... Of Time - .- - .. Rustom Bharucha Commissioned by the City of Rotterdam, Philip Glass’s opera S~tyag~ahawas...

..., and approached his revival of Ben- Redeeming Time: no as a relatively tame narrative. In addition to the new scenes, he has made intelligent The RSC’s AZZ’s WeZl cuts in the especially repetitive memories, and placed Benno in those memories, giving him...

... Copyright © 1999 by Yale School of Drama/Yale Repertory Theatre 1999 ARKSOF TIME ki? David Hancock, Interviewed by Erika Munk ERIKA MUNK You seem to be attempting a new tate an unconscious suspension of disbelief at kind of realism, a new way of imagining...

... time, Yiddish 1937 by Lazar Kaganovich, Stalin’s right-hand culture flourished in the USSR, despite having man and a fluent Yiddish speaker raised in a to accede to the state’s noxious demands. religious home. “Where are the Maccabees?” Veidlinger pays fitting tribute to the persis- he asked after...

...Adrian Giurgea Yale School of Drama/Yale Repertory Theatre 2007 Anatoly Vasiliev with Yuri Lyubimov, School of Dramatic Art Theatre, 1989. Courtesy School of Dramatic Art Theatre Up Front “What Good Are Poets in a Bereft Time?” “Wozu Dichter in durftiger Zeit,” asked...

.... By embracing its roots in collective experience, poetic language, and bold themes, it might help shortsighted nations imagine their way out of catastrophe. Theater 45:1 doi 10.1215/01610775-2825355 © 2015 by Tom Sellar Time Stands Still Kate Attwell Have you ever fallen asleep in Times Square...

.../Yale Repertory Theatre 2016 durational performance Forced Entertainment Tim Etchells 12 a.m.: Awake & Looking Down social media and performance Jennifer Buckley Long “Live” Theater: Feeling Time and Togetherness in Forced Entertainment’s Livestreamed Durationals...

.... At the same time, aids devastated many artists and their neighborhoods. Concomitant with the nearly genocidal human cost of the epidemic, the government cut funding for the arts drastically. In the 1990s, Mayor Rudolph Giuliani began to “clean up” New York City by, for example, helping Disney take...

...Sam Shepard Copyright © THEATER 1978 1978 Time Sam Shepard In the realm of experimental writing for the theater, a young is always for the next “full-length, major opus” and anything writer is gradually persuaded that the “one act” form is a step shorter can only be taken...

...Mark Jeffery Mark Jeffery introduces the generative process behind the 2019 convening of in>time, an annual festival of Chicago’s tight-knit experimental performance scene. in>time closed the decade by celebrating the history of Goat Island, the ground-breaking company that itself formally...

..., from Downtown happenings on the rooftops and streets in the 1970s to now, back to streets and rooftops. Time Capsule Artists Reflect on a Pandemic Edited and introduced by Lily Haje, Nicholas Orvis, and Ashley M. Thomas As vaccines were going into arms and just before masks started coming off...

... in a Time of Commemorations Despite a reception subject to the taste of educated elites, posterity has transformed Molière into the tutelary figure of a popular theater that has sometimes been called national. This mutation is the product of a retrospective judgment and a mythology deliberately maintained...

... he Time of Mol ièr e A Gynocentric Vision of French Classical Theater The field of study of ancien régime women playwrights, as it emerged at the end of the twentieth century, is fundamental to decentering Molière. Its contributions to the recognition of women authors and the understanding...

...Nina Velekhova; Vladimir Klimenko, translated by Copyright © THEATER 1989 1989 THE LINK OF TIME: DIRECTING IN THE SOVIET UNION...

..., on the analytical drama - a perspective variously exemplified in the theories models of dramatic criticism. Rather, it has been judged a of Schiller, Lukacs, and Szondi - as a growing matter of relevance only to actors and directors who consciousness of time and of the subject's being in time, concern...

...Gordon Rogoff Copyright © THEATER 1991 1991 TIME, WILSON, AND WHAT A PLAY SHOULD DO GORDON ROGOFF ertrude Stein’s ‘continuous present...