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Theater (1984) 15 (3): 32–36.
Published: 01 November 1984
... innovation threatens the men with unemployment. Edgar and Hermann, two Munich linotype operators, find themselves being retrained to operate a video display screen terminal word processor, and they are both unprepared for the situation. Their sense of masculinity, as well as their sense of self at work...
Theater (2010) 40 (2): 33–39.
Published: 01 May 2010
...Jacob Gallagher-Ross Jacob Gallagher-Ross introduces the text of Big Art Group's SOS , a piece recently staged at the Kitchen in New York City. He analyzes and situates the company's mediatized aesthetic within the context of contemporary consumer culture and the economic implosion of 2008. ©...
Theater (2011) 41 (1): 79–103.
Published: 01 February 2011
... in the new South Africa; Savas Patsalidis considers the elusive question of who actually is the “audience” for theater festivals; Max Glauner examines new models of tailoring festival experiences to individual spectators; Barbara Orel parses the situation of national arts festivals in an increasingly...
Theater (1986) 18 (1): 42–51.
Published: 01 February 1986
... on one evening in the life of a working woman. She comes home from work, goes through her daily routine, and commits suicide. If the “explosive energy” of this action could be used by oppressed people against society rather than themselves, Kroetz believes that we would have a “revolutionary situation...
Theater (2015) 45 (1): 33–41.
Published: 01 February 2015
...Jean Graham-Jones This introduction to the author’s translation of Rafael Spregelburd’s play situates both text and production within the Argentine artist’s oeuvre and poetics and analyzes them as critiques of contemporary globalized society. The article argues that Spam proposes language as a tool...
Theater (2009) 39 (3): 11–23.
Published: 01 November 2009
... the complexity of the modern world: the problems of the present exceed the representational capacity of the situational dramatic art. In the process of modernity it is evident that fewer humans are entering into conflict with one another. Instead they are sliding into complex battles with their own...
Theater (1982) 14 (1): 27–31.
Published: 01 February 1982
...? Athol is still working pretty much the same way. I think our early situation in Soweto got him used to writing and directing his own plays. As the actor, of course you always bring something the director didn’t have in his head. Sometimes the other actors have a problem saying things...
Theater (1969) 2 (3): 39–42.
Published: 01 November 1969
... stage; the building was cleared for examining a complex situation would not ten minutes and we went back in to con- by its very ability to hold such complexi- tinue. Classes had been sporadic; meetings ties in stasis work against the resolution and convocations fascinating but unfruit...
Theater (1980) 12 (1): 30–32.
Published: 01 February 1980
...- population excluded from it for economic and cultural reasons provisations were limited to sketches outlining the principal and (slum dwellers, factory workers, peasants, etc Among the many secondary themes that shaped a specific situation. In the dramatic groups which were active throughout...
Theater (1975) 6 (2): 9–17.
Published: 01 May 1975
.... The people in this category either become indifferent to opera or they abandon the unsuccessful experi- ment, and rightly so, in favor of the other pleasures of traditional opera performances. This is the situation from the public’s viewpoint, which at the moment seems more important to me...
Theater (2010) 40 (1): 57–65.
Published: 01 February 2010
... these pro- 29 cesses into emotional states and situations, trying to find the psychological journey and 30 define the particular physical language for each character, so that there is a highly per- 31 sonalized and multilayered quality to the choreography through both external motives 32 of character...
Theater (1991) 22 (3): 86–90.
Published: 01 November 1991
... weakened and show, Chekhov writes about a lines seemed to echo the sufferings of sometimes almost entirely character in his situation: Iuanou; Ivanov, the Chekhov protagonist eliminated in order to facilitate while Havel writes about the situation whose story commenced the season...
Theater (1984) 15 (2): 39–45.
Published: 01 May 1984
... works in the en- tor, because the circumstances in which I’m directing are unique tire history of Western art. When the play begins, Goya is already from situation to situation. Also, I enjoy learning about different quite old and has been deaf for over thirty years. The tension bet- parts...
Theater (2017) 47 (1): 39–51.
Published: 01 February 2017
... this really collaborative spirit in the that was the situation. So when designers theater, and authorship is perceived differently would curate, they wouldn’t be used to push- than in the visual arts. ing the project or coming up with the idea. An We also wanted to change the words important thing...
Theater (1986) 17 (3): 38–42.
Published: 01 November 1986
... I've also done), you work with a director in a production situation. So I came to it from the world of playwriting and translation. Probably...
Theater (1980) 11 (3): 43–48.
Published: 01 November 1980
... clarifies his own approach to staging a their captors, is a situation which knows no national boundaries; it Western play: is international, it is human and it is found throughout history. "My problem as a director in staging the Trojan Women was to do On other occasions Suzuki has amplified the notion...
Theater (1999) 29 (2): 98–107.
Published: 01 May 1999
... construct and that Jewish identity had often been dependent on the situation into which each Jew was forced. That is, certain roles were imposed on Jews throughout history that were not of their choosing. “Thus,” Sartre argued, “it is no exaggeration to say that it is the Christians who have created...
Theater (1977) 8 (2_and_3): 44–53.
Published: 01 May 1977
..., character, idiosyncratic behavior. If you’re talking about a completely trained actor, you’re talking about the ability not only to be himself but to do so as if he is another character. To truly be oneself in an imaginary situation is not easy. Is it djfferent from a person’s ability...
Theater (1978) 10 (1): 63–65.
Published: 01 February 1978
... be• to act decisively, these soldiers were weak, tween the situation and events in Hamlet's dependent creatures, the factotems of the Benno Besson seems to have found a Denmark and those in their own social court - outsiders...
Theater (1987) 18 (3): 6–12.
Published: 01 November 1987
... - ting. Tbto succeeds in isolating from the never logically co-ordinated. that is to provoke a situation, to make it WOI rest of the body the head, for instance, say that ?bto never makes a gesture and then to be afraid of what follows, or the face, the eyes. He can do things which...