... and rediscovered. Of course, there is a chaos to any creation - a low fidelity that in- To Build the terrupts the high. It’s difficult to tell the act from the mere event. All . geographically around and all historically along in the realm of Titanic on Stage...

...Bert Cardullo Joe Orton , by C.W.E. Bigsby (London: Methuen, 1982, 79 pages.) Copyright © THEATER 1984 1984 l3QO.K REVIEW The Ruffian on the Stage: Joe Orton by CaWaEa...

...Walter Bilderback; Scott T. Cummings Copyright © THEATER 1985 1985 that is of high artistic standards, work that is comparable to the major subsidized theaters in Europe. Time and money get used up manag- A Stage of ing the physical plant, trying to attract stars to leave New...

... Copyright © THEATER 1986 1986 Dramaturgy at Second Stage and the Phoenix: An Interview with Anne Cattaneo by Mark Bly...

... and Jerry Whether the televangelists’ motiva- apply to the stage. They apply to the Falwell’s Old Time Gospel Hour draw tions are greed and power, as some peo- oratory. They belong to thepulpit, they especially heavily on theater techniques. ple claim...

...Christopher Grobe © 2012 by Christopher Grobe 2012 City of Abstracts, created by William Forsythe, Athens Hellenic Festival, 2007. Photo: Philip Bussmann Christopher Grobe Refined Mechanicals; or, How I Learned to Stop Worrying and Share the Stage New Scholarship on Theater...

...Daniel Sack © 2015 by Yale School of Drama/Yale Repertory Theatre 2015 Adams Theatre, Newark, NJ. Photo: Matt Lambros/After the Final Curtain Daniel Sack Some Imagined Theaters Selections for a Theoretical Stage A story. He was a man of inaction, of indecision. I think...

... Introduction Bert Neumann, the East German stage designer who died unexpectedly last July at the age of fifty-­four, was one of the twenty-­first century’s most influential theater artists. For twenty-­four years he served as the head scenic designer of Berlin’s Volksbühne. His designs shaped...

...Claudia Wilsch Case Yale School of Drama/Yale Repertory Theatre 2006 Wandering Whores, directed by Jacqueline Kornmüller, Staatstheater Stuttgart, 2004. Photo: Gudrun Bublitz Claudia Wilsch Case The Political Is Personal Theresia Walser’s New Stage Language Theresia...

...Bettina Brandl-Risi Yale School of Drama/Yale Repertory Theatre 2007 Christoph Schlingensief’s Kunst und Gemüse, A. Hipler, Berlin, 2004. Photo: David Baltzer Bettina Brandl-Risi The New Virtuosity Outperforming and Imperfection on the German Stage Here’s the problem: How...

... The Iconoclasm of the Stage and the Return of the Body The Carnal Power of  Theater The word theater truly resonates in the most disparate and distant ways. For me, it is a word that continuously intersects with another one, less known but not less intrigu- ing, a word...

... differ- ences between them by asserting the presence of the three-dimensional object on stage. In live puppetry we hear the sounds performing...

... Daisey, Rabih Mroué, Reverend Billy, and Dean Damjanovski. Yale School of Drama/Yale Repertory Theatre 2008 Jihad: the Musical, Edinburgh Fringe Festival, Edinburgh, Scotland, 2007. Courtesy of Benjamin Scheuer Reports on Stage Censorship and Suppression It is hard...

... © 2009 by Yale School of Drama/Yale Repertory Theatre 2009 DragoŞ Buhagiar. Photo: DragoŞ Buhagiar 60 Portfolio Dragos¸ Buhagiar’s Stage Designs Dragoş Buhagiar, a stage and graphic designer, was born in Braila, Romania, in 1965. Since...

...Catherine Sheehy Copyright © THEATER 1991 1991 FILLING THE BILL: A DRAMKRITICAL PIECE ABOUT AN EVENING OF BECKETT AT CENTER STAGE CATH E R I N E SHEEHY...

... objectivity sf theatrical representation. in his text from context, the New Historicism sees a necessary Hfamous speech to the players, he figures the continuity; to those who seek the meaning of dramatic stage as a mirror reflecting the world with crystal literature apart from...

...Silvana Tropea Copyright © THEATER 1992 1992 SHAKESPEARE ON PAGE AND STAGE AT THE RSC S I LVA N A TROPEA ny teacher...

...Joel Schechter The Age and Stage of George L. Fox by Laurence Senelick (University of New England Press, 1988). Mr. Fox: A Rumination on the Life of a Clown by Bill Irwin, with Geoff Hoyle and Friends (Seattle Rep, April, 1992). Copyright © THEATER 1992 1992 BOOK REVIEWS...

...Ben Cameron; James Lee Arena Stage: Interviews with Zelda Fichandler, David Chambers, and Thomas Fichandler Ben Cameron and James Lee Founded in 1950 by Zelda Fichandler and other Washingtonians, Schneider, Edwin Sherin, Gene...

... an important figure to specialists in the United States. He has written or collaborated on more than sixty American Stage: plays, has directed an even greater number, and has been the subject...