...William Hauptman Copyright © by yale/theatre 1975 1975 CHARACTERS Carroll Prine Harley Otis Tina Charles Druns Rhona...

...Rebecca Adelsheim Tina Satter / Half Straddle s Is This A Room: reality winner verbatim transcription, the Kitchen, New York, 2019. Photo: © Paula Court. Courtesy of the Kitchen 97 P roduct ions and Events Rebecca Adelsheim Reality Winners Is This A Room: reality winner verbatim transcription Tina...

... could say that at Tamara I am in a theatrical department store. To 22 make the reference more contemporary, let us say I am in a theatrical shopping mall. In the late 1980s, Tony ’n Tina’s Wedding spread more like a food fad than a theater piece. In New York...

... there is an image incorporated in these gram. vowels and consonants. Then you put images together and get a Then I started to get signals from Tina that she was starting phrase, and the images juxtapose and affect each other, and that goes Shakespeare and Company again. The next thing I knew, here I...

... to the National Endowment for the by Sarah Barker of the University of Pittsburgh. Afternoons Humanities for funding to train high school English consist of acting classes taught by Kevin Coleman, Tina teachers as Shakespearean actors. The grant Packer, Dennis Krausnik, and Peter...

... by Wolfe. And Floyd Collins, music and lyrics by Adam Guettel, book by Tina Landau, was commissioned and produced by the American Music Theater Festival and, in a revised version, by Playwrights Hori- zons in New York. Cast albums were made of all four of these works and are an essen- tial adjunct...

..., edited by Philip C. Kolin, New Ungar, 1987 (cloth)$16.95. York. Greenwood Press, 1989 (cloth). Beginning by Kenneth Brannagh, New York, W.W. Norton & Co., Approaching Zanzibar by Tina Howe, New York, Theatre 1990...

..., edited by Philip C. Kolin, New Ungar, 1987 (cloth)$16.95. York. Greenwood Press, 1989 (cloth). Beginning by Kenneth Brannagh, New York, W.W. Norton & Co., Approaching Zanzibar by Tina Howe, New York, Theatre 1990...

..., edited by Philip C. Kolin, New Ungar, 1987 (cloth)$16.95. York. Greenwood Press, 1989 (cloth). Beginning by Kenneth Brannagh, New York, W.W. Norton & Co., Approaching Zanzibar by Tina Howe, New York, Theatre 1990...

... with the Living Theater, they were the American theater move- ment of the sixties. I had read the books about them and seen their photographs and videos in theater history class. Surely I’d be tolerated but ignored. But what I found in Susan Yankowitz, Paul Zimet, Tina Shepard, Ellen Maddow, Shami Chaikin...

... the fact 70 The Talking Band in Worksong , with Tina Shephard in foreground, Ellen Maddow, Arthur Strimling, Margo Lee Sherman in first row, Paul Zimet and Sybille Hayn in second row. that Grotowski borrowed rituals - a prac• Hindu nor a believer in gods and rituals, I cannot think of them apart...

...)$16.95. York. Greenwood Press, 1989 (cloth). Beginning by Kenneth Brannagh, New York, W.W. Norton & Co., Approaching Zanzibar by Tina Howe, New York, Theatre 1990 (cloth) $19.95. Communications Group, 1990 (paper...

... to participate in the ritual theatrical connection (aptly named by Tina Landau as the “play-world” - what we create, or that which inhabits a theatrical space). The alternative is experimental theater, most of which is little more than masturbatory call-and-response for a more and more specidzed, limited...

... to take care of with me again, like Tina Landau. We did you from that point in the visual experience, to Charles L. Mee’s Orestes, down at the piers. She when you start to walk in, until you sit down, did a great job...

... . . . be- There is a difference, he maintained, between sides his own. I 116 Nightwufk by the Open Theatre. JoAnn Schmidman, Ralph Lee, Ellen Maddow, Tina Shepard, Paul Zimet, Ray Barry, Shami Chaikin, Tom Lillard. “getting your rocks off” in a display...

... in the history of professional Chilean Performances included Teatro de 10s Buenos Ayres (Argen- -theater, as a means for permanent critical reflection on present tina), which presented Historias para ser contadas by Osvaldo theater practice in their country. Dragiin; Grupo Pau-Brasil (Brazil...

... with the monochromatic wash that helped drain the Shakespeare and Company, the Berkshire the- life from Hartford Stage’s recent production of ater group started by British expatriates Tina Marivaux’s False Admissions. Packer and Kristin Linklater. The latter’s The examples of success without Standard method...

... the speech. The at• her sword, Elke Petri (Cassandra) exactly where to place her hands titudes are statuesque and clear, but the through-line of the inten• as she crawls into the House, and Tina Engel (Electra) at what tion is lost. "I concentrate to make no false step, no movement too precise angle...

... Dissident Catholic nun who grabs in an act of complicity with the performers. Our participation is microphone and guitar in a performance that crosses Mary Travers natural, unforced. Its very ease heightens the effectiveness of El with Tina Turner, no one is spared. Galp6n’s art...

... members of the audience stage their Constance Carr, Sydney own improvisation. They will invent the theme, cast it, play all the Johnson, Louva Irvine, Tina Bowden, and roles themselves and direct each other. Cards are distributed which many others. say, "If You Don't Like Your...