... non-narrative pieces such as The Lady Dick (1985) and Dress Suits to Hire (1987). All of Hughes's work has an undercurrent of dark comic rage. And her subject has always been relationships between women. Despite her notoriety as a “lesbian artist,” this does not necessarily mean sexual relationships...

...Brent Meersman; Savas Patsalidis; Max Glauner; Barbara Orel; Rolf Dennemann This forum compiles contributions from a group of leading international critics and producers on the subject of theater festival culture in a globalized world. Brent Meersman discusses the politics of arts festivals...

... and national hero, as the subject. Jenni Brandon and Oliver Mayer s 3 Paderewskis, Paderewski Festival, Teatr Muzyczny, Pozna , Poland, 2019. Photo: Micha Kordula 49 Kathleen Cioffi Paddymania Returns to America (and Poland) The Paderewski Musical Project January 2017 November 2019 New plays in general...

... curatorial reason, and question the assumed hierarchies of artists, objects, and subjects inherent within traditional curatorial practice. © 2017 by André Lepecki 2017 Lygia Clark postcolonial studies performance curation Jacques Rancière Fred Moten Wendy Brown neoliberalism Lygia Clark’s...

..., Ntsikelelo “Boyzie” Cekwana, Brett Bailey, and Tebogo Munyai, among others, to examine questions of representation and the myth of the “postracial,” highlighting the uncomfortable position of live art curators that take contemporary South African protest movements as their subject. © 2017 by Jay Pather...

... they will be presented and related to one another, and their effects on the subjectivity of the publics and, therefore, in the social field. My focus here is on two fictitious types of curator that occupy the opposite extremes of the vast, diverse, and complex range of perspectives of curatorial practices...

... to appropriate the critique of self to once more as an aesthetic concern. The works of performance artists, provide an understanding of the cultural oppression of women. The once inherently unrepeatable, are now developed specifically to be ‘self, as the subject position within dominant discourse...

... only the words "help," "sorrow," "hope." The corporates its own subjective encounter with the past: its research dramatic effect is to leave the connections/contradictions between and analysis of it. Indeed, it is the playing of this subjective sense those words hanging in silence...

... the hair lt$t in a comb. Saliva spit out is disgusting, an expression nature of Barish’s subject finally eludes of our contempt, but on fresh lips and tongue the saliua is not disgusting. Separation from...

... Holy Motors, 2012. sites of characterization,” highlighting the ways surveillance systems construct subjects Photo: Pierre Grise as characters through speculative analyses of their behavior. “Acts of characterization...

... exchanges of an interviewer and subject. As the world gets older, so will this digital storage device. Adjust for the most contemporary circumstances. Notes on Text Boxed text comes from the hard drive represented in light, sound, and video. Dialogue with a backslash ( / ) in the middle of one character s...

... qualities include their liminal and ambiguous presence; their lack of transparency and resisting representation make them great subjects for performance theory. Contemporary cats garner praise for their ability to play, pretend, and perform (often despite themselves). Cats are actors, as the term copycat...

... seem to be one of those topics piece three young Druids, clad only in their long blond hair, sport which, by unwritten convention, in a society still much-subject to upon the stage, casually killing and draining the blood from a such conventions, playwrights have largely avoided. In Brenton’s...

.... But they rarely reveal much about the actor or actress as a whole person with weaknesses as well as strengths of character. For example, in his Life and Art of Edwin Booth, Winter lists only Booth's virtues. When he mentions the subject of Booth's...

...Robert Schneider The Theater of Michel Vinaver by David Bradby, 1993: University of Michigan Press Ionesco's Imperatives: The Politics of Culture by Rosette C. Lamont, 1993: University of Michigan Press Subjectivity and Subjugation in Seventeenth-Century Drama and Prose...

... vicissitudes to which artists are the artistic and political merit of Bulgakov’s more subjected. However, the theatrical world Bulgakov depicts historically objective The Days of the Turbins, and Trenev’s in this play has a resonance that goes beyond crude baldly propagandistic melodrama Bright...

... boomtown almost wholly aban- doned by the late twentieth century and inhabited, at the time of Berlin’s documentary shooting, by only seven people across five households. Each of those five households and its subjects are represented more or less respectively (though not consistently or singularly...

... consumption. Book Reviews Crossing the Stage The Theater of Michel Enaver Ionesco ’s Imperatives Subjectivity and Subjugation in Seventeenth- Century Drama and Prose Two-way Drag drag, one thing remains clear: context can...

... represented in this from the “body of the volume challenges time,” opposing his- the assumptions tory - subject...

... of humanistic tradition. Thc ugly, the grotcsque, tion betwecn the necessity of violence and its excesses as the premise the disappearance of the subject, are not cxpressions of the author’s for humanization. Herc Mullcr uses the Brechtian Lehrstiick as model, subjectivity but the confirmation of the stable...