...Tom Lycos; Stefo Nantsou © 2003 by Yale School of Drama/Yale Repertory Theatre 2003 Tom Lycos and Stefo Nantsou The Stones C h a r a c t e r s P r o l o g u e The Boys shy boy stands on the freeway overpass looking...

...Donesh Olyaie; Freddie Rokem; Colin Mannex; Walter Byongsok Chon; Tom Sellar; Jorge J. Rodríguez; Alex Grennan; Jacob Gallagher-Ross; Brian Valencia; Mike Daisey; Reverend Billy; Howard Barker; Rabih Mroué; Fadi Toufiq; Maya Cantu; Sarah Bishop-Stone; Miriam Felton-Dansky This section presents...

.... Characters eurydice her father orpheus a chorus of stones big stone little stone loud stone These characters should be double-cast: a nasty interesting man (called man) a child (lord of the underworld) eurydice’s grandmother (the father’s mother) old...

... Pa use. into the brightness of absolute unreason; To think about this man is the I must tell a story each night most difficult thing in the world. for 24,161 years, or else awake Pause. For hersev the voices that sleep in the stone...

... and the traveler finds his shadow overlapping to the stone, close his eyes, listen to the falling with the image of the woman against the white drop for a while, and meditate. Martin Schu- wheel. The magical photographer laughs, macher, a musician from Zurich, built the tent. whirls the wheel, and indicates...

.... gonna cut an album soon. I know the SALIM: (continuing) Through the SAID: The intifada resurrected our scene, I’ve been playing for two years desert, over camel shit pride! Brave kids throwing stones now. Dad, it’s a matter of life and SAID: There is no desert in Palestine! gave...

... Asinapew, Old Man Stone Spirit Barry Ahenakew, recounts Nehiyew theories of motion the intelligence of Nehiyew people to produce a practice and protocol of §ight through our relationship with stone/ rock/strata, providing a deeper understanding of care that gets mobilized in diaspora. The following...

.... According to Set in Stone: Building America’s New Generation of Arts Facilities, 1994 – 2008, the report of the study from which this new book evolved, there were some 725 significant cultural facility projects in the United States between 1994 and 2008, with a total construction cost of around $16...

... are proceeds to recount the laborious process by which he came visitingfnends sitting on the other side of the house rush to to be a little easier in his mind about the symmetry of his their seats, the Critic, remembering a snatch from a high stone sucking. school poetry class, makes a note in a small...

... the Belvedere Tower. The walls were actually ground up. It's also my personal belief two feet thick, and some even thicker. We that when you design for outdoors, espe- took a good deal of care trying to make cially for the open stage, you cannot sure that it was a weathered stone...

... run after deadly home run, again AJAX: Stone cold, stone dead. anything, Athena, but not this, not his and again. Then he stopped, exhausted Unrecognizable among the punishment. after the massacre, and slowly, metho- recognizable dead. I hacked them to ATHENA: Then you must...

... Artaud’s The Philosopher’s Stone), and is finally born into undervalue the significance of his slipperiness - but the “selfness” through the acquisition of language. For me, the difference is that Miiller’s traps are invitations to engage in progression runs Brecht-Artaud-Beckett, which...

...Leo Rutman THEY GOT JACK by Leo Rutman They Got Jack was first performed January 17, KELLY: The lousy, cowardly mothers, 1966, at the New Theatre Workshop, Inc., in they got Jack. Gimme a drink. New York. It was directed by Harold Stone...

... staff Sarah Bishop-Stone, Maya Cantu, Walter Byongsok Chon, Colin Mannex, Donesh Olyaie, Jorge Rodríguez, Brian Valencia advisory board James Bundy, Victoria Nolan, Catherine Sheehy contributing editors Una Chaudhuri, Liz Diamond, Elinor Fuchs, Shawn-Marie Garrett, Gitta Honegger, Jonathan...

... decided to go for a walk around the castle and its gardens. Back in the courtyard I was struck by the perfect symmetry of the architecture: rows and rows of windows, connected by stone garlands, each row separated from the next by moldings 14 relieved at even intervals. Massive buildings...

.... They are a spider people, scuttling ungenerous as the artist, who evidentally pebble-to-soil content before moving on among hot stones . . . Seneca’s play is a expected us to accept the notion of “com- to an endless description of the way the series of epic descriptions that contain pression” as adequate...

... quarry, the real stones, have to do with the human pain and suffering. Her usually achieve something of the quality of a meritriciousness of media, dream-visions of paradigmatic persecutees, the Old Testa- natural force, and Ping Chony's inchoate imminent holocaust, and totalitarian bar- ment...

..., All Hang them on the left, Sincerely. Feodorchuk! From stones to the setting" (They meet the stormy Feodorchuk) And you thought Let's sleep in our cattleshed. 70...

... this third section, another refers back to the ecstatic “fits” of the “innocent” presence implicated in this con- visual and aural landscape is layered on top “possessed” girls and the raving judges. We fused, stoned crew is disquieting. of and complements the verbal “text;” a film see those...

... marionettes, actor-scenery, actors stones and gravel Craig. The invasion of the stage by ob- animating a whole group of char- "Efinsa-Sevilla" tools and jects, machines, homunculi and other accessories...