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surveillance

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Journal Article
Theater (1 November 2013) 43 (3): 5–23.
Published: 01 November 2013
...Elise Morrison © 2013 by Elise Morrsion 2013 Nineteen Eighty-Four, by Surveillance Camera Players, Fourteenth Street/Seventh Avenue subway station, New York City, 1998. Photo: Courtesy of Surveillance Camera Players Elise Morrison User-­U n friendly Surveillance...
Journal Article
Theater (1 February 2018) 48 (1): 21–31.
Published: 01 February 2018
...Shonni Enelow Shonni Enelow asks, “What can we learn from looking at actors about the ways that surveillance has shaped contemporary life?” Her article examines performances in Leos Carax’s Holy Motors (2012), as well as works within the performance exhibition We’re Watching at Bard College (2017...
Journal Article
Theater (1 February 2018) 48 (1): 124–132.
Published: 01 February 2018
...Maurya Wickstrom Discipline and Desire: Surveillance Technologies in Performance , by Morrison Elise , Ann Arbor : University of Michigan Press , 2016 Copyright © 2018 Yale School of Drama/Yale Repertory Theatre 2018 Books M W S H  S Discipline and Desire...
Journal Article
Theater (1 November 2008) 38 (3): 67–83.
Published: 01 November 2008
... Promotions, Harare, Zimbabwe, 2002. Photo: Praise Zenenga Praise Zenenga Censorship, Surveillance, and Protest Theater in Zimbabwe All through history, in every regime, authority has been scared of theatre, social authority wishes for a nice, decent, convenient image to be given to the...
Journal Article
Theater (1 February 2018) 48 (1): 5–19.
Published: 01 February 2018
...Jennifer Parker-Starbuck Jennifer Parker-Starbuck reviews the performance exhibition We’re Watching: A Performance Exhibition on Surveillance , at Bard College. Her article contextualizes her experiences at the exhibition with the wider sociopolitical condition of living under mass surveillance and...
Journal Article
Theater (1 February 2018) 48 (1): 79–89.
Published: 01 February 2018
...John H. Muse John H. Muse discusses Jonathan Ball’s 2010 collection, Clockfire , a compendium of “sketches of impossible plays,” as a means of interrogating theater’s relationship both to surveillance and the virtual, both of which Muse sees as inherent in all theatrical acts, real or imagined. In...
Journal Article
Theater (1 February 2018) 48 (1): 55–67.
Published: 01 February 2018
... Theatre 2018 Immanuel Kant The Great Outdoors We’re Watching surveillance big data Internet culture the sublime stuplimity Sianne Ngai Longinus Romanticism digital art Kenneth Goldsmith Norbert Wiener entropy cybernetics informatics Annie Dorsen The Sublime and the...
Journal Article
Theater (1 November 2014) 44 (3): 86–93.
Published: 01 November 2014
...Sarah Bay-Cheng © 2014 by Sarah Bay-Cheng 2014 Oakwood Apartments By David Commander Surveillance Project and the Black Psyche By M. Lamar Special Effects festival New York, January 2014 Sarah Bay-Cheng­ Ready for My Close-Up­ Oakwood Apartments By David Commander...
Journal Article
Theater (1 February 2018) 48 (1): 1–3.
Published: 01 February 2018
..., Miriam Felton-­Dansky, and Jacob Gallagher-­Ross Mass surveillance conducted by government agencies of their own citizens has turned into one of the twentieth-first century’s darkest, if most predictable, realities. Given the long history of wiretaps, illegal searches, and spying by those in power...
Journal Article
Theater (1 February 2018) 48 (1): 69–77.
Published: 01 February 2018
... Claudia Rankine, choreographer Will Rawls, and video artist John Lucas, premiered at Live Arts Bard in April 2017 as part of the surveillance biennial We’re Watching. With four performers — Marguerite Hemmings, Jessica Pretty, Tara Willis, and the onstage sound designer Jeremy Toussaint-­Baptiste...
Journal Article
Theater (1 November 2001) 31 (3): 139–151.
Published: 01 November 2001
... orenstein The Surveillance thrives on “a subversive use of the sacred.” His activism comes from the understanding Camera Players on that “we are always in contested space since all public space is becoming privatized, and election night 2000, near...
Journal Article
Theater (1 February 2018) 48 (1): 33–53.
Published: 01 February 2018
... was found in #India military occupation jails.. It is on our all-­powerful surveillance Scene 4 material It’s time to avoid you. there’s bugs crawling all paranoid about noise...
Journal Article
Theater (1 November 2014) 44 (3): 1.
Published: 01 November 2014
... expressions of M. Lamar and David Commander, described in Sarah Bay-­Cheng’s review of the 2014 Special Effects festival, open spaces covered up by history or shielded from public view, while raising unsettling awareness of the continuum between audience and surveil- lance. And in After the Show: A...
Journal Article
Theater (1 November 2014) 44 (3): 2–3.
Published: 01 November 2014
... resourceful expressions of M. Lamar and David Commander, described in Sarah Bay-­Cheng’s review of the 2014 Special Effects festival, open spaces covered up by history or shielded from public view, while raising unsettling awareness of the continuum between audience and surveil- lance. And in After the...
Journal Article
Theater (1 November 2008) 38 (3): np.
Published: 01 November 2008
... 67 Censorship, Surveillance, and Tom Sellar Protest Theater in Zimbabwe Jacob Gallagher-Ross Praise Zenenga 5 Bodily Fear: 85 The REwind Cantata: Recent American Performance South Africa’s Truth...
Journal Article
Theater (1 May 2015) 45 (2): 1–2.
Published: 01 May 2015
... of the Living Theatre’s current iteration were perform- ing No Place to Hide, an agitprop piece about surveillance culture, in outdoor locations across New York City as part of the very same festival. Even if “the Living” might appear closer to hand than these other 1960s-­era...
Journal Article
Theater (1 May 2015) 45 (2): 2–3.
Published: 01 May 2015
... surveillance culture, in outdoor locations across New York City as part of the very same festival. Even if “the Living” might appear closer to hand than these other 1960s-­era companies, their paradise has slipped further away. Komuna//Warszawa’s “re//mix” was not an attempt to reinvent...
Journal Article
Theater (1 May 1985) 16 (2): 18–29.
Published: 01 May 1985
... lecture and would be removed. Julia story as though recorded by party surveillance cameras. The se- Part I or April 4 would take advantage of the daylight and would cond scene would be a lecture by Comrade OBrien on the Maxims of offer two of three mass scenes. The first would be the...
Journal Article
Theater (1 February 2012) 42 (1): 21–31.
Published: 01 February 2012
... Puar considers them, Jerez’s strangulations and rapes produce an exaggerated theatricality — perhaps part of their irony and humor — but also part of their ethical affectivity. Puar regards such pleasurable “takes” as reveal- ing the “keen ecstatic eye of the voyeur, the haunting surveillance...
Journal Article
Theater (1 November 2002) 32 (3): 5–7.
Published: 01 November 2002
... through sinister sounds like the midnight knock on the door by which Jan linked contemporary modes of surveillance to the arbitrary power and terror evoked in Shakespeare’s history plays. 5 bharucha Like many other...