...David Bruin © 2017 by David Bruin 2017 The Collapsable Hole Funeral, New York, 2013. Photo: Paula Court Up Front The New York City Performance Space-Time­ Continuum David Bruin Does New York City’s real estate market threaten its presumptive status as the nation’s...

... to the multitudes the first sexual division and the first carnage ofessences that appeared in creation. " Antonin Artaud 20 Magic Circles/Inner Space Kenneth...

...Kenneth Cavander Copyright 1968 by yale/theatre 1968 Magic Circles/Inner Space Kenneth Cavander In the theatrical family, Greek drama is insignia; what lies outside the area of a pensioned-off grandmother, honored overlap is as great as, or greater than, on ceremonial occasions...

...John Glore The Empty Space and the Seattle Rep; or, Dionysus Meets the Bourgeois Gentleman John .Glore Though some people may think of it as a lumberjack town, Seattle, A theater created to fill a space, and a space made from nothing Washington has, in the last...

...Philip Bosakowski Copyright © THEATER 1984 1984 93VdS NI NIdOH3 l>SAO>VSO8 dlllHd 3 3VdS NI NldOH3 Chopin in Space opened at the Yale Rep on for my Chopin. January 27, 1984, as part of the Rep? Wintq4est...

...Joseph Roach Theatre, Court, and City, 1595–1610: Drama and Social Space in London by Janette Dillon 2000: Cambridge University Press © 2000 by Yale School of Drama/Yale Repertory Theatre 2000 13-The30.3-Books.ak 124-133 10/18/00 11:32 AM Page 128...

... sown in some of these cultural centers, many of Reclaiming Space, which operate without subsidy, in the form of Reclaiming Happiness: community-based theater productions, under...

... Real Estate and Theater Space in New York: A Forum Theater asked a variety of New York’s artistic directors, producers, and designers to consider how the city’s real estate pressures influence their current work and artistic thinking. We asked...

... . Wittig , Monique The Straight Mind . Boston: Beacon Press, 1992 . Durask Theater of Emptied Space and Impossible Performances Gabrielle Cody Wherever I go, I see the signs of society’s death everywhere. It’s...

... and community spaces, and the challenges that artistic directors of Black theaters across the country have had to navigate throughout the past year. During the Harlem Renaissance and throughout the 1930s and 1940s Black professional and community theaters cropped up across the us, in both smaller communities...

.... The would interpret the move as colonizing and posters’ ample white space encouraged feed- patronizing. Such a reaction would have been back “Avarice is your only motif!” or “And if the both understandable and, to some extent, justifi- Wessis withhold their yearly 200 billion [sic] able. When Germany...

...Bertie Ferdman © 2013 by Bertie Ferdman 2013 Cuidades Paralelas building, Buenos Aires, 2010. Photo: Lorena Fernandez Bertie Ferdman A New Journey through Other Spaces Contemporary Performance beyond “Site-Specific” It is only in a place and at a time where we do...

... a nation- on new translations, especially those BOOK REVIEW Spaces, Gestures, objects, Light 1989) after his untimely death, and produce widely evocative effects from and Wotds: The Hags of Bernard- that thanks only to the arrival of an the most basic elements of voice and Marie Kolth...

...John H. Muse John H. Muse surveys the recent phenomenon of the flash mob—brief, participatory performances in public spaces, often advertised virally and lasting no more than a few moments. He discusses the work of Improv Everywhere, particularly their events Frozen Grand Central and No Pants...

...David Freedlander David Freedlander surveys a variety of performance events designed to reconfigure the relationships between urban space and urban dwellers in New York City. He describes a burgeoning guerrilla performance culture—from kicklines on the steps of the New York Public Library...

...Faedra Chatard Carpenter In Carpenter’s musings on the dramaturgical discomfort of staging black suffering and subjugation, she takes on the task of identifying ways to make space for the dysfluency of black life in America on stage. Using the model of Tearrance Arvelle Chisholm’s tragicomedy...

... to contemporary political circumstances and eventually found acceptance in the high-brow, avant garde cultural milieu. This cowritten, copresented article works to trouble that narrative by taking up the forms of queer and trans cocreated performance associated with underground queer spaces that have been...

..., the concept of site-specific­ theater gained traction as a way to describe a mode of performance that assumed a self-­conscious relationship with the particularities of a given environ- ment, often a location significantly divorced from conventionally designated theater spaces. Today, the term seems...

... the visual arts event. It was crucial that some- entire scenography into the exhibition space, body from the theater won these awards at a which would be too big for most of the spaces, visual arts biennale. They won a few times in you would still take it out...

... cross this border. Christoph was the forms — often designing both sets and costumes. director with whom I developed my most Known for her creation of hybrid spaces achieved important themes — which was different from through combining architectures discovered in her being a normal set designer...