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troupe

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Journal Article
Theater (1992) 23 (2): 61–81.
Published: 01 May 1992
... Copyright © THEATER 1992 1992 SAN FRAN CISCO MIME TROUPE A MI AST L Un SEEING DOUBLE clear. There were many, many issues Characters in order of appearance...
Journal Article
Theater (1985) 16 (2): 58–61.
Published: 01 May 1985
...William Kleb In 1984, the San Francisco Mime Troupe celebrated its twenty-fifth anniversary with two major productions and a major announcement. The productions were Steeltown, a musical about the current plight of the progressive labor movemat, and 1985, an updating of Dickens' A Christmas Carol...
Journal Article
Theater (1978) 9 (2): 15–20.
Published: 01 May 1978
...William Kleb Copyright © THEATER 1978 1978 Hotel Universe: Playwriting and the San Francisco Mime Troupe William Kleb Since 1970, when its founder, R. G. Davis, left and the company “classics,” while it was surely Davis as director who forged the became a “collective...
Journal Article
Theater (1988) 20 (1): 55–71.
Published: 01 February 1988
Journal Article
Theater (1986) 18 (1): 94–97.
Published: 01 February 1986
... antagonists - Franco, Hitler, Goering, TROUPE’S SPAIN/36 Mussolini, a Catholic Bishop represen- ting the Church and an anemic Bour...
Journal Article
Theater (1993) 24 (3): 71–79.
Published: 01 November 1993
...Denis Salter Le Théâtre Repère was founded by the director Jacques Lessard in 1980 in Québec City. A theater of research, not a permanent acting troupe, Repère creates a special company of actors for each project it undertakes. Robert Lepage joined Lessard and Repère in 1983 and stayed until...
Journal Article
Theater (1980) 11 (3): 119–122.
Published: 01 November 1980
.... - Peter Solomon" The San Francisco Mime Troupe has own self-supporting collective, II Collettivo been a major force in American political Teatrale La Comune, whose political...
Journal Article
Theater (1973) 4 (1): 110–116.
Published: 01 February 1973
... thread. Few meetings, few debates between audiences and troupes. Fewer discussions. A less continuous partici- pation. The Festival is tending to close in upon itself, on shows pre- sented and appreciated separately from each other. In short, it's be- coming a sort of "theatre fair" (it's...
Journal Article
Theater (2007) 37 (1): 99–105.
Published: 01 February 2007
... books Claudia Orenstein Good Theater in Bad Times The San Francisco Mime Troupe Reader edited by Susan Vaneta Mason 2005: University of Michigan Press Does political theater need to be good theater, in the sense that any other kind of the- ater might be good, because of its value...
Journal Article
Theater (2007) 37 (1): 85–89.
Published: 01 February 2007
... books Claudia Orenstein Good Theater in Bad Times The San Francisco Mime Troupe Reader edited by Susan Vaneta Mason 2005: University of Michigan Press Does political theater need to be good theater, in the sense that any other kind of the- ater might be good, because of its value...
Journal Article
Theater (2007) 37 (1): 90–98.
Published: 01 February 2007
... books Claudia Orenstein Good Theater in Bad Times The San Francisco Mime Troupe Reader edited by Susan Vaneta Mason 2005: University of Michigan Press Does political theater need to be good theater, in the sense that any other kind of the- ater might be good, because of its value...
Journal Article
Theater (2007) 37 (1): 106–112.
Published: 01 February 2007
... books Claudia Orenstein Good Theater in Bad Times The San Francisco Mime Troupe Reader edited by Susan Vaneta Mason 2005: University of Michigan Press Does political theater need to be good theater, in the sense that any other kind of the- ater might be good, because of its value...
Journal Article
Theater (2007) 37 (1): 113–117.
Published: 01 February 2007
... books Claudia Orenstein Good Theater in Bad Times The San Francisco Mime Troupe Reader edited by Susan Vaneta Mason 2005: University of Michigan Press Does political theater need to be good theater, in the sense that any other kind of the- ater might be good, because of its value...
Journal Article
Theater (1973) 4 (1): 83–109.
Published: 01 February 1973
.... For the first festival in 1963, he gathered together eight troupes from Europe and two from Turkey for one-night stands in Nancy's Grand Thigtre. From that humble beginning the festival has continu- ously expanded, always under Lang's leadership. In 1971 twenty-five troupes came from sixteen countries...
Journal Article
Theater (1993) 24 (3): 121–123.
Published: 01 November 1993
... as the went to the Yiddish theater, and they preferred mid-19th century, however, itinerant Jewish less intellectually demanding forms of enter- theater troupes began to wander from shtetl to tainment than Buloff’s heady oeuvre. As Buloff shtetl enacting crude...
Journal Article
Theater (2001) 31 (3): 139–151.
Published: 01 November 2001
... in the 1930s, to the work of the Bread and Puppet Theater and the San Francisco Mime Troupe in the 1960s, to the energetic actions of ACT UP in the 1980s, the twentieth century was ablaze with agitational per- formances in support of social...
Journal Article
Theater (1979) 10 (2): 94–103.
Published: 01 May 1979
... Mime in a fictional illusion). Troupe, that people will be moved to change society only when they know what they want. She calls upon the arts to help "piece I will discuss some of the principles...
Journal Article
Theater (1986) 18 (1): 36–41.
Published: 01 February 1986
... the the project. They were awarded the of the Group became interested in us- story of the itinerant theater troupe ai;d grant in 1984 while the Group was in ing two films in the development of the mapped out the rest of the piece. Boston at Sellars’ invitation performing piece: one of a late San...
Journal Article
Theater (1968) 1 (2): 116–123.
Published: 01 May 1968
...• American history: the rejection of the viously been presented by the La Mama dead forms, the spontaneous upsurge of Troupe at CaM La Mama and on a Europ• activity purified by the total lack ofcom• ean tour. It was directed by Tom mercial ambition, the sense of easy...
Journal Article
Theater (1969) 2 (2): 116–123.
Published: 01 May 1969
... is to Stage 73, New York, after having pre- American history: the rejection of the viously been presented by the La Mama dead forms, the spontaneous upsurge of Troupe at Cafi La Mama and on a Europ- activity purified by the total lack of com- ean tour. It was directed...