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Journal Article
Theater (1 November 1998) 28 (3): 98–100.
Published: 01 November 1998
... - positioning, and taken up and nailed down by QUEERERTHANYou critics, it’s a horrible thing. This was to be the THINK fate of camp, and Ludlam is quite pointed in his critique. “The thing that’s really...
Journal Article
Theater (1 November 2001) 31 (3): 31–45.
Published: 01 November 2001
... contradictions and extremes that both dis- performance. turb us and inspire us in the same way our dreams do. Yes. I think the theater can be a smith “Is...
Journal Article
Theater (1 November 2009) 39 (3): 144–155.
Published: 01 November 2009
...Claudia Orenstein © 2009 by Yale School of Drama/Yale Repertory Theatre 2009 Great Small Works Eighth International Toy Theater Festival St. Ann's Warehouse, Brooklyn, NY, May 23–31, 2008 Productions Claudia Orenstein Thinking inside the Box: Meditations on the...
Journal Article
Theater (1 November 1984) 15 (3): 24–31.
Published: 01 November 1984
... haunted my conversation with Kroetz which took place in his Munich apartment, where he lives with Alexandra Weinert. Copyright © THEATER 1984 1984 Thinking in Public: An Interview with Franz Xaver Kroetz...
Journal Article
Theater (1 November 2010) 40 (3): 55–65.
Published: 01 November 2010
... Deutschland 2—Berlin Back Up (2002), which restages a German parliamentary debate. She discusses the role of participation and spectatorship in such reenactments, arguing that these performance pieces embody new ways of thinking about history and politics. © 2010 by Yale School of Drama/Yale Repertory...
Journal Article
Theater (1 February 1969) 2 (1): 102–105.
Published: 01 February 1969
... Copyright 1969 by yale/theatre 1969 Interview with Robert Brustein The following interview took place be- really think they make a great effort to tween Robert Brustein, critic and Dean transform the inner man. And they are do- of the Yale School...
Journal Article
Theater (1 November 2012) 42 (3): 48–63.
Published: 01 November 2012
... we make. . . . . . . What do you think’s the hardest thing about Who feels: the reason the world is the way being born, for the baby? it is, is because most of us do live by our true...
Journal Article
Theater (1 February 2013) 43 (1): 109–125.
Published: 01 February 2013
... something before. In other words, it is a kind of secret, you think, but to actually say it out loud, so no one else besides me, not a single person, even if you are thinking it, it’s something you knows that I’ve kept the kind of thing I’m shouldn’t articulate, so I keep it a secret...
Journal Article
Theater (1 May 2002) 32 (2): 57–61.
Published: 01 May 2002
... performers in their group, just fewer words? and I thought it might be fun to leave out as much of the text as possible and express its Fewer words is obvious. I think you can’t have impacted nature through dance. This meant everybody explaining everything. But...
Journal Article
Theater (1 February 1991) 22 (1): 34–39.
Published: 01 February 1991
... classical base. Who are some modem writers that you would consider ‘classic’?How do you qualw writers as ‘classical?’ Pinter to me, Pinter and Beckett, are among the very few contemporary writers who can create works which transcend completely their time and place. I think that it...
Journal Article
Theater (1 May 1969) 2 (2): 12–16.
Published: 01 May 1969
... with and the It's a status quo. It is when it is supposed emptiness that we surround ourselves to be serious that it seems to me it is a with. I think that's the function of art titillation of emotions without any true and I think that that is possible for us as profound...
Journal Article
Theater (1 May 1968) 1 (2): 12–16.
Published: 01 May 1968
... with and the It's a status quo. It is when it is supposed emptiness that we surround ourselves to be serious that it seems to me it is a with. I think that's the function of art titillation of emotions without any true and I think that that is possible for us as profound...
Journal Article
Theater (1 February 1991) 22 (1): 6–13.
Published: 01 February 1991
... histoy (not always the same thing) spills over into her art. combination of factors in Anne Bogart's sensibility (probably Her productions of South Pacific and On the Town (the lust 6 piece she directed at Trinity) were both framed to comment think few people understand. He said that as human...
Journal Article
Theater (1 February 1994) 25 (1): 82–86.
Published: 01 February 1994
... letters. That’s where I begin to think about like objects? Because we’re not to assign a you and kabbala. The Hebrew letters obvious- meaning to “Poetic Theory.” ly aren’t out there to be allegorized by your audience in any way. They’ve been...
Journal Article
Theater (1 November 1991) 22 (3): 9–17.
Published: 01 November 1991
... is the third panel of his no longer think of any particular audience. I was mainly Ghetto Triptych, a trio of plays examining ZiJe in the concerned with trying to come to grips with the particular Jewish ghetto in Vilna (Vilnius),Lithuania in the early 1940s. reality of the ghetto. The...
Journal Article
Theater (1 February 1991) 22 (1): 27–33.
Published: 01 February 1991
... associate producing certainly didn't think of it in that respect - it was just a director. In the fall of 1991 he will assume the artistic ceremony I enjoyed participating in. But underneath it all directorship of the theater. Originally a chemical engineer was an essential yearning for spiritual...
Journal Article
Theater (1 May 2010) 40 (2): 75–113.
Published: 01 May 2010
...? Is that fast enough? I think? And — the Capulets! There were fights. (I remember that part.) The...
Journal Article
Theater (1 November 2007) 37 (3): 117–127.
Published: 01 November 2007
... avoid moments when the state says you can’t affected you so profoundly? do that because it’s not responsible?” It was shocking — it’s been so long now since But I think in Fischer it also was the I read it — the idea of the connection of art to first...
Journal Article
Theater (1 February 2016) 46 (1): 5–13.
Published: 01 February 2016
... think you can’t walk across the stage without How did you do that? being political. I think a girlie show is politi- cal. I think a girlie show is very political. Yes, Well, first of all, no chairs. When you come all theater is political...
Journal Article
Theater (1 May 1986) 17 (2): 37–41.
Published: 01 May 1986
... Chekov. He said “do a comedy.” I think we considered three plays: Erdman’s The Suicide, Brecht’s Puntifh, and this. I’ve worked with the Karamozovs before...