... American Style: play. This emphasis is probably less a com• promise than it is a basic performance value; Mark Lamas' for Akalaitis' primary concern, I believe, is asserting the "now" of the theater event, the fact that the spectacle happens with some...

...Morton Lichter Copyright © by yale/theatre 1969 1969 CAFETERIA STYLE A Comedy in Two Scenes by Morton Lichter Cafeteria Style was first performed at the Theatre-in-Progress Workshop of the Berkshire Theatre Festival, Stockbridge, Massachusetts...

...Cristina Modreanu Romanian theater scholar Cristina Modreanu discusses the primary model of dramaturgy, classical texts presented in a realistic style, has evolved after 1989 in Romania to accommodate new visual styles of avant-garde directors. Modreanu describes directors such as Mihail Maniutiu...

..., artistic, and political expression. It explores the politics of personality, style, and the male body as a site of desire. © 2015 by Ryan M. Davis 2015 Miguel Gutierrez queer dance performance Ryan M. Davis All the Possible Variations and Positions The Intimate Maximalism of Miguel...

... and considers such extra-theatrical “performances” as technical demonstrations and early baseball broadcasts. Grobe ultimately argues that telegraphy transformed the dramaturgical habits and acting styles of nineteenth-century theater, turning them realist and proleptically modern. At the same time, these plays...

... Copyright © Yale/Theatre 1977 1977 1. Can we identify an “American style” of acting? 2. If so, where are the best examples of this style usually found - in the theatre, in films, or in television? 3. How has this style evolved? Is it embryonic or fully developed? 4. Which artists...

... style in its violent images, its sur- and the drummer boy in Die Raubrilter uon the Frankfurter Hof in Munich. It was realism and sense of the macabre; but Munchen. there that he met Liesl Karlstadt in 1911 historically noteworthy is its blend of Despite the popularity...

... — is a modern one largely derived from art historians, who invented the idea of historical style. Initially, style or manner belonged to national schools (Italianate, Chinoiserie, African American) with real or imagined national or even racial char- acters. Later, the idea was adopted by critics...

... a cocktail. Shout out to all my sissies, faggots and fabulous femmes, who I see as fugitives in a hurry to leap from the margins to imagine, stage, and bring to life new worlds of mean- ing, poetics, and agency through fashion and style as protest. The questions that spring to mind when thinking about style...

... of in a style which undercuts the words of the realm of their production, and that the ver- the Intiman Theater is the classics of regional text with an accumulation of concrete images bal reality of the text would run concurrently repertory theaters. There is a loosely consti- designed to construct...

... tries to bail using the meager style" to describe the bizarre, yet familiar, double-edged resource of his three tea cups. As the water begins to world created in the cabarets. overflow the cup on the clown's head and stream down his As a company, Theatre de la Jeune Lune originated...

... such a perspective, especially misunderstood. An unwillingness to accept its societal context may be the reason poets and gentlemen critics have frequently preferred the drama of the study to the theatre of the playhouse. 116 Regardless of its purpose, medium or style, every work of art has a multiple nature...

... masterpieces and carbon copies of Broadway trash. Yet behind the facade of pseudo-style,' beneath the glum reverence paid to "classics," flashes of human talent and joy were sometimes inadvertently visible.2 The Way of The World represented a common practice of directing a Restoration play...

... of the “epic” style Brecht sought to develop.2 At this early point of clarification, then, the “epic” theater, despite Brecht’s efforts to appropriate its innovations to his own credit, is a trilateral creation—not of Brecht’ s individual imaginings, but of a small, vital...

... their style and their subjects. Critics found them “odd,” “bizarre,” and “eccentric,” and they were criticized as “maniacal stories” breathing “sexual obsessions.” Others, however, received the author of Recollections as an exciting promise of Polish literature, includ- ing such prominent authors as Bruno...

... inwards on their own problems: they theatrical terms? If language is the gift that determines are psychologically oriented, while European and Latin- individual style, social observation is the quality that American writers seek to express the political and social creates myth. A poetic sense...

... is not trivial. New music-theater has well-to-do, was seen as acceptable and safe. How- developed along with (and perhaps as a result of) ever, in modern classical music, the door to the postmodern musical styles, performance...

...” - to an intelligent young widow, the prototype of the describe the tone and style as well as the “New Woman,” or the “Unwomanly Woman,” as characters of his plays. her critics called her. This role was played by CRONYN...

...• nition is sufficient. Definition soothes us; juxtaposition upsets us. Style is the tension between definition and the juxtaposition of definitions; con...

... the dicated that these goals informed their work. development of unique collective styles and methods of working, The vocabulary for discussion of the political nature of the and from the fact that the working people, the audience of the Latin American theater poses problems. Group members spoke...