01 May 2009
... School of Drama/Yale Repertory Theatre 2009 Odeon Theater, Bucharest, 1994. Photo: Jean Dussaussoye Razvan Penescu Clap If You Want To Oh, no. Don’t do that. Don’t say that unless . . . Well. . . . Say it if you want to . . . — Dorothy Boyd, in Jerry Maguire Ten months ago I...
Theater (2001) 31 (3): 153–159.
Published: 01 November 2001
... What Do We Want to Achieve? A conversation among Judith Malina, Hanon Reznikov, and Tameron Josbeck Judith Malina cofounded the Living Theatre in 1947 and is currently the coartistic direc- tor along with Hanon...
Theater (1969) 2 (2): 72–74.
Published: 01 May 1969
...Rochelle Owens Copyright 1968 by yale/theatre 1969 from HE WANTS SHlH by Rochelle Owens He Wants Shih is scheduled to be pro- Li Hang: The religion-The socket of your duced Off-Broadway in the fall. From the eye! Speaks of peace on earth and good...
Theater (1968) 1 (2): 72–74.
Published: 01 May 1968
...Rochelle Owens Copyright 1968 by yale/theatre 1968 from HE WANTS SHIH by Rochelle Owens He Wants Shih is scheduled to be pro• Li Hang: The religion-The socket of your duced Off-Broadway in the fall. From the eye! Speaks of peace on earth and good...
Theater (1984) 15 (3): 32–36.
Published: 01 November 1984
... compromised because he is not comfortable allowing his wife to continue having the family she wants. San Francisco Bay Guardian critic Misha Berson wrote that “despite the Munich setting, Neither Fish Nor Fowl might have been set in Detroit or Cleveland. Edgar talks about how completely different life...
Theater (2012) 42 (3): 48–63.
Published: 01 November 2012
... in Question Whom can I ask what I came to make happen in this world? Why do I move without wanting to, why am I not able to sit still? Pablo Neruda, The Book of Questions The following collection of questions and prayers It might be helpful to seed the community with is intended to be asked...
Theater (2012) 42 (3): 43–47.
Published: 01 November 2012
... are a little passive-aggressive. They want the audience’s undivided atten- tion, but they frequently downplay the audience’s presence and abilities, if not ignoring them altogether. A lot of art does, I guess. “If this artwork were a person, would I like to hang out with it? Does it want to hear my...
Theater (2016) 46 (1): 5–13.
Published: 01 February 2016
.... in you start to act. The prepared actors draw you in. You participate in the play from begin- What makes it so? What is particular about theater ning to end without stop. If somebody really as an art form that gives it a political dimension? doesn’t want...
Theater (2013) 43 (2): 51–55.
Published: 01 May 2013
... of it.” But slowly, as they listen, they might do not only use the space to watch your theater think, “Do I want to stand here or not?” They piece; you are in the space as a theater maker, become part of it. And that for me...
Theater (1999) 29 (2): 130–137.
Published: 01 May 1999
... Broadway, said, “We want to use you to design Mac’s you’re not in ideal spaces. The first thing I think show.” is, “Oh, where are we Your long collaboration with Mac Wellman has...
Theater (1980) 12 (1): 6–13.
Published: 01 February 1980
... the why is involves “emotionalizing.” When an actor shows himself incapable fundamental because experience is important, but more important of feeling real emotions during rehearsals he will surely be wrong. is the meaning of that experience. We want to know the phenomena But the actor who acts...
Theater (2015) 45 (2): 29–63.
Published: 01 May 2015
... you want me to drive for a bit? him, you know? eva You’re tired. célia Does he already have homework? franklin So are you. I’ll drive. eva Not yet. But he will, won’t he...
Theater (2011) 41 (2): 37–61.
Published: 01 May 2011
... of State can wait. lincoln I don’t want to come out. thurlow Let him in! booth It’s sick when a sister becomes a asia This war has made you mad. temptress. booth Don’t blame it on the war. lincoln I’m sick...
Theater (2017) 47 (3): 47–75.
Published: 01 November 2017
...: Not him, either!) (Miss Piggy, made up as the blind seer, with a the carport I want to let grow over with ivy, cane, bleeding eyes, as tradition calls for. Alto- if this is what I ordered. If it is what I’ve got. gether, I would like for the following figures from If it is the house...
Theater (1984) 15 (2): 20–26.
Published: 01 May 1984
... way he helped actors find the sense of it on their own. When I played Hamlet at the Old Globe, I studied with a woman, Diana Maddox, who used to be an actor at Stratford, Ontario, and has since become a coach who works with Hollywood stars who want to do Shakespeare. She worked with me...
Theater (2007) 37 (2): 91–101.
Published: 01 May 2007
... Kamp, 2006. Photo: Herman Helle Portfolio Hotel Modern, Kamp We had always wanted to do a project on the Second World War. The most important reason was family history — Pauline’s grandfather died in Auschwitz, so it was very personal. Pauline wanted to know the circumstances of her...
Theater (2002) 32 (3): 109–137.
Published: 01 November 2002
... be metaphorically Safe again? 111 groff Scene Two The Lear’s out of Westchester. You want me to hand him? New York TRACON...
Theater (1999) 29 (1): 92–112.
Published: 01 February 1999
... the wordfor mermaid is havfruen choice. But I wanted her. (literally: sea-woman); und Havfruen ( The My lady from the sea. I promised to Mermaid) wus hen>original titlefor this play. take care of her. Take her. Take care. She came The title hefinally chose, Fruen fra havet, to live with me...
Theater (1971) 3 (2): 76–78.
Published: 01 May 1971
.... Antoon: No. Antoon: Yes, it should be, and magi- Interviewer: In as many words as you cal. want then. Interviewer: Magic? Antoon: Well, the way I see it, Story Theatre is a narrative form...
Theater (2012) 42 (1): 51–93.
Published: 01 February 2012
... Can anyone honestly tell me that? That’s it. I don’t think so. I want to dream I’m telling you . . . Because I have the right (Carping.) Just like everybody else...