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Journal Article
Theater (1984) 15 (3): 32–36.
Published: 01 November 1984
... of 1983. Oskar Eustis, resident dramaturg at the Eureka Theater in San Francisco, translated the play for its premiere there, and discussed the production with Molly Fowler last August. Neither Fish Nor Fowl portrays two married couples, and shows the changes in their relationships after technological...
Journal Article
Theater (2012) 42 (2): 119–137.
Published: 01 May 2012
...Miriam Felton-Dansky Felton-Dansky proposes a new category of performance called “viral performance,” in which artists use new media and technology to stage politically provocative public hoaxes. These artists disseminate tantalizing fictions, then reveal the truths beneath them, as a strategy...
Journal Article
Theater (2020) 50 (2): 21–39.
Published: 01 May 2020
... ideas of the performances by various means—including architectures, human bodies, historical narratives, and digital technologies—to invoke past performances within the present. 21 Nicholas Lowe Discovering the Exhibition by Curating It Performing Goat Island s Archive I am struck again...
Journal Article
Theater (2012) 42 (2): 139–146.
Published: 01 May 2012
... and Media Theatre and Performance in Digital Culture: From Simulation to Embeddedness by Matthew Causey 2006: Routledge Entangled: Technology and the Transformation of Performance by Chris Salter 2010: mit Press The theater, if it is to survive, must do what it does best — what only it can...
Journal Article
Theater (2013) 43 (3): 5–23.
Published: 01 November 2013
... of surveillance technologies, encountering them not only in disciplinary exchanges with surveillance cameras or policemen but also in a multitude of quotidian transactions and activities. Digital technologies that are deeply integrated in our everyday lives are nearly all functionally undergirded...
Journal Article
Theater (2017) 47 (2): 108–115.
Published: 01 May 2017
... Association: Performance and Media in Contemporary Theater introduces readers to a theater that embraces all man- ner of arts and technologies, but also uses the specificity of the theater to reflect on the nature of these many technologies: the work reveals the theater itself as a reciprocating...
Journal Article
Theater (2018) 48 (1): 124–132.
Published: 01 February 2018
...Maurya Wickstrom Discipline and Desire: Surveillance Technologies in Performance , by Morrison Elise , Ann Arbor : University of Michigan Press , 2016 Copyright © 2018 Yale School of Drama/Yale Repertory Theatre 2018 Books M W S H  S Discipline and Desire...
Journal Article
Theater (1973) 4 (3): 134–147.
Published: 01 November 1973
... convictions and pretentions. Essentially a pre-technological effort toward flight, ballet is a strategy for divesting oneself of body, that source of heaviness on which gravity tugs. To be free of one's body is to no longer be pulled downward; and a being which...
Journal Article
Theater (2001) 31 (1): 41–49.
Published: 01 February 2001
... was not the first to note that Pure War turns territorial advance and exter- nal colonization into temporal and technological advance and endocolonization. This was the mantra of countercultures from the 1950s well into the 1970s. The one constant...
Journal Article
Theater (2016) 46 (2): 1–5.
Published: 01 May 2016
... to new technologies. This time, though, the emphasis is slightly different. Prompted in part by the proceedings of the 2015 Technē Institute Colloquium at the University at Buffalo —  which we co-­organized — this issue examines the emerging forms of affective experi- ence engendered by digital...
Journal Article
Theater (2018) 48 (1): 5–19.
Published: 01 February 2018
..., it has influenced our physical relationship to technologies such as our smartphones, gps trackers, drones, and cameras. But, as Elise Morrison has pointed out, it is also shaping our identities: Techniques and technologies of surveillance, particularly as they are developed to chart...
Journal Article
Theater (2016) 46 (3): 63–81.
Published: 01 November 2016
... But according to writer and theorist Kodwo Eshun (More Brilliant than the Sun), its trajectory actually begins circa 1992 with writings on black science fiction authors by Mark Sinker and a review called “Yo! Hermeneutics!” by Greg Tate look- ing at how black music’s innovative uses of technologies through...
Journal Article
Theater (2012) 42 (2): 1–2.
Published: 01 May 2012
... Dramaturgies, this special issue of Theater. Changing media and technologies of the last decade have immeasurably altered live performance — how theater is made, how it is conceived, and how it functions in relationship to other art forms. How to best offer perspectives on such changes, when many...
Journal Article
Theater (2012) 42 (2): 3–5.
Published: 01 May 2012
... take over? The questions Dorsen asked onstage echoed the questions confronting us as guest editors of Digital Dramaturgies, this special issue of Theater. Changing media and technologies of the last decade have immeasurably altered live performance — how theater is made, how...
Journal Article
Theater (2012) 42 (2): 65–77.
Published: 01 May 2012
.... The Wagnerian Gesamtkunstwerk returns us to “Gaia’s holy ur-womb” by means of technology that is buried, like Nibel- heim, beneath the theatrical structure; this need to create illusions of organicity by Drawing of means of mechanics produces a ratcheting...
Journal Article
Theater (2000) 30 (2): 3–7.
Published: 01 May 2000
... Klaic´ (originally as “Small Scale Opera and Music Theatre has previously convened in Brussels, Antwerp, Colmar, Copenhagen, Toronto, Cambridge, and Amsterdam. This year it focused on “Voice, Creation, and New Technology.” Held at Montreal’s...
Journal Article
Theater (2000) 30 (2): 59–64.
Published: 01 May 2000
... composed and performed her densely layered works in the United States, Europe, and Japan since 1984. Using her voice, live electronic processing, and sampling technology, she combines operatic bel canto and extended-vocal techniques with digital delays...
Journal Article
Theater (2008) 38 (1): 132–141.
Published: 01 February 2008
..., it was also clear that puppetry remains a particularly timely art today, speaking to current concerns as much through its medium as through its subject matter. Our increasingly technological world forces us to examine our relationship to the machines that share in all our daily...
Journal Article
Theater (2008) 38 (1): 142–147.
Published: 01 February 2008
..., however, it was also clear that puppetry remains a particularly timely art today, speaking to current concerns as much through its medium as through its subject matter. Our increasingly technological world forces us to examine our relationship to the machines that share in all our...
Journal Article
Theater (2000) 30 (2): 9–23.
Published: 01 May 2000
... music but also Cage-influ- enced aleatory work) was profoundly influenced by philosophical ideas from German idealism and Eastern philosophies. The abstract and idealized nature of instrumental music (and its technological successor, electronic music...