...Jean-Marie Patte Copyright © by yale/theatre 1973 1973 Fore- Play: Introduction to Spectacle D and Spectacle ID Jean-Marie Patte The theatre is not a language. The drama that we present before you is not a discourse, but the arrangement of flashes...

...Kenneth Bernard Copyright © THEATER 1979 1979 Theater in New York Some Observations on Stuart Sherman's Eleventh Spectacle (The Erotic) Kenneth Bernard...

...Lenora Champagne Copyright © THEATER 1981 1981 CONTEMPORARY THEATER IN FRANCE Armand Gatti: Toward Spectacle without Spectators Gatti is the exponent...

...Kenneth Bernard Copyright © THEATER 1983 1983 Some Observations on Stuart Sherman’s Thirteenth Spectacle Kenneth Bernard...

... by Pheng Cheah and Bruce Robbins. Minneapolis: University of Minnesota Press. Chua, Beng-Huat. 1995 . Communitarian Ideology and Democracy in Singapore . London:Routledge. Debord, Guy. 1995 . The Society of the Spectacle . New York: Zone Books. Devan, Janadas. 1993a . “Forum: Art vs. Art...

...Joel Schechter Copyright © THEATER 1982 1982 Notes from Under My Desk: On the End of the World and Other Spectacles Joel~~ Schechter fragments of text...

...- tance of the spectacle. Only in retrospect can Serban’s scrupulous evasion of the text be seriously questioned. He clearly does not believe that a classic can be theatrically...

...Jessica Brantley © 2003 by Yale School of Drama/Yale Repertory Theatre 2003 Books Jessica Brantley these dramatic legends o W er is not straightfor- ward, they, like modern urban legends, do reveal Le gendary Spectacl es...

...Madison Moore In this article, Madison Moore discusses the work of choreographer Trajal Harrell, which critically crosses the downtown pedestrianism of postmodern dance with the high-fashion spectacle of uptown Harlem drag balls. By considering the social contexts of these apparently disparate...

... of their ambiguities—soaked in the aesthetics of folklore, kitsch, and spectacle. Tompa suggests that “less hierarchical forms of performance, such as postdramatic theater” hold the potential to upset these dominant single narratives with multiviewpoint art, including “forum theater, reenactment, and documentary plays...

... spectacles of human suffering in the twenty-first century. In a time when art no longer shocks, argues Friedman, Findlay’s work repurposes the confrontational attitude of the avant-garde by orienting it toward the insoluble impasse of desire and reality. Tracing the arc of Findlay’s oeuvre, Friedman...

... Schools in Santiago and the provinces. THE WNIVERSIITY 9 AND THEIR Catholic University did many similar things, although in proportion SOCIOLOGICAL CONTEXT to its means. The "university clhico is a theatrical spectacle...

... theatergoers, clothes offer everyone costumes in which are, at the very least, analogous enjoy watching the illusion of illness which to dress like fashion models and to spectacles that appear in traditional more than they would enjoy seeing ill- film stars. Consumer marketing pro- stage plays...

... their, and our, lives. But this essay is not about Grips, which even in Berlin is special and unique. 2 Rather, it is an attempt to grasp why we need an alternative, not just to lily-white, run- of-the-mill, middle-class children’s theater but also to a youth entertainment industry whose spectacles...

... This power, it seems, verges on the totalitarian. Many “subject” to his subjects, “placing the king on a scaffold new historicists compare the power of theatricality with the before a judging public.” Stephen Orgel extends this theatricality of power, with those spectacles of pomp argument further...

... Life . London: Longman, 1972 . Burns , Elizabeth , and Tom Burns, eds. Sociology of Literature and Drama . Baltimore: Penguin, 1973 Descotes , Maurice . Le public du théâtre et son histoire . Paris: PUF, 1964 . Demarcy , Richard . Elements d'une sociologie du spectacle...

... by the inanimate objects and to open a di- ture of the spectacle; they are part of Plague And none of the doubles in alogue with these other selves is hard- the cast of characters, and some...

... seventy years the place lay fallow, home to a few scattered and hearty homeless men. It was just one summer weekend, but New York was alive with outdoor happen- ings, mermaid parades, and guerrilla street theater — ­the city was transformed into a swirling mass of spectacle, audience, and stage...

... Copyright © THEATER 1991 1991 spectacle lasting for days which is preserved in history and in people's memories precisely as a media event." Most of Stmet Art of the Revolution...