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Journal Article
Theater (1 February 1978) 10 (1): 15–30.
Published: 01 February 1978
... profession. The responses printed here come from many though not all of the resident theaters which have literary staffs. These statements do not necessarily represent the views of theaters mentioned in them. Copyright © THEATER 1978 1978 Dramaturgs in America: Eleven...
Journal Article
Theater (1 May 1985) 16 (2): 4–5.
Published: 01 May 1985
...Joel Schechter Copyright © THEATER 1985 1985 Politics as Theater, Theater as Politics: An Introduction As the calendar year changed to 1985, readers of 1984 breathed One conimentator has ohservcd that Ronald Reagan’s carver in more easily...
Journal Article
Theater (1 May 1986) 17 (2): 81.
Published: 01 May 1986
...Ronald Faux Copyright © THEATER 1986 1986 THEATER ON ..THE.ISLE.-OFIMULL Mull’s Little Theater of Two Faces Final Curtain...
Journal Article
Theater (1 May 1989) 20 (2): 85–90.
Published: 01 May 1989
...Cindy Lutenbacher Copyright © THEATER 1989 1989 THEATER X’S A HISTORY OF SEXUALITY CINDY LUTENBACHER rench philosopher and cultural...
Journal Article
Theater (1 February 1978) 10 (1): 70–76.
Published: 01 February 1978
...Rustom Bharucha Copyright © THEATER 1978 1978 Theater in Baltimore • New Ideas In Search of a Theater Rustom Bharucha Originally founded in 1974 by Don Boros as The mance...
Journal Article
Theater (1 February 1979) 11 (1): 85–97.
Published: 01 February 1979
...Jack Zipes Copyright © THEATER 1979 1979 From May 4th through June 6th, 1979, the tale motifs in their first two plays, Milli- Theater Abroad: city of West Berlin sponsored an Interna- RZli and Stokkedok, to depict ways in...
Journal Article
Theater (1 May 1980) 11 (2): 55–62.
Published: 01 May 1980
...Jack Zipes Copyright © THEATER 1980 1980 Theater in Paris Theater and Commitment: Theatre du Soleil's Mephisto Jack Zipes Hofgen in front of a mural depicting military heroes of the Wilhelminian' era...
Journal Article
Theater (1 February 1980) 12 (1): 46–54.
Published: 01 February 1980
...Alisa Solomon Copyright © THEATER 1980 1980 Theater in Two Americas: The Second Latin American Po~ularTheater Festival A Alisa Solomon I found it impossible to avoid being swept up in the en- extent to which it accomplishes its purpose. But such a judgement thusiasm...
Journal Article
Theater (1 February 1980) 12 (1): 72–78.
Published: 01 February 1980
...Kenneth Bernard Copyright © THEATER 1980 1980 Theater in New York The four plays directed by Peter who appears as a character. The overall Brook at LaMama from April 30 to June point of view is that civilization...
Journal Article
Theater (1 November 1981) 12 (3): 80–85.
Published: 01 November 1981
...Jules Aaron Copyright © THEATER 1981 1981 charm and archness but can do little more. And as Lolita, Blanche Baker assumes that THEATER IN LOS ANGELES awkward poses, distended limbs, and whiny tones can capture adolescence. Almost every other performance...
Journal Article
Theater (1 May 1983) 14 (2): 75–81.
Published: 01 May 1983
...Jean Brody Copyright © THEATER 1983 1983 first went into rehearsal for Anna he thought he was going to make a piece called A Lge, As ZfBy Chance, which viewed one woman’s life from as many different view- points as possible, including that of the vase Theater in the...
Journal Article
Theater (1 February 1990) 21 (1_and_2): 111–112.
Published: 01 February 1990
...Susan Mason Copyright © THEATER 1990 1990 THE THEATER WORKER’S PROJECT SUSAN MASON esse Helms’ messianic assault on by a PBS/KCET...
Journal Article
Theater (1 May 1978) 9 (2): 147–148.
Published: 01 May 1978
...Gary Jay Williams Copyright © THEATER 1978 1978 Theater in New York Jason and the Guilt Fleece: A Touch of the Poet Directed by Jose Quintero Helen Hayes Theater Gary Jay Williams With Broadway as it is this season to date, are...
Journal Article
Theater (1 May 1978) 9 (2): 149–151.
Published: 01 May 1978
...Oscar Giner Copyright © THEATER 1978 1978 Theater in New York Mark Me: The Dybbuk Directed by Joseph Chaikin Public Theater Oscar Giner There is a tradition in the modern theater spirit, which returns during the bridal currence which generates the dramatic...
Journal Article
Theater (1 November 1991) 22 (3): 4–7.
Published: 01 November 1991
...Bread and Puppet Theater; Puppet Theater Copyright © THEATER 1991 1991 GUEST EDITORIAL: TH€ FOOT BREAD AND PUPPET THEATER...
Journal Article
Theater (1 February 2002) 32 (1): 72–85.
Published: 01 February 2002
...Robert Brustein; Gregory Boyd; Larry Eilenberg; Laura Eason; Chris Coleman; Peter DuBois; David Herskovits © 2002 by Yale School of Drama/Yale Repertory Theatre 2002 Artistic Directors on Criticism Theater invited artistic directors from across the country to examine the state of theater...
Journal Article
Theater (1 November 1979) 10 (3): 7–9.
Published: 01 November 1979
...Ruth Mayleas Copyright © THEATER 1979 1979 Resident Theaters as National Theaters Ruth Mayleas Ruth Maylecrs served for thirteen years as director of fect, our national theater? What kind of alternative is it? What the National Endowment for the...
Journal Article
Theater (1 May 1973) 4 (2): 8–16.
Published: 01 May 1973
...Stanley Kauffmann Copyright © by yale/theatre 1973 1973 8 Theater and Drama Criticism: Some Notes Stanley Kauffmann A critic who comments on other critics and the state of criticism usually ends up sounding like the lunatic in the old joke. That...
Journal Article
Theater (1 November 2008) 38 (3): 23–37.
Published: 01 November 2008
...Miriam Felton-Dansky In this article, Miriam Felton-Dansky outlines recent debates over censorship and controversial theater in an international context. She describes the history of Western free speech debates since the fall of Communism, delineates recent scandals such as the uproar over Behzti...
Journal Article
Theater (1 November 2008) 38 (3): 67–83.
Published: 01 November 2008
...Praise Zenenga Praise Zenenga's article navigates the long and troubled history between Zimbabwe's theater artists, and national government and local police strongmen. Zenenga uses the Zimbabwean Censorship and Entertainment Control Act of 1967 as his departure point and compartmentalizes...