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spectator

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Journal Article
Theater (2012) 42 (1): 21–31.
Published: 01 February 2012
...Sue-Ellen Case In this article, Sue-Ellen Case parses the different modes of spectatorship prompted in audience members by Maria Jerez's The Case of the Spectator , an intermedial performance inspired by pulp-crime novels, Hitchcock films, and midcentury Americana. © 2012 by Sue-Ellen Case 2012...
Journal Article
Theater (1980) 12 (1): 14–18.
Published: 01 February 1980
...Yan Michalski; Antonio Mercado, translated by Copyright © THEATER 1980 1980 The “Active SPectator” Takes the Floor: An Interview &th Augusto Boal Yan Michalski After eight years of exile in Argentina, Portugal, and France, Brazilian playwright...
Journal Article
Theater (2018) 48 (1): 1–3.
Published: 01 February 2018
...Tom Sellar; Miriam Felton-Dansky; Jacob Gallagher-Ross Up Front Citizen Spectators Tom Sellar, Miriam Felton-­Dansky, and Jacob Gallagher-­Ross Mass surveillance conducted by government agencies of their own citizens has turned into one of the twentieth-first century’s darkest...
Journal Article
Theater (2010) 40 (3): 6–7.
Published: 01 November 2010
... to match earlier theories that perfor- mances take place in all manner of activity outside the aesthetic theater. Progressive artists of every stripe, craving democratic community and wary of consumerism, have imagined new performance forms more inclusive of participation, in which spectators...
Journal Article
Theater (2010) 40 (3): 43–53.
Published: 01 November 2010
... 42 43 1 2 Miriam Felton-Dansky­ 3 4 5 6 7 Watching the Watchers 8 9 New Studies of Spectators and Spectatorship 10 11 12 13 14 The Spectator and the Spectacle 15 by Dennis...
Journal Article
Theater (1981) 13 (1): 26–42.
Published: 01 February 1981
...Lenora Champagne Copyright © THEATER 1981 1981 CONTEMPORARY THEATER IN FRANCE Armand Gatti: Toward Spectacle without Spectators Gatti is the exponent...
Journal Article
Theater (2019) 49 (2): 4–29.
Published: 01 May 2019
..., Branden Jacobs-Jenkins, Ann Liv Young, and Robert Woodruff, Bruin combines Benjamin, Aristotle, and the art criticism of Hal Foster, using theory to illuminate how the depiction of abjection, what Aristotle called “the scene of suffering,” prepares the spectator for end-times and civilizational...
Journal Article
Theater (2010) 40 (3): 91–115.
Published: 01 November 2010
... collective, explores two national festivals, and travels to rural villages where theater is created amidst the residents. Horowitz considers the relationships of Colombian spectators to the performances they attend, and the relationships of street and outdoor performances to urban geographies and politics...
Journal Article
Theater (2011) 41 (1): 79–103.
Published: 01 February 2011
... in the new South Africa; Savas Patsalidis considers the elusive question of who actually is the “audience” for theater festivals; Max Glauner examines new models of tailoring festival experiences to individual spectators; Barbara Orel parses the situation of national arts festivals in an increasingly...
Journal Article
Theater (2012) 42 (1): 11–19.
Published: 01 February 2012
... Performance Project: Dean Moss and Sungmyung Chun's Nameless forest , Maria Jerez's The Case of the Spectator , and the Rude Mechs' The Method Gun . © 2012 by Emily Coates 2012 Emily Coates Moving between, among, in the Midst Intercultural Kinesis kinesis (from Greek motion...
Journal Article
Theater (2012) 42 (2): 43–63.
Published: 01 May 2012
... on to describe the ways in which social media “are making playwrights, performers, and spectators of us all.” © 2012 by John H. Muse 2012 John H. Muse 140 Characters in Search of a Theater Twitter Plays 99 percent of Twitter is insignificant. But there’s that rare moment when it becomes...
Journal Article
Theater (1979) 10 (2): 94–103.
Published: 01 May 1979
..., and circumstances. This expression of the artist plication of artistic, political, or economic theory. Nonetheless, a is the primary objective of contemporary established theater. The pattern emerges which provides a means of understanding their entertainment of the spectator is a means to the end of causing his...
Journal Article
Theater (1983) 15 (1): 12–17.
Published: 01 February 1983
...-semiotic Theory of ‘I;heatrical Comprehension I. The Spectator: The Umknowledged Protagonist 2.0. Objects of on-going research Up to now, I have only treated the theater audience as a target of The path that leads to the construction of a suitable model of theatrical...
Journal Article
Theater (1993) 24 (1): 19–30.
Published: 01 February 1993
... these gossip-column, secondary-plot elements could be picked up on subsequent visits, it seemed to be enjoyment of the total “scene” rather than a need to master the entire narrative that inspired spectators to return. The center of enjoyment at Tamara was unquestionably the food service...
Journal Article
Theater (1987) 19 (1): 81–85.
Published: 01 February 1987
... politics, spectators are rarely off the mark with critical inter- pretations that decode hidden social commentary. But, as Westerners. we sometimes too easily distinguish “us’* from “them”, comfortably articulating difference rather than acknowledging similarity. In the lobby before...
Journal Article
Theater (2007) 37 (3): 27–35.
Published: 01 November 2007
... of staging tragedy in the contemporary world. In classical tragedy, one could read the onstage chorus as a stand-in for the off- stage spectators, displaying a socially appropriate reaction and interpretation and vis- ibly offering an identifiable middle ground between the individual characters...
Journal Article
Theater (1993) 24 (3): 37–48.
Published: 01 November 1993
... power and intractabil- ity, grandeur and mystery are inseparable. EYE Beckett’s stage works since Playare ghost-plays, hauntings, their spectral quality lying at the heart of their power. What the spectator sees appears to come swimming out of blackness, near...
Journal Article
Theater (2009) 39 (1): 29–39.
Published: 01 February 2009
... to say ahead of time, “Oh, it should it eight or nine hours and come up with just be only two hours.” I also think spectators this much [gesture indicating a small amount]. today are perfectly capable of watching theater Chicken, vegetables, everything was in the for five, six, or seven hours...
Journal Article
Theater (2007) 37 (3): 17–25.
Published: 01 November 2007
... behalf. A certain skepticism that structures the spectator’s relation to the stage might somehow be put to the test, or at least approached in a different sort of way. I’ve been thinking about this in relation to a certain sort of spectatorial “going up” in the work of Socìetas Raffaello Sanzio...
Journal Article
Theater (1976) 8 (1): 11–24.
Published: 01 February 1976
.... of drama if I define it asapresentation before spectators The second reason is that we are all bound by by PerfOrmers who take on roles and xuho interact with each the language we speak and both “drama” and other tofurthr a story, or a text intended for such presen- “theatre” carry strong...