...Reverend Billy © 2001 by Yale School of Drama/Yale Repertory Theatre 2001 Theater 31.3-14 Billy.sh 10/16/01 12:04 PM Page 168 Theater 31.3-14 Billy.sh 10/16/01 12:04 PM Page 169 Reverend Billy I Love New York, or Starbucks out...

...Jennifer Parker-Starbuck Jennifer Parker-Starbuck reviews the performance exhibition We’re Watching: A Performance Exhibition on Surveillance , at Bard College. Her article contextualizes her experiences at the exhibition with the wider sociopolitical condition of living under mass surveillance...

... to commit a political action on the theme of the evening. These actions have included defacing a dot-com billboard in Silicon Alley, applying orange stickers to Starbucks logos to replace the mermaid’s missing nipples, and hiding a cas...

...-­Starbuck and David Z. Saltz, Performance and Media, which proposes three distinct taxonomic methods for categorizing media performance. Despite their critiques of the ontologizing of media forms and the capaciousness of Bay-­ Cheng and her coauthors’ approaches, however, the examples they use make...

... Field (2015) with Jennifer Theater and was a coeditor of Theater’s 2012 Parker-Starbuck and David Z. Saltz. Her “Digital Dramaturgies” issue. His writing has current project is “Digital Historiography appeared in Theatre Survey, TDR, PAJ, and Performance...

...’ audition tape” (youtu.be/4gw1i6AQ-QA)) video (voiceover) “My name is Andrew Schneider, and this is Bill Starbuck from The Rainmaker.” a Oh, wait can we go back? I missed it. video (voiceover) “My name is Andrew Schneider, and this is Bill Starbuck from The Rainmaker...

...) I know lost boys and genocide but I don’t See the warning know why they’re lost and I don’t know who’s It is warming killing who. A starbucks activist I know what And that’s just the block I read between the door and my...

... cloud. Even so, watching the Builders in action, I have sometimes found myself echo- 114 books ing Jennifer Parker-­Starbuck’s response to that performance, that “the gloss of the pro- duction, in effect, re...

...-­Starbuck, Josh Abrams, and Elizabeth Ann Jochum for their valuable contributions to this piece. 1. Simon Nora and Alain Minc, The Computerization of Society: A Report to the President of France (Cambridge, ma: mit Press, 1981), 3 – 4. 2. See Susan Kozel, Closer: Performance...

... crisis of 2008 and their funding abilities withered. What is more, the model is not work- ing because our cities are becoming cookie-cutter versions of themselves. They have the same major banks, a Starbucks, a Walmart, a Pottery Barn, and they are all promoting...

... likely to release new energy from the are works about language, nuance, ideas. They text. have to be “gimmicked up” or “tricked up,” or else you need a Starbucks in your building to kulick You are pointing out...

... george Juan, I’m on lunch. I’ll be across the defienda . . . psss . . . What[ bullshit! They street. always blame us, because there is no one to defend us . . . psss . . . ] juan Starbucks? jimmy Por eso estamos organizados...

... action shopping mall fi tness centre and all the rest —IN GOD WE TRUST of it, Burger King, McDonald’s, Wendy’s, Pizza Hut, Starbucks, Niketown, and Diesel —these pilots are stars everyone...

.... p leaves. p desires company. p edits exploration from the scary bed. Scene 2 p and k get up. k meets p at the Starbucks in the Target at the mall p and k desire at a scary selfie...

... not be the automatic down- town destination for every idler, every appointment, every date. Because in terms of cul- tural relevance and vitality, the Public’s competition isn’t New York Theatre Workshop and it’s not the movies; it’s the Starbucks on Astor Place. (Joe’s Pub, founded in 1998, was just...

... urban folk art geois civility, with its Starbucks coffee kiosk, high-­end fashion shows, and ’round-­the- ­clock uniformed security officers who watch over it. The mix of characters who danced crazy Broadway-­style on its steps would never mingle in the everyday life of the park; its protesters...

... in which everyone was a sympathizer with those who had cap- tured us. Now I am sitting outside Starbucks in Kuwait, surrounded by smartly dressed Arabs and trendy young couples. Matt, our production assistant, is back in London, try- ing to grapple with the challenges of producing the show...

...- gious LOVE SUPREME there, in the shadow of a rolling piece of Starbucks litter, on the gleaming pigeon doo-doo on George Washington’s bronze toupee. Amen!” Rev winds down the sermon. “JOIN THE FREEDOM CULT! Where-ever you are — Plead the First: ‘Con- gress shall make no law. Respecting...