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voice

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Journal Article
Theater (2007) 37 (1): 106–112.
Published: 01 February 2007
... synthesis by which activism finds its voice through art? The San Francisco Mime Troupe has been answer- ing these questions for more than forty years with its unique brand of comic, leftist, musical plays that draw on popular performance traditions, offered free in Bay Area parks throughout...
Journal Article
Theater (1969) 2 (1): 89–101.
Published: 01 February 1969
...Gordon Rogoff Copyright 1969 by yale/theatre 1969 The theatre is not safe A report from The Village Voice with some additions and interpolations. by Gordon Rogoff Choices. The un-review for the un-play. Or: the non-review for the non-play. Or: the anti-review...
Journal Article
Theater (2015) 45 (2): 83–85.
Published: 01 May 2015
...Alberto Tibaji © 2015 by Yale School of Drama/Yale Repertory Theatre 2015 Dib Carneiro Neto’s Psalm 91, Sesc Santana, São Paulo, 2007. Photo: João Caldas Alberto Tibaji Translated by Elizabeth Jackson Voices from the Inside An Introduction to Dib Carneiro Neto’s Psalm 91...
Journal Article
Theater (2008) 38 (1): 1–2.
Published: 01 February 2008
...Tom Sellar © 2008 by Yale School of Drama/Yale Repertory Theatre 2008 Voices in Conflict, 2007. Photo: Jaisen Crockett Up Front Hearing Voices Voices in Conflict, an ensemble-created production based on the letters and words of soldiers serving in Iraq, made its off Broadway...
Journal Article
Theater (2007) 37 (1): 113–117.
Published: 01 February 2007
... synthesis by which activism finds its voice through art? The San Francisco Mime Troupe has been answer- ing these questions for more than forty years with its unique brand of comic, leftist, musical plays that draw on popular performance traditions, offered free in Bay Area parks throughout...
Journal Article
Theater (2002) 32 (3): 31–53.
Published: 01 November 2002
...Gitta Honegger © 2002 by Yale School of Drama/Yale Repertory Theatre 2002 Gitta Honegger Theater in Berlin: Last Stop. Amerika and the Volksbühne Experience, Plus New Voices and Ekkehard Schall January 2002 From my Berlin hotel room on Friedrichstrasse I look...
Journal Article
Theater (1984) 15 (3): 24–31.
Published: 01 November 1984
..., and finally to the lonely rural stretches of Bavaria, the heart of “Kroetz country.” The faces and accents of the people entering my train compartment kept changing accordingly, each voice charting the landscapes outside and inside on this Ride Across the BRD in the death of winter, through blizzards, along...
Journal Article
Theater (2019) 49 (2): 30–39.
Published: 01 May 2019
... materials: light, shadow, and voice. M. Lamar multimedia opera Negrogothic sadomasochism Copyright © 2019 Yale School of Drama/Yale Repertory Theatre 2019 ...
Journal Article
Theater (2022) 52 (2): 33–47.
Published: 01 May 2022
... Postcards from my Balcony, begun in March 2020 when the COVID-19 pandemic arrived in Toronto. As emanations of a care-based writing practice, these entirely textual “postcards” include image descriptions, written messages, and voice memos. Amy Amantea s Where s the ppe?, from Pandemic Postcards...
Journal Article
Theater (1968) 1 (2): 75–80.
Published: 01 May 1968
... as possible. Never on a proscenium Male voice stage. Female voice The play must be approached as a formal, Person in audience almost religious ceremony. Costumes The actors must...
Journal Article
Theater (1975) 6 (3): 3–11.
Published: 01 November 1975
....) MEN’S.) (Now from behind the MEN’S we (The Junkie hurtles back into the hear. . .) LA DIES.) Patsy’s Voice: How dare you! (Now from behind the MEN’S we hear...
Journal Article
Theater (1969) 2 (2): 75–80.
Published: 01 May 1969
... as possible. Never on a proscenium Male voice stage. Female voice The play must be approached as a formal, Person in audience almost religious ceremony. Costumes The actors must...
Journal Article
Theater (1985) 17 (1): 40–44.
Published: 01 February 1985
...Susan Mason Copyright © THEATER 1985 1985 An Interview with Kristin Linklater Susan Mason Since Kristin Linklater came to New York Cityfrom London in 1963, she has transformed voice trainingfor the actor in regional repertory companies, pro...
Journal Article
Theater (1978) 10 (1): 66–69.
Published: 01 February 1978
... iscent of Beckett's Not l) in which "a voice" 1978), Sam Shepard argued for a more expression changed as he assumed dif• comes to a man in a dream saying, "You flexible attitude towards theatrical "time": ferent characters or attitudes. Behind are entirely dead. What is unfinished is form...
Journal Article
Theater (1975) 6 (3): 4–19.
Published: 01 November 1975
... stands at an can’t look at him without thinking of it. angle facing D. R. but looks straight into And somehow I can’t make myself be- the audience. lieve he really didn’t know I was there as he went past. A voice comes on over loudspeakers...
Journal Article
Theater (2017) 47 (2): 35–45.
Published: 01 May 2017
... to use the pup- hair-raising­ Jerk (2008), in which a serial killer pets and do all the voices of his victims using tells stories about his young victims, playing all the techniques of ventriloquy. So Jonathan the parts with hand puppets. In This Is How learned ventriloquy for this final scene...
Journal Article
Theater (2004) 34 (2): 73–103.
Published: 01 May 2004
... that blimmin’ The entrance hall of a shabby five-story block of go on. I mean, you’d think he was only a kid— flats. maksim climbs up the stairs to the fourth but he was already getting it up . . . floor. People pass him on the way up. They are a voice from...
Journal Article
Theater (2000) 30 (2): 9–23.
Published: 01 May 2000
... of music-and-theater mixes: antioperas, nonmusicals, performance art, multimedia, extended-voice extravaganzas, and the like. As theater has moved towards nonlinear and even nonverbal forms, as perfor- mance art has crystallized out of dance...
Journal Article
Theater (2009) 39 (3): 1–9.
Published: 01 November 2009
... and authenticity. Modern art — in particular, the abstract arts (visual art, classical music, and modern dance) — is said to be about identifiable style and voice. Issues of content are left to the verbal or popular arts (novels, theater, song lyrics, and the movies). We have the idea that our notion...
Journal Article
Theater (2008) 38 (3): 85–109.
Published: 01 November 2008
... that works with voice and orchestra,” says Miller. “Over the years it has become something that lends itself to working with poetry or epic history, and obviously its most important resonance is its voice.”13 The cantata form is particularly appropriate for the TRC material in many regards. First...