...Robbie McCauley Copyright © Theater 1993 1993 Mississippi Freedom: South and North Robbie McCauley 88 NOVEMBER 1991. I am drawn to Mississippi ty members. Sentimental and intelligent...

...Carol Steinberg; Malcolm Purkey Copyright © Theater 1995 1995 Works Cited Bauer , Charlotte . “Into the Shadow of the Valley of Doubt with Lena's Inventor.” Sunday Times , November 27, 1994 . Kavanagh , Robert . Theatre and Culture Struggle in South Africa . London: Zed...

...Zakes Mda Copyright © Theater 1995 1995 Theater and Reconciliation in South Africa Zakes Mda In South Africa, a society which has been, for centuries, characterized by racial segregation, polit- ical oppression, and economic exploitation...

...Loren Kruger Copyright © Theater 1995 1995 So What’s New? Women and Theater in the ‘‘New South Africa” Loren Kruger The new South African constitution condemns discrimination on the grounds of gender and sex- ual orientation as well as race...

.... Photo: Mary Gearhart. 06-Jakovljevic.final 5/2/01 10:51 AM Page 41 Branislav Jakovljevi´c South Pacific–North Atlantic From Total War to Total Peace On January 13, 2000, American national television...

...Catherine M. Cole In this excerpt from her forthcoming study Stages of Transition: Performing South Africa's Truth Commission , Cole examines the creation and reception of REwind: A Cantata , a musical performance incorporating recorded testimony from South Africa's Truth and Reconciliation...

.... 165 Loren Kruger Letter from South Africa In 2004 South Africa celebrated ten years of democracy. In Cape Town, “Mother City” and home to Parliament, the occasion was commemorated by a number of cul- tural events, including an exhibition (Democracy X) tracing the history of South Africa...

...Daniel Larlham In this profile, Daniel Larlham places controversial South African theater director Brett Bailey's recent works, including Ipi Zombi? , iMumbo Jumbo , and Big Dada , in the context of contemporary South African theater and politics. He describes Bailey's strategies of cultural...

...Mshengu Copyright © by yale/theatre 1976 1976 South Africa: Where Mvelinqangi Still Limps (The Experimental Theatre of Workshop ’7 1) Mshengu Workers from the industrial ghetto of Mamelodi near Pretoria glance cursorily at a cloth banner fluttering on the telephone poles...

...Russell Vandenbroucke Copyright © by yale/theatre 1976 1976 South African Blacksploitation Russell Vandenbroucke Ipi- Tomb i Conceived, Devised, and Produced by Bertha Egnos Original Music by Bertha Egnos Lyrics by Gail Lakier Her Majesty’s Theatre, London Zpi...

...Jay Pather Using the protests of the Fees Must Fall movement as his starting point, Jay Pather examines the contradictions inherent within the culturally and politically loaded black body of postapartheid South Africa. Pather discusses the works of Brett Murray, Chuma Sopotela, Themba Mbuli...

... in the new South Africa; Savas Patsalidis considers the elusive question of who actually is the “audience” for theater festivals; Max Glauner examines new models of tailoring festival experiences to individual spectators; Barbara Orel parses the situation of national arts festivals in an increasingly...

... of July, 1994, exactly three months after South Africa’s exhilirating passage to 9 democracy, a group of black actors was to be found holed up in a suburban Johannesburg hotel, forced into hiding because of death threats surrounding the broadcast of a fictional TV mini- series called The Line...

...Catherine M. Cole Gabrielle Goliath s Elegy, seven-channel video installation, Future Generation Art Prize, Palazzo Ca Tron, Venice, 2019. Photo: Maksim Belousov 87 Books Catherine M. Cole Volatility and Precarity in the Rainbow Nation Acts of Transgression: Contemporary Live Art in South Africa...

...Heinrich von Staden Copyright © THEATER 1982 1982 An Interview walking on the edge of what is pennissi- Heinrich VOn Staden ble in south Africa, with a lot...

... of Boesman and Lena and also is when you stop smoking cigarettes, and is also a change in your career. A: Ja Ja 0: In what sense? A: Well, after I had done my last really commercial run of Boesman and Lena in South Africa, I decided to try and do something which had been sort...

...Loren Kruger © 2015 by Yale School of Drama/Yale Repertory Theatre 2015 The National Arts Festival Grahamstown, South Africa, July 2014 Letter from Grahamstown Aubrey Sekhabi’s Marikana — The Musical, Graeme College Theatre...

... in and personal conflict from South Africa’s history 1951 and began work as a director in the tumultu- as well as the immediate, turbulent present. He ous moment that was South Africa in mid-1976. led the team that drew on political theater from This was the hour of the Soweto Uprising...

... going to show up. And we were going to be lucky to Knowing there wouldn’t be many roles for me in South Africa, I have any set at all; there weren’t going to be two, or three. stayed in England and studied acting. Athol went home and kept...