Search Results for sound

.... Courtesy of Park Avenue Armory Jane Cox and Tav ia Nyong o Sound & Color A Curators Introduction In 2021, one of us (Tavia) was approached by a major arts complex in New York City, the Park Avenue Armory on the Upper East Side, to reenvision their public program. Tavia chose to direct his curatorial...

...Jane Cox; Branden Jacobs-Jenkins; Mimi Lien; Mikaal Sulaiman [email protected] [email protected] [email protected] [email protected] © 2023 by individual authors 2023 Sound & Color The Future of Race in Design symposium Opening Conversation, Park Avenue...

...Clint Ramos; Diep Tran; Jeanette Oi-Suk Yew [email protected] [email protected] [email protected] © 2023 by individual authors 2023 Sound & Color The Future of Race in Design symposium Culturally Specific Design panel, Park Avenue Armory, New York, 2023. Photo...

...James Hatch Copyright © by yale/theatre 1976 1976 Speak to Me in Those Old Words, You Know, Those La=LaWords, Those Tung-Tung Sounds (Some African Influences on the Afro American Theatre) James Hatch BZk Love Song #I by Kalmu Ya Salaam begins with a Black woman intoning...

... Copyright © Theater 1994 1994 GARRETT/ w I LLI AM s Howard suggests an answer: we need it Sounding Beckett because the situation is worse now than it was in early modern England. She reads texts with Marshall Williams...

... in which sensuous components—sight, sound, smell, and so on—affect ethical decisions and attitudes in a mediated experience. © 2016 by Yale School of Drama/Yale Repertory Theatre 2016 transmediation trolley problem virtual reality video games Meg Stuart/Damaged Goods’ Built to Last...

... designed by Mary Gould, make-up and wigs designed by Libby Tucker, lighting designed by Thomas Stocker, properties designed by Mary Gould and Rus Quan, sound design by Terry Hunter, special music by James Livingood; the production stage manager was Katharyn Davies, and the stage manager was Patricia Keaney...

... Copyright © Yale/Theatre 1977 1977 Andrei Serban “In our times. . . one approaches a sound experiment knowing that the audience is, in a way, deaf ANDRE1 SERBAN, a native of Rumania, came to the United States in 1970, at the invitation of Ellen Stewart, to work at LaMama...

..., found percussion objects, and sampled sounds. One of her preferred instruments is the BodySynth, which uses computer-linked electrode sensors to respond to the per- former’s muscle movements, allowing her to manipulate sound through physical ges...

... at the Kitchen, every music-theater event I’ve gone to this last year has been packed, and the spectators have been young. Sometimes it seems as if the way images started to dominate text a generation ago is being paralleled by a new dominance of sound...

...Thomas F. DeFrantz/slippage Thomas F. DeFrantz/slippage s Soundz at the Back of My Head, Gibney Dance, New York, 2020. Photo: Scott Shaw 69 Thomas F. DeFrantz/slippage Soundz at the Back of My Head Text and dance by Thomas F. DeFrantz, with sound design by Quran Karriem, lighting design by Asami...

... destroying communion, concentrating being, yawning like a pit, creating extreme anxiety, and giving the sound that finally breaks it a mythological force. These sounds tend to be one of two kinds. Like the visual image, the sonic image is either assaultive or recessive. Sound is either used in furious...

... text of theater directors and actors the country Maybe some accents should have stayed over” for a “standard of excellence [that] unknown. remains as fixed today as anything in our the- 0, the sound of actors talking like actors. atrical cosmos.” They don’t...

..., wanted music to be entirely logical, but everything that happened in their music had to satisfy so many preconceived requirements that the details of many pieces sound arbitrary, almost random. Individual sounds begin to be meaningful only as part of a general...

..., it sounded like a translation from the German— which it was. Musiktheater was widely used in central Europe in the sixties and seventies to designate experimental forms of interaction between the concert stage and the theater (see the works of Stockhausen...

... is relaxation and awareness and work on the spine combined with voice exercises. Also, when I of the spine), to the awareness of breathing and the freeing of started working on Shakespeare I developed an exercise called Sound breathing, through to the touch of sound (which is the sensation...

... clucking and cooing noises. Slowly, charly and dario yoel picks up both pencils and puts them in the emerge from behind the bookshelves, each leading cup. tusoyo picks up a pencil of the next pair, another person and still holding their pencils. walking forward. Their coaxing sounds continue...

...- Carlos: (Boy continuing) Male voice: -quirer, and dramatised the (Makes a clicking sound in throat) headline story that something. . . . (4 times) Female voice: . . .interesting and. . , (No. 4 goes out...

..., and dramatised the (Makes a clicking sound in throat) headline story that something (4 times) Female voice: interesting and (No.4 goes out.) Male voice: important Girl: (As boy and Carlos continue sounds...

...Romeo Castellucci Yale School of Drama/Yale Repertory Theatre 2007 Translated by Joseph P. Cermatori Romeo Castellucci Translated by Joseph P. Cermatori Agamemnon Excerpted from Romeo Castellucci’s Oresteia (una commedia organica?) Darkness. The first sound...