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Theater (2000) 30 (3): 37–61.
Published: 01 November 2000
... Libretto by Caspar Neher and Kurt Weill Translated by Jonathan Eaton Die Bürgschaft [The Pledge] An Opera in Three Acts Characters...
Theater (1987) 18 (3): 30–34.
Published: 01 November 1987
...James Magruder Copyright © THEATER 1987 1987 THREE GAGS IN LUDLAM JAMES MAGRUDER an the critic accurately separate satire from parodp of a luau hostess...
Theater (1983) 14 (2): 86–92.
Published: 01 May 1983
... to think that his formers abandoned him. Consequently, he but de smell. condition is a natural consequence of liber- was forced to begin a three day engagement The slave gets put into jail for speaking his ty. He devises a new’definition of freedom in Cincinnati...
Theater (1985) 17 (1): 45–50.
Published: 01 February 1985
...Jane Ann Crum Copyright © THEATER 1985 1985 Three Generations of Lighting Design: An Interview with Peggy Clark Kelley, Jennifer Tipton, and Danianne Mizzy Jane Ann Crurn percent...
Theater (1981) 13 (1): 76–82.
Published: 01 February 1981
...Rick Davis Copyright © THEATER 1981 1981 dured; the only liveliness is in a strikingly- Buhne even criticized Shottenberg for play- realized Quodlibet. ing Titus too much like an acrobatic Three Nestory’s Quodlibets were a conven- Truffaldino, without...
Theater (1968) 1 (1): 112–113.
Published: 01 February 1968
...Michael Feingold Copyright 1968 by yale/theatre 1968 A CIRCULAR PLAY: Three Concentric Criticisms by Michael Feingold...
Theater (2020) 50 (3): 49–61.
Published: 01 November 2020
...Kathleen Cioffi Kathleen Cioffi provides an overview of the ambitious Paderewski Musical Project, examining the collision of American and Polish dramaturgies across three pieces— 3 Paderewskis, Virtuoso , and Memory Laws . All three were part of a 2017 competition encouraging American writers...
Theater (2021) 51 (2): 48–61.
Published: 01 May 2021
... of the piece around Europe and on-site in a radio studio in Kigali and explaining the role of radio in the Rwandan genocide of 1994. With The Congo Tribunal , Defraeye identifies several of the many global ramifications of what is often referred to as the African World War and summarizes the three cases...
Theater (2008) 38 (3): 67–83.
Published: 01 November 2008
... censorship of theater arts into three eras: 1) Zimbabwe's liberation struggle from the late 1960s through the 1970s, 2) the newly won independence of 1980s, with hope of economic and social progress giving way to frustration, and 3) the contemporary clash of President Mugabe's strong response against...
Theater (2020) 50 (2): 21–39.
Published: 01 May 2020
...Nicholas Lowe Nicholas Lowe, curator of goat island archive—we have discovered the performance by making it , a retrospective held ten years after the twenty-three-year run of the company Goat Island, explains how his concept of archival performance developed in response to Goat Island’s past...
Theater (1993) 24 (2): 67–75.
Published: 01 May 1993
... mother, when she and three other performance artists—Karen Finley, John Fleck, and Tim Miller—were defunded by then-chairman of the National Endowment for the Arts, John Frohnmayer. Although the chairman declared that the work of these artists lacked artistic merit, the NEA 4 went to court, charging...
Theater (1993) 24 (3): 71–79.
Published: 01 November 1993
... 1990 when he became, for three years, the Artistic Director of French Theater at the National Arts Centre in Ottawa. His major projects with Repère have included The Dragons' Trilogy (1985), Polygraph (1988), Tectonic Plates (1990), and now The Shakespeare Cycle, consisting of Michel Garneau's...
Theater (2008) 38 (3): 5–21.
Published: 01 November 2008
...John Houchin In this article, John Houchin, author of Censorship of the American Theater in the Twentieth Century, continues his exploration of censorship and its social ramifications. In censorship battles throughout history, debates may have been addressed in two or three newspaper articles, only...
Theater (2010) 40 (1): 11–23.
Published: 01 February 2010
...Emily Coates In this article, Emily Coates discusses the work of three choreographers—Opiyo Okach, Yasmeen Godder, and Yvonne Rainer—whose work was shown at Yale University's Festival of International Dance in 2008. She examines their work from both global and local perspectives, suggesting various...
Theater (2012) 42 (1): 11–19.
Published: 01 February 2012
...Emily Coates In this article, Emily Coates proposes the concept of “intercultural kinesis” to describe the transnational collaborations; temporary, embodied onstage communities; and surprising juxtapositions of cultural heritages present in three productions brought to Yale University by the World...
Theater (1986) 18 (1): 42–51.
Published: 01 February 1986
... of three years. Each production will be rooted in the indigenous cultural context of the individual city; it will be performed by an actress belonging to the city, who will shape Kroetz's text according to her own needs and tensions, her own sense of history. Totally wordless, Kroetz's monodrama focuses...
Theater (1990) 21 (1_and_2): 120–123.
Published: 01 February 1990
... to be doing on March 1, 1988 included reading a series of Hasidic stories like this one to a group of student designers and directors at Yale. In previous years Hirsch had come to New Haven to lead - with host Ming Cho Lee's hospitable assistance - three-week explorations of Pericles and King Lear. This time...
Theater (1978) 10 (1): 31–36.
Published: 01 February 1978
... thirty-three weeks. A.C.T. has a staff of over 200 with a yearly budget of $4,000,000.00; only 28% of this figure comes from grants and foundations. The position of “dramaturg” at A.C.T. evolved as the pragmatic “literary” needs of the company made themselves apparent over the years. Dennis Powers has...
Theater (1989) 20 (3): 46–49.
Published: 01 November 1989
... the theatrical motif to examine three separate issues. The first concerns Stalin's chameleon-like behavior towards all who came into contact with him. He goes on to describe the masterful staging of the Moscow Purge Trials during which virtually all the key actors - the defendants, witnesses, prosecutor, judge...
Theater (2021) 51 (3): 61–89.
Published: 01 November 2021
... is our theatre? a play-conversation & installation about love, catastrophe, climate grief & other things. Figures There are four actors/voices in this play (though there could be staging/s where eight or more are cast) They are called, in the play, One, Two, Three, and Four. They refer to each other...