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torvald

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Journal Article
Theater (2004) 34 (3): 134–142.
Published: 01 November 2004
... leave her children in such Maude Mitchell as a manner. Ibsen decided to provide his own alternate ending to preempt someone else Nora and Mark Povinelli as Torvald from doing so. He...
Journal Article
Theater (2004) 34 (3): 143–145.
Published: 01 November 2004
... leave her children in such Maude Mitchell as a manner. Ibsen decided to provide his own alternate ending to preempt someone else Nora and Mark Povinelli as Torvald from doing so. He...
Journal Article
Theater (1984) 15 (3): 61–65.
Published: 01 November 1984
... about the imagined future exaggerated posture of pleading as she stands his material until it explodes into extrava- - Torvald’s sacrifice, her suicide - pedestalized on a chair, an unwilling gant gesture. Ibsen’s stage directions, for ex- become, not cheaply melodramatic, but vi- domestic...
Journal Article
Theater (1975) 6 (2): 73–80.
Published: 01 May 1975
.... Mert and Phil are Nora and Torvald, thrust into the 197Os, pushed to the bottom of the social ladder, and scarred by twenty years of meager cohabitation. Nora is lucky enough to understand her lack of identity early in life; Mert has been jolted...
Journal Article
Theater (2007) 37 (3): 73–85.
Published: 01 November 2007
... Ibsen’s characters chafe against. His deluded men — Torvald in A Doll House, Hjalmar in The Wild Duck, Rosmer in Rosmersholm — apprehend the world through the prism of a “life-lie,” often identical with idealist plots, that theatricalizes themselves and their loved ones. Nineteenth-century society...
Journal Article
Theater (2007) 37 (3): 87–115.
Published: 01 November 2007
..., that it’s really Torvald’s sibility you are going to end up with an intri- show. I understood it through Torvald. When cate synthesis. Many audience members say I gave a panel in Norway, I felt all the other that when the production breaks into opera, directors were men, but this play...
Journal Article
Theater (1999) 29 (1): 88–91.
Published: 01 February 1999
... wrote may be understood as an answer- antidote?- to A Doll?House (1879). It is the story of a husband who says the right thing to his discontented wife (in contrast to the obtuse, selfish Torvald in A Doll? House), and a wife who makes the right choice: not to leave her husband. Unlike Nora...
Journal Article
Theater (2012) 42 (3): 11–29.
Published: 01 November 2012
.... Nora is a caricature of bourgeois Ida Müller decadence, spending frivolously and obsessing over her appearance while engaging in acts of self-­mutilation and bulimia. Torvald, a capitalist in a pinstripe suit, is involved in suspect business practices, printing his own money, crashing the stock...
Journal Article
Theater (1984) 15 (2): 27–32.
Published: 01 May 1984
... they are just about Torvald’s tragedy as it was Nora’s, as much the childrens’, as ready to leap out of their chairs, I say, “Well, let’s just read it up much Doctor Rank‘s. Christina and Krogstad were the hope. That there and live in the house for awhile.” When they start moving was all we started...
Journal Article
Theater (1991) 22 (1): 20–26.
Published: 01 February 1991
... start out with a large idea. For example, American acting. I think that the rest of the world is when I did A Doll’s House, we said: this play is as much envious of our ability to do that. There’s a lot of stuff that about Torvald’s tragedy as Nora’s. We started there, and we could get better...
Journal Article
Theater (1980) 11 (2): 35–53.
Published: 01 May 1980
... to say so Torvald could hear. returns veiled as a mystery woman to The Marriage ofFigaro - Rank. And why don't you say it? 37 Nora. I don't dare. It's quite...