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Journal Article
Theater (1 November 2013) 43 (3): 65–99.
Published: 01 November 2013
... city. speakers Names placed in brackets are the names of the actual testifiers. The line following is a supporters space for the secretary to write in the audience...
Journal Article
Theater (1 November 2009) 39 (3): 107–109.
Published: 01 November 2009
...-essay in which jingoistic catchphrases form comic rhythms — but who “speaks” these words? How do we identify the people responsible for hawking war when Jelinek withholds the speakers’ names? The text moves blithely between voices and thinkers — some cheeky, others cocksure or...
Journal Article
Theater (1 February 1968) 1 (1): 72–74.
Published: 01 February 1968
... boys, finally, afraid of revolution, And such a war he started you shouId see! stuffed speakers' mouths with jack, Folks began to murder with new zest so's they got rich and you were poorer and down the vino-hand over fist! still. And Peacejust...
Journal Article
Theater (1 May 1974) 5 (2): 82–89.
Published: 01 May 1974
..., the more self-consciousness you'll lose LET YOURSELF GO! Throw shoe. Be sure each person receives plenty of APPLAUSE Praise each speaker...
Journal Article
Theater (1 May 2017) 47 (2): 9–21.
Published: 01 May 2017
... Prince “A House Is Not a Home” by Luther Vandross “Liftoff” by the Robert Glasper Experiment “Sweet Life” by Frank Ocean “Akel Dama” (“Field of Blood”) by Meshell Ndegeocello Before the event, the speaker moves among the group, chatting with the gathered: “How are you? What...
Journal Article
Theater (1 November 1979) 10 (3): 101–103.
Published: 01 November 1979
...Eileen Fischer Copyright © THEATER 1979 1979 The Discourse of The Other in Not I: A Confluence of Beckett and Lacan Eileen Fischer With the publication of Jacques Lacan’s English, this means that the speaker com- In his...
Journal Article
Theater (1 May 2006) 36 (2): 4–19.
Published: 01 May 2006
..., who found the performative key to staging her difficult performance texts. Purely abstract linguistic constructs, these programmatically antidramatic texts consist of massive blocks of language (“planes of language,” as Jelinek calls them), with only a few, if any, designated speakers and...
Journal Article
Theater (1 February 1993) 24 (1): 31–42.
Published: 01 February 1993
... advanced a plot but always deepened our understanding of the speaker. In the 60s, Sam Shepard, Maria Irene Fornes, Adrienne Kennedy and, as the decade ended, Richard Foreman extended this tradition. Shepard created a supercharged gestural vocabulary; Fornes isolated the quiet aspects of behavior...
Journal Article
Theater (1 November 2013) 43 (3): 51–63.
Published: 01 November 2013
... projected on a big video screen above the dais. Suddenly some theater magic 2012. Photo: happened. “Our next speaker is Pete Colt,” announced the city secretary, “who’d like David A. Brown to thank the city civil servants.” Another council member piped in, “Here comes Mr. Colt. It’s always a pleasure...
Journal Article
Theater (1 November 1973) 4 (3): 111–117.
Published: 01 November 1973
... closer to an uninitiated audience, and this is what will work on television. The limitation of the little television screen keeps you from attempting Grand Opera not only visually, but acoustically. From our still very deficient speakers, it is easier to catch an...
Journal Article
Theater (1 November 2002) 32 (3): 55–59.
Published: 01 November 2002
... actor exits through the audience, accompanied by a body- guard. The lectern and podium are the full extent of the scenic design, except for some changing background projections that suggest who is speaking, when, and where. The next speaker, however, makes it clear that what’s happening is not merely...
Journal Article
Theater (1 May 1994) 25 (2): 112–114.
Published: 01 May 1994
..., The characters in Beckett’s fiction are and the elemental rhythms of breath, heart- speakers who must be listened to, says Brater, beat, brain activity. Brater brings this music to and this is important to remember of his stage life; reading his book is like hearing a gifted characters as well...
Journal Article
Theater (1 February 2002) 32 (1): 101–109.
Published: 01 February 2002
... Darger’s bio- graphical writings (especially his Life History), and from his pictures. The play, subti- tled as a work “based on the Life History and Art of Henry Darger,” consists of paragraph-length stanzas (which don’t designate the speaker), most of...
Journal Article
Theater (1 February 1976) 8 (1): 35–37.
Published: 01 February 1976
... sur- rounding apparitions rather than the audience, and by the the actions and reactions of ghost-speaker and ghost- listeners, a semblance of dramatic activity is achieved. The subject swiftly becomes contemporary with the summoning of the ghosts of the brothers Mengistu and Germame...
Journal Article
Theater (1 November 1970) 3 (1_Design): 19–25.
Published: 01 November 1970
... travels from mysticism and student unrest to nuclear destruction. The environment could be a brain which gets shattered; the whole thing could be made of speakers and lamps; it's a battleground; Chicago; a violent trip from temporal time back to a lost paradise; a mass; a...
Journal Article
Theater (1 February 1990) 21 (1_and_2): 99–101.
Published: 01 February 1990
... generation, the Kenyan fered from the same class inequities as ulously distinguishes between Gikuyu novelist, playwright, and dissident before. I Will Marry WhenI Want calls and non-Gikuyu speakers (most of the Ngugi wa Thiong’o is known for his for Kenyan unity against the multi- play ended...
Journal Article
Theater (1 May 1991) 22 (2): 94–95.
Published: 01 May 1991
... Edward Gallardo, Olivier at Work, compiled by the Royal National Theater, Houston, TX,Arte Public0 Press, 1990 (paper) $10.00. New York, Routledge, Chapman & Hall, 1990 (paper) $13.95. Speech for the Speaker: A Handbook for Effective...
Journal Article
Theater (1 November 2009) 39 (3): 11–23.
Published: 01 November 2009
... to the gods, lead- ing to catharsis and revealing tragic hedonism. In Shakespeare’s world theater, each party, actors and audience, had its speaker or speakers. In postmodernism, speech on the stage becomes its own dramatic discourse. The authenticity and authorship of the spoken text is...
Journal Article
Theater (1 May 2015) 45 (2): 1–2.
Published: 01 May 2015
... work or even tour here, despite an abundance of exciting voices and a new generation of artists. Perhaps lan- guage is the problem: the United States has many Spanish speakers and corresponding theaters, but Brazilian Portuguese remains an obstacle. Contemporary dance and con- temporary art from...
Journal Article
Theater (1 May 2015) 45 (2): 2–3.
Published: 01 May 2015
.... Perhaps lan- guage is the problem: the United States has many Spanish speakers and corresponding theaters, but Brazilian Portuguese remains an obstacle. Contemporary dance and con- temporary art from Brazil have made their way into the international networks; perhaps theater can follow. For...