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Journal Article
Theater (1999) 29 (3): 96–99.
Published: 01 November 1999
Journal Article
Theater (1984) 15 (3): 32–36.
Published: 01 November 1984
... compromised because he is not comfortable allowing his wife to continue having the family she wants. San Francisco Bay Guardian critic Misha Berson wrote that “despite the Munich setting, Neither Fish Nor Fowl might have been set in Detroit or Cleveland. Edgar talks about how completely different life...
Journal Article
Theater (1981) 13 (1): 22–25.
Published: 01 February 1981
...Robert Hurwitt Tingeltangel by Karl Valentin was performed Thursday through Sunday, May 13 – June 28 at Berkeley Stage Company, 1111 Addison Street, Berkeley. The four sketches were translated by Sue-Ellen Case and Roswitha Mueller, directed by Case, with set design by Ewald Hackler, costumes...
Journal Article
Theater (1969) 2 (1): 53–84.
Published: 01 February 1969
...- whatever, in which one person or all berty, at marriage, at childbirth, at the people or several of the people are death. And the community set up the sit- in some way raised, or where some event uation in which by theatrical means occurs in the life of the participants, these painful...
Journal Article
Theater (2015) 45 (1): 95–113.
Published: 01 February 2015
... cross this border. Christoph was the forms — often designing both sets and costumes. director with whom I developed my most Known for her creation of hybrid spaces achieved important themes — which was different from through combining architectures discovered in her being a normal set designer...
Journal Article
Theater (1985) 16 (3): 95–96.
Published: 01 November 1985
...Steve Lawson American Set Design by Arnold Aronson, Theatre Communications Group, Inc., New York; 200 pp., illus., $25.95 cloth, $16.95 paper Copyright © THEATER 1985 1985 achievements were visual. It must have pic- of being relegated to small print. The index tures. As Koller herself...
Journal Article
Theater (1987) 18 (2): 22–33.
Published: 01 May 1987
... Video on from the other end of the line came a to his “no set-ups” position just to be some barely imaginable adventure. Ah voice I will hear forever, “We can only stubborn, but I didn’t say anything. The ha! That was it! After one half year of pay you twenty-five dollars.” incident...
Journal Article
Theater (1975) 6 (3): 5–8.
Published: 01 November 1975
... or into graves, which amount to the same thing. This is the only way that the inhuman order in which we live and must continue to live can be maintained. The Setting A naturalistic set of a rented apartment. As is usual with old subdivided houses of this sort, one can imagine how the other...
Journal Article
Theater (1985) 16 (2): 87–92.
Published: 01 May 1985
... are prepared The distinctly contemporary sets of facts and reasons: because of a subway setting by to say that no production that fails to follow prejudices they carry into the theater color Douglas Stein and music by Philip Glass. every original stage direction deserves their perceptions...
Journal Article
Theater (1985) 16 (3): 96.
Published: 01 November 1985
... for a woman? fascinating field, Am‘can Set Design should seasons in Central Park radically altered the This is worth another book in itself. be savored. It’s crucial for anyone remotely Jo Mielziner “look” in favor of a starker, Aronson’s choice of photographs is ex- interested in theater, for anyone...
Journal Article
Theater (1981) 13 (1): 76–82.
Published: 01 February 1981
... 11, leads to the end. Flora, the flirtatious Schottenberg’s Titus discovers that he has gardener, begins her search for Titus when lost his all-important wig, he rushes this suddenly new scenery - a set of ridiculous way and that, searching for it among the kitsch-baroque columns...
Journal Article
Theater (1985) 16 (3): 92–95.
Published: 01 November 1985
... American tour to be cancelled. perimented with naturalism, realism and This meant that, with the exception of a symbolism in blocking and set design, and one-month visit to London in 1881...
Journal Article
Theater (1980) 11 (3): 119–122.
Published: 01 November 1980
...• impact. Through the use of stylized acting, tion, they received the West Coast rights to original music and ingenious portable set• the play. As Mime Troupe member Sharon tings, "the group's dynamic audience-actor...
Journal Article
Theater (1970) 3 (1_Design): 33–37.
Published: 01 November 1970
... bent of his concept was towards a practical, evocative and stageworthy set. This was always true of his theatrical instincts, and I felt then that he was following strongly in line with his idol, Robert Edmond Jones, his design professor, Donald Oenslager, and Jo Mielziner, for whom he...
Journal Article
Theater (1979) 11 (1): 73–79.
Published: 01 February 1979
... of The Lost festival would be absolutely untried. There are workshop productions that need to go on rather Ones sets a high standard for the following than just be dumped...
Journal Article
Theater (2003) 33 (3): 41–55.
Published: 01 November 2003
... Viebroch and Bert Neumann. holzapfel Andrew Schroder Recently, Ginsberg designed the set and costumes for In Mahler’s Shadow, a compila- and Michael tion of staged performances of Mahler’s “Lieder eines Fahrenden Gesellen” and Hendricks in In Mahler’s Shadow. “Symphony...
Journal Article
Theater (1986) 17 (3): 97–100.
Published: 01 November 1986
... in the produc• refuse to reconcile themselves either with ful, and mobile brothel set visible in the back• tion is immediately and self-consciously fron• each other or with the playwrights' texts. She ground. There is no lack of spectacle, and yet tal, so much so that it upstages even the wants her...
Journal Article
Theater (1977) 9 (1): 6–49.
Published: 01 February 1977
..., Klaus which ordinarily thrives on illusion and mystification and af- Weiffenbach, a set designer, and Dieter Sturm, a drama- firms the prevailing system of socio-economic relations. The turg. who are stilt with the company which came to be Schaubchne is the contradiction of those very powers...
Journal Article
Theater (1978) 9 (2): 10–14.
Published: 01 May 1978
... of the performances of the Ontological Hysteric Theatre, sitting at a console between the audience and the stage. From there he controls the complex system of sound, light and set changes with which he presents the plays to the audience. Several comparisons suggest themselves here: First, Foreman is the ideal...
Journal Article
Theater (1984) 15 (3): 69–73.
Published: 01 November 1984
... and the old story of Shlink‘s attempt to possess the sensitive skin distance of these images from the plot or set- the Brecht text began. The character with of Garga, through sexual possession of his ting of the verbal text creates a complex, sub- the flashlight remained onstage during the sister...