.... ON SITE Kyle ChepuZS, Interviewed by Jonathan Shandell JONATHAN SHANDELL You started out as a tech- Most designers have been taught to work nical director. When didyoufirst get the chance to in a proscenium theater, with tall ceilings and fly design your own set? space...

...Bertie Ferdman © 2013 by Bertie Ferdman 2013 Cuidades Paralelas building, Buenos Aires, 2010. Photo: Lorena Fernandez Bertie Ferdman A New Journey through Other Spaces Contemporary Performance beyond “Site-Specific” It is only in a place and at a time where we do...

... 2017 South Africa South African protest movements Fees Must Fall postcolonial studies Students from the University of Witwatersrand protest tuition fee rises, Johannesburg, 2015. Photo: Newzulu / Alamy Jay Pather Negotiating the Postcolonial Black Body as a Site...

...Bertie Ferdman; Ryan M. Davis; Anne Erbe © 2013 by Yale School of Drama/Yale Repertory Theatre 2013 Todd Shalom’s Fabstractions, Brooklyn, 2012. Photo: Nick Robles Works Sited A Forum Edited by Bertie Ferdman Compiled by Ryan M. Davis and Anne Erbe In the early 1980s...

... years of violence and prejudice, and describes a younger generation whose work ventures beyond the confines of Northern Irish struggle. She also explores a growing community of theater companies creating site-specific work in locations that were significant during the Troubles, to commemorate the events...

... borderless Europe; and Rolf Dennemann describes the use of nontraditional venues and site-specific performances to draw unexpected audiences together. © 2011 by Yale School of Drama/Yale Repertory Theatre 2011 An Histrionic, Infecting the City Festival, Spier Performing Arts Festival, Cape Town...

..., artistic, and political expression. It explores the politics of personality, style, and the male body as a site of desire. © 2015 by Ryan M. Davis 2015 Miguel Gutierrez queer dance performance Ryan M. Davis All the Possible Variations and Positions The Intimate Maximalism of Miguel...

...—site-specific one-on-one performances in Hamlin Park and an ensemble performance turned social dance at Links Hall—stage “two dreams of contemporary dance”: “One is the urge to dissolve the boundary between performer and audience; the other is to intensify that distinction.” Kramer probes...

... of the piece around Europe and on-site in a radio studio in Kigali and explaining the role of radio in the Rwandan genocide of 1994. With The Congo Tribunal , Defraeye identifies several of the many global ramifications of what is often referred to as the African World War and summarizes the three cases...

...-Orientalism that positions non-Western artists and their works solely into an epistemological framework that applauds liberal democracy and argues for devised theater as a site of minor interventions, world making, as well as radical hope. [email protected] © 2024 by Yizhou Huang 2024 Grass...

... Basel Abbas and Ruanne Abou- Rahme If Only This Mountain Between Us Could Be Ground At those terrifying frontiers where the existence and disappearance of people fade into each other (part 2) is a site- specific video and sound installation by Basel Abbas and Ruanne Abou- Rahme featuring a new...

... ethos of all theatri- cal enterprise. The ancient Greek word theatron designated “a place for seeing,” refer- ring both to a site for spectacle and to the more immaterial dynamics of apprehension and perception. What the artists in this volume demonstrate, in their work and ideas, reflects...

... ethos of all theatri- cal enterprise. The ancient Greek word theatron designated “a place for seeing,” refer- ring both to a site for spectacle and to the more immaterial dynamics of apprehension and perception. What the artists in this volume demonstrate, in their work and ideas, reflects...

... familiar theater building leads to many ques- in New York in September 2012, directly following tions about how we connect with, look at, and a performance in Times Square of Agoraphobia, converse with each other. a piece van den Berg devised for public squares. Site-­specific performance is not only...

... attempts to integrate on a central site the Old Fort (formerly a colonial and later an apartheid prison), the new Constitutional Court, and, soon, commercial and residen- tial structures, facilitated by the Johannesburg Development Agency (JDA) in collabo- ration with private entities in the Central...

... become the next avenue for companies to learn more about their audiences (likes, dislikes, other theatrical affiliations). Networking sites allow a platform to promote the institution and its work via fan pages, and Facebook’s contro- versial privacy policy allows for targeted advertising on its...

... sites allow a platform to promote the institution and its work via fan pages, and Facebook’s contro- versial privacy policy allows for targeted advertising on its devotees’ profile pages. This kind of “access all audience” can be used for marketing, education, outreach, and even revenue...

... sites allow a platform to promote the institution and its work via fan pages, and Facebook’s contro- versial privacy policy allows for targeted advertising on its devotees’ profile pages. This kind of “access all audience” can be used for marketing, education, outreach, and even revenue...

... sites allow a platform to promote the institution and its work via fan pages, and Facebook’s contro- versial privacy policy allows for targeted advertising on its devotees’ profile pages. This kind of “access all audience” can be used for marketing, education, outreach, and even revenue...

... reception, touring numer­ ous international festivals and winning various awards. Villa+Discurso is a two-­pronged site-­specific theater piece Calderón refers to as “Villa plus Speech,” which reflects on the nostalgia, healing power, and contradic­ tions of memory. Twenty-­two years after the end...