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tabori

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Journal Article
Theater (1999) 29 (2): 98-107.
Published: 01 May 1999
...Jack Zipes Copyright © 1999 by Yale School of Drama/Yale Repertory Theatre 1999 JACK ZIPES GEORGETABORI AND THE JEWISH QUESTION Ever since the production thirty years ago of his first major play, The Cannibals, George Tabori has been turning Jewish...
Journal Article
Theater (1996) 27 (1): 74.
Published: 01 February 1996
...George Tabori; Kevin S. Wood, translated by Copyright © Theater 1996 1996 THE KISS THE FIRST TIME I encountered him was a quarter-century ago, In the B.E. at the premier of Woyzeck. During the intermission I sat with Ekkehard Schall in the...
Journal Article
Theater (1999) 29 (2): 108-129.
Published: 01 May 1999
...George Tabori; Jack Zipes, translated by Copyright © 1999 by Yale School of Drama/Yale Repertory Theatre 1999 GEORGETABORI MY MOTHER’SCOURAGE TransZated by Jack Zipes SCENEONE...
Journal Article
Theater (1997) 27 (2_and_3): 163-165.
Published: 01 May 1997
... dense realm, a realm that nevertheless has been thematic turns, straightening into brief narra- touched by history’s shifts.” Botho Strauss, tive strokes, and dotted with sumptuous poetry. George Tabori, Georg Seidel, Klaus Pohl, ZIPES Tankred Dorst, Elfriede Jelinek, and Heiner highly...
Journal Article
Theater (1999) 29 (3): 176-178.
Published: 01 November 1999
... ,“Rewriting The Ladypom the Sea,” Interventions” [book review: David Roman’s no. I, 89-91. Acts $Intervention: Performance, Gay Culture, andAIDS], no. 2,161-63. Tabori, George, My Mother’s Courage, no. 2, 109-29. Reznikov, Hanon, obituary in...
Journal Article
Theater (1999) 29 (2): 2-3.
Published: 01 May 1999
....) All these writers are American and relatively young. But we’re also publishing George Tabori’s 1979 play My Mother’s Courage. How does such a work relate to our sit- uation? First, publishing Tabori, whose neglect in this country should be incredible, is a reproach to the parochialism of...
Journal Article
Theater (1997) 28 (1): 124.
Published: 01 February 1997
.... 29-34. Kaufmann, Stanley, “Gabriel Blew His Horn,” [book Tabori, George, “The Kiss,” trans. Kevin S. Wood, review: Bernard Shaw and Gabriel Pascal, ed. Bernard no. I, 74. F. Dukore], nos. 2-3, 159-161. Taylor, Zanthe, “Singing for Their Supper: The Klait Dragan, “A...
Journal Article
Theater (2010) 40 (3): 116-127.
Published: 01 November 2010
... the messy — ­all part of the actors’ sensuous presence on stage. The Frankfurter Allgemeine Zeitung remembered Zadek as “the old Berlin Jew with an English mentality,” comparing him to George Tabori, “the old Budapest Jew” — the...
Journal Article
Theater (1991) 22 (2): 93.
Published: 01 May 1991
... Director George Tabori * Ritsaert ten Cate on the Malaise of the Festival University, and he has written books about the Moscow Art Culture * Transfer of Theatre Management Know-how Needed in Eastern...
Journal Article
Theater (2000) 30 (2): 164-168.
Published: 01 May 2000
... prejudice-routing Merchant of Venice advertised showcases, particularly in divided Berlin, where with a poster showing a leering, hooknosed cultural institutions faced off across the Wall, Shylock driving a knife into Antonio’s heart; lavishly underwritten by the opposing govern- George Tabori’s...
Journal Article
Theater (1997) 27 (2_and_3): 161-163.
Published: 01 May 1997
... subtle way what might be called the private shape of a question mark curving around dense realm, a realm that nevertheless has been thematic turns, straightening into brief narra- touched by history’s shifts.” Botho Strauss, tive strokes, and dotted with sumptuous poetry. George Tabori, Georg...
Journal Article
Theater (2006) 36 (2): 4-19.
Published: 01 May 2006
..., Stab und Stangl, directed by the brilliant designer Anna Viebrock, developed an Ibsenesque subtext for Wolken.Heim. George Tabori, 1997...
Journal Article
Theater (1978) 9 (2): 30-37.
Published: 01 May 1978
... its long silence about the war; several new Vietnam 34 movies are also scheduled to open this spring. Surprisingly, how- Rabe thus managed to avoid the ineffectual haranguing ever, conventional theater broke the ice much sooner, in 1971 - characteristic of Pinkvilfe (1971), by George Tabori...
Journal Article
Theater (2003) 33 (3): 132-134.
Published: 01 November 2003
... tableaux vivants. Their voices were ampliŽed Giamatti in The Resistible Rise of (thus muddying George Tabori’s adaptation of...
Journal Article
Theater (2003) 33 (3): 135-137.
Published: 01 November 2003
... tableaux vivants. Their voices were ampliŽed Giamatti in The Resistible Rise of (thus muddying George Tabori’s adaptation of...
Journal Article
Theater (2003) 33 (3): 138-141.
Published: 01 November 2003
... tableaux vivants. Their voices were ampliŽed Giamatti in The Resistible Rise of (thus muddying George Tabori’s adaptation of...
Journal Article
Theater (2002) 32 (3): 69-85.
Published: 01 November 2002
... minimalism, but with virtuosity of delivery. I recognize some of the sarcastic Viennese absurdism that reaches from Nestroy to Bernhard via Horváth and now to Georg Tabori (Mein Kampf ), but I fail to recognize some inner necessity in the company’s choice of Canetti, some urgency or special purpose to...
Journal Article
Theater (1973) 4 (1): 8-27.
Published: 01 February 1973
... ensemble techniques at The Open Theatre. Joyce Aaron, who played a leading role in La Turista, was one of the earliest members of The Open Theatre. Martin Fried's di- rection of George Tabori's The Cannibals employed techniques dev- eloped by ensemble groups. Tom O'Horgan's productions of Futz...
Journal Article
Theater (2001) 31 (1): 5-25.
Published: 01 February 2001
... before the fall both soldiers and concentration camp pris- matter if you are torn apart by a sword or some computer-guided oners; then he mentioned Peter Weiss and uranium warhead. On the other hand, now there are no more quoted George Tabori...