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Theater (2013) 43 (1): 109–125.
Published: 01 February 2013
...Toshiki Okada chelfitsch’sThe Sonic Life of a Giant Tortoise: Youth Is Not the Only Thing That’s Sonic, Kanagawa Arts Theater, Tokyo, 2011. Photo: Kikuko Usuyama Toshiki Okada Translated from Japanese by Aya Ogawa The Sonic Life of a Giant Tortoise Youth Is Not the...
Theater (2018) 48 (3): 81–99.
Published: 01 November 2018
Theater (2009) 39 (2): 71–77.
Published: 01 May 2009
... Things that Have to Do with Us A Playwright’s Notes on the Struggle for New Romanian Plays Until 2002, the Romanian stage had been rather dull, except for the first three or four years after 1989, when the Ceauşescu regime fell. Several directors who had been living in the West (among them...
Theater (2017) 47 (1): 101–115.
Published: 01 February 2017
... proposes decolonized curation as the imaginative affirmation of a wholly new collective sociability and finds a model for these relations in the notoriously “difficult to curate” art of Lygia Clark. As “wild things,” rather than objects of art, the works of Clark escape the colonized art system, offend...
Theater (1990) 21 (1_and_2): 120–123.
Published: 01 February 1990
.... This time the focus was to be on Hirsch's own adaptation of the classic Yiddish play The Dybbuk, and the students would find themselves called to a consideration of the spiritual side of human life. For this first two-hour session John Hirsch talked about his life in art; it was one of the things he...
Theater (1995) 26 (1_and_2): 156–161.
Published: 01 February 1995
... mediator – has made some introductory remarks to get the discussion rolling, but things have been pretty quiet, until… Copyright © Theater 1995 1995 ...
Theater (2002) 32 (2): 57–61.
Published: 01 May 2002
... four hun- the opposite. It’s simply that there aren’t any dred. You didn’t realize there were that many of external, metaphysical systems determining them, but there are. So, it took me a long time these things. It...
Theater (1968) 1 (3): 6–12.
Published: 01 November 1968
... most dis• tinguished manner. Miller: The last thing we want is a mandarin conservatory theatre which simply repro• duces ancient moth-hole productions, but I can't understand what "ritual theatre" means. Improvised and superimposed rituals in the theatre? Student: It's...
Theater (1974) 5 (3): 10–13.
Published: 01 November 1974
... Peter Jacob Pau I Act One (Priest, Peter, Jacob. Peter is asleep) Scene one PRIEST Do you see that gray thing...
Theater (1976) 7 (2): 54–55.
Published: 01 May 1976
...- portant thing. When a new writer came to his home or workshop he was ecstatic. I remember one morning the young writer Babel came with two short...
Theater (1968) 1 (3): 32–40.
Published: 01 November 1968
...) Wrong. Wrong. Wrong. Wrong. Then, suddenly, someone shouts his answer from the back. Others join him. They all shout at once. It becomes a loud and fast thing. The teacher speaks rapidly trying to reply to each; Wrong, wrong, wrong, wrong, wrong, wrong, wrong. Damn it! You're wrong...
Theater (1999) 29 (1): 81–87.
Published: 01 February 1999
... Sherman’s eighteen- minute Hamlet “spectacle” or Richard Foreman’s baroque elaboration of skulls and clocks and strings and Hebrew letters, but objects that tug us away from the stage to the offstage world of the banal and the commonplace. This is a theater of first-degree things, as Heidegger, one...
Theater (1973) 5 (1): 131–138.
Published: 01 February 1973
.... Our lord Apollo bids us purify the state by driving out a defiling thing that has been cherished in this land. Oedipus What thing is that? Creon...
Theater (1978) 9 (2): 59–61.
Published: 01 May 1978
... theoretically, but having to understand it in a Workshop” that meets in New York. We’re getting ready to do real life practical way is another thing. The only way you can a poetry reading of revolutionary poetry from around the world, deal with it is the way I tried to deal with it when I was very and...
Theater (1997) 27 (2_and_3): 87–95.
Published: 01 May 1997
... own voice. I’m starting to be hard on myself, learning when to WELLMAN The surface truly is the deep stue it throw things out and rewrite, and not to treat radiates with complexity. I think of the larger the text as a sacred thing. structural ideas growing like crystals. A simple...
Theater (1991) 22 (1): 83–88.
Published: 01 February 1991
... and sung Contest),A Conversation with Georgia visible” somehow. I wrote poetry for country western music since I was O’Keefe, Tales of the Lost Formicans about five years and I was just eleven, so I had this performing thing (produced at the 1989 Humana beginning to get...
Theater (1992) 23 (3): 6–20.
Published: 01 November 1992
... FrequentFlyerland: were topical, he had actors addressing the audience here the star attraction is the Haunted Fuselage, a sort of directly, and things occasionally got out of control. fun house ride over the course of which you encounter See, and everybody thinks it was just Gary Shandling. I...
Theater (2017) 47 (1): 39–51.
Published: 01 February 2017
... Could you describe the evolution of formance design to talk about the same thing. the Prague Quadrennial under your leadership? Scenography is an old word for a simple What changes did you make to the format, and thing — stage design — that we use in East- what themes did you engage? Were these...
Theater (1969) 2 (1): 45–52.
Published: 01 February 1969
... Drama. Katherine Ling: They're not great as actors. That's not their strong point. Their strong point is they're a living thing, a body theatre. It's a seduction theatre. And if they don't go with that all the way, then they cannot possibly be convincing. I've seen them looking fake and...
Theater (1975) 7 (1): 77–91.
Published: 01 February 1975
..., to encourage people to come not just for an artistic experience but to feel good. So, as well as doing the refined, sharp, exploratory work in the experimental area itself-new material, new ways of doing old material-it's important to do things which have a festive nature, outdoor things...