Search Results for tabori

...Jack Zipes Copyright © 1999 by Yale School of Drama/Yale Repertory Theatre 1999 JACK ZIPES GEORGETABORI AND THE JEWISH QUESTION Ever since the production thirty years ago of his first major play, The Cannibals, George Tabori has been turning Jewish...

...George Tabori; Kevin S. Wood, translated by Copyright © Theater 1996 1996 THE KISS THE FIRST TIME I encountered him was a quarter-century ago, In the B.E. at the premier of Woyzeck. During the intermission I sat with Ekkehard Schall...

...George Tabori; Jack Zipes, translated by Copyright © 1999 by Yale School of Drama/Yale Repertory Theatre 1999 GEORGETABORI MY MOTHER’SCOURAGE TransZated by Jack Zipes SCENEONE...

..., a realm that nevertheless has been thematic turns, straightening into brief narra- touched by history’s shifts.” Botho Strauss, tive strokes, and dotted with sumptuous poetry. George Tabori, Georg Seidel, Klaus Pohl, ZIPES Tankred Dorst, Elfriede Jelinek, and Heiner highly unusual...

..., and the messy — ­all part of the actors’ sensuous presence on stage. The Frankfurter Allgemeine Zeitung remembered Zadek as “the old Berlin Jew with an English mentality,” comparing him to George Tabori, “the old Budapest Jew” — the 117...

... these writers are American and relatively young. But we’re also publishing George Tabori’s 1979 play My Mother’s Courage. How does such a work relate to our sit- uation? First, publishing Tabori, whose neglect in this country should be incredible, is a reproach to the parochialism of our theater. We...

... ,“Rewriting The Ladypom the Sea,” Interventions” [book review: David Roman’s no. I, 89-91. Acts $Intervention: Performance, Gay Culture, andAIDS], no. 2,161-63. Tabori, George, My Mother’s Courage, no. 2, 109-29. Reznikov, Hanon, obituary...

.... Kaufmann, Stanley, “Gabriel Blew His Horn,” [book Tabori, George, “The Kiss,” trans. Kevin S. Wood, review: Bernard Shaw and Gabriel Pascal, ed. Bernard no. I, 74. F. Dukore], nos. 2-3, 159-161. Taylor, Zanthe, “Singing for Their Supper: The Klait Dragan, “A Peek Out...

... with the Director George Tabori * Ritsaert ten Cate on the Malaise of the Festival University, and he has written books about the Moscow Art Culture * Transfer of Theatre Management Know-how Needed in Eastern...

... the private shape of a question mark curving around dense realm, a realm that nevertheless has been thematic turns, straightening into brief narra- touched by history’s shifts.” Botho Strauss, tive strokes, and dotted with sumptuous poetry. George Tabori, Georg Seidel, Klaus Pohl, ...

...-routing Merchant of Venice advertised showcases, particularly in divided Berlin, where with a poster showing a leering, hooknosed cultural institutions faced off across the Wall, Shylock driving a knife into Antonio’s heart; lavishly underwritten by the opposing govern- George Tabori’s...

..., conventional theater broke the ice much sooner, in 1971 - characteristic of Pinkvilfe (1971), by George Tabori, an un- although not because dramatists possessed some special au- memorable diatribe disguised as drama, in which the sincerity of thority among artists, but because a particular writer...

..., Stab und Stangl, directed by the brilliant designer Anna Viebrock, developed an Ibsenesque subtext for Wolken.Heim. George Tabori, 1997...

... in The Resistible Rise of (thus muddying George Tabori’s adaptation of Arturo Ui. Photo: the text) in an attempt to increase presence. Joan Marcus These maneuvers, along with many...

... in The Resistible Rise of (thus muddying George Tabori’s adaptation of Arturo Ui. Photo: the text) in an attempt to increase presence. Joan Marcus These maneuvers, along with many...

... in The Resistible Rise of (thus muddying George Tabori’s adaptation of Arturo Ui. Photo: the text) in an attempt to increase presence. Joan Marcus These maneuvers, along with many...

..., was one of the earliest members of The Open Theatre. Martin Fried's di- rection of George Tabori's The Cannibals employed techniques dev- eloped by ensemble groups. Tom O'Horgan's productions of Futz and Tom Paine at La Mama could not have existed without the scripts of Rochelle Owens and Paul...

... and with utter minimalism, but with virtuosity of delivery. I recognize some of the sarcastic Viennese absurdism that reaches from Nestroy to Bernhard via Horváth and now to Georg Tabori (Mein Kampf ), but I fail to recognize some inner necessity in the company’s choice of Canetti, some urgency or special...

... before the fall both soldiers and concentration camp pris- matter if you are torn apart by a sword or some computer-guided oners; then he mentioned Peter Weiss and uranium warhead. On the other hand, now there are no more quoted George Tabori...