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spectatorship

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Journal Article
Theater (2018) 48 (1): 79–89.
Published: 01 February 2018
.... In Muse’s analysis, Ball’s book “portray[s] spectatorship in theater and in contemporary life as an uneasy, dangerous activity often difficult to distinguish from surveillance.” John H. Muse Virtual Theater, Virtual Spectatorship On Jonathan Ball’s Clockfire All Their Words...
Journal Article
Theater (2010) 40 (3): 43–53.
Published: 01 November 2010
... 42 43 1 2 Miriam Felton-Dansky­ 3 4 5 6 7 Watching the Watchers 8 9 New Studies of Spectators and Spectatorship 10 11 12 13 14 The Spectator and the Spectacle 15 by Dennis...
Journal Article
Theater (2018) 48 (1): 21–31.
Published: 01 February 2018
...), to examine how actors perform or attempt to evade conditions of surveillance and mass spectatorship. Shonni Enelow “And If There’s No More Beholder?” Acting and Surveillance What can we learn from looking at actors about the ways that surveillance has shaped contemporary life? In Leos...
Journal Article
Theater (2018) 48 (2): 3–19.
Published: 01 May 2018
... the responsibilities and intimacies of spectatorship, asking “What does it mean to watch dance-based movement, aesthetically, ethically, politically?” contemporary dance audience participation spectatorship ethics site-specific Chicago Links Hall Copyright © 2018 Yale School of Drama/Yale Repertory...
Journal Article
Theater (2010) 40 (3): 9–23.
Published: 01 November 2010
... Subway Ride , as well as Bill Wasik's flash mobs and International Pillow Fight Day , among others. Muse considers the many types of audiences—live and mediated—that observe flash mobs and uses their relationship to these new types of participatory performance as clues to understanding spectatorship...
Journal Article
Theater (2010) 40 (3): 55–65.
Published: 01 November 2010
... Deutschland 2—Berlin Back Up (2002), which restages a German parliamentary debate. She discusses the role of participation and spectatorship in such reenactments, arguing that these performance pieces embody new ways of thinking about history and politics. © 2010 by Yale School of Drama/Yale Repertory...
Journal Article
Theater (2010) 40 (3): 91–115.
Published: 01 November 2010
...Adam S. Horowitz Adam S. Horowitz offers a travelogue of Colombia's cities and rural towns, surveying the social dynamics of spectatorship for a wide range of Colombian performances. He takes a night walk through the streets of Bogotá, attends a protest performance led by a venerated theater...
Journal Article
Theater (2012) 42 (1): 21–31.
Published: 01 February 2012
...Sue-Ellen Case In this article, Sue-Ellen Case parses the different modes of spectatorship prompted in audience members by Maria Jerez's The Case of the Spectator , an intermedial performance inspired by pulp-crime novels, Hitchcock films, and midcentury Americana. © 2012 by Sue-Ellen Case 2012...
Journal Article
Theater (2012) 42 (2): 43–63.
Published: 01 May 2012
...John H. Muse This article surveys the new forms of drama, performance, and spectatorship created by artists making use of the real-time microblogging website Twitter—as either a forum for performance in itself, or way to extend the boundaries of a more conventionally theatrical performance. He goes...
Journal Article
Theater (2014) 44 (3): 5–17.
Published: 01 November 2014
... easy consumerist habits of spectatorship promoted in neoliberal culture and media. © 2014 by Andrew Friedman 2014 Mårten Spångberg’s Epic, MDT Stockholm, 2012. Photo: Marika Troili Andrew Friedman Mårten Spångberg and the Vibe of Contemporaneity The bassline of Kendrick Lamar’s...
Journal Article
Theater (2016) 46 (3): 5–13.
Published: 01 November 2016
...” and complicate easy consumerist habits of spectatorship promoted in neoliberal culture and media. © 2016 by Andrew Friedman 2016 Bert Neumann’s set design for Fyodor Dostoyevsky’s The Idiot, directed by Frank Castorf, Volksbühne, Berlin, 2002. Photo: Thomas Aurin Vegard Vinge and Ida Müller...
Journal Article
Theater (2002) 32 (2): 45–55.
Published: 01 May 2002
.... Miller’s work is followed by John Clum’s less theoretical Something for Photo: Brown Bros. the Boys (1999). Both books consider the musical and gay male spectatorship, but where Miller sinuously investigates the historical relation of the musical form and gay cul- ture, Clum conflates the two with his...
Journal Article
Theater (2016) 46 (2): 77–85.
Published: 01 May 2016
..., virtual reality, performative games, and genres of performance designed for digital interaction, distribution, and spectatorship, has sustained these debates, both in academic circles and in performance practice. Particularly compelling is the question of how digital media can affect perfor- mance...
Journal Article
Theater (1993) 24 (2): 123–125.
Published: 01 May 1993
... in order to break the rules. Few jectivity of men deserve more reflection. To I 24 of the essays take into account the range of reposition the male gaze, and recreate the role stylistic choices made available by postmod- of male spectatorship, there has to be a place...
Journal Article
Theater (2012) 42 (2): 1–2.
Published: 01 May 2012
... Berlin’s Bonanza — a piece that juxtaposes screens with nineteenth-­century–style diorama to evoke local com- munity in the globalized age — provide particularly fertile examples of how technology itself can perform, bringing different modes of spectatorship into stereoscopic relief...
Journal Article
Theater (2012) 42 (2): 3–5.
Published: 01 May 2012
... — provide particularly fertile examples of how technology itself can perform, bringing different modes of spectatorship into stereoscopic relief. And finally, the issue asks how our thinking about media changes our thinking about thinking itself. Acknowledging that the new century’s avalanche...
Journal Article
Theater (2014) 44 (3): 19–29.
Published: 01 November 2014
... fielded a commensurate challenge to the stage itself as the presupposed mode of spectatorship. What people watch is up for grabs, but how they watch doesn’t seem to be. There are, of course, notable experiments that have pushed against theater’s attendant modes of presentation...
Journal Article
Theater (2012) 42 (2): iii–iv.
Published: 01 May 2012
... Lot’s Wife: On Destructive Spectatorship (2007) Hi There and Magical, continue to tour and is working on “Theater after Film: Mass extensively in Europe and the United States. Culture and the Forms of Drama, 1945 – 1970.” She is also the co-­creator/director of the He will be joining...
Journal Article
Theater (2012) 42 (1): 108–114.
Published: 01 February 2012
... don’t take initiative to be a better person, to be a better observer,” Sherry fires at a man who offers that active engagement is not an expectation he normally brings to theater spectatorship. If we are to be co-­creators of the experience, the terms are uncertain and feel far from...
Journal Article
Theater (2012) 42 (2): 7–25.
Published: 01 May 2012
... at all?” (154). These acknowledgments also draw the play deeply into the orbit of film and mass culture. To say that such moments are metatheatrical tells us something about the ways they may produce an uneasy consciousness of the conditions of spectatorship: they make the audience aware...