... . Spender , Stephen “The Cult of Joe.” In New York Review of Books , Vol. 23 (September 16, 1976 ). ““Myselfof Course”: J. R. Ackerlev and Self- DramatizationJ JohnM. Clum The first 20th century play...

... The Politics of the Mirrored Self In mid-1995, shortly after the final disintegration of the five-member post-Wall direc- torate of the Berliner Ensemble that left Heiner Müller sole leader, I asked him whether Brecht would continue to be central...

... by sari Self-COnSumhg Artifact: Francisco’s Eureka Theater, and a produc- tion there has been promised “sometime soon.A Perhaps by then revisions will be Griiber’s Hamlet made; if so, it should be interesting to com- pare! the two versions - and the audience/- jury response...

...Colette Brooks Copyright © Yale/Theatre 1977 1977 And Society -Plat0 -Jean-Jacques Rousseau -Jean - Pa u 1 Sart re In Pursuit of the Self: the Actor and Society By Colette Brooks...

... innovation threatens the men with unemployment. Edgar and Hermann, two Munich linotype operators, find themselves being retrained to operate a video display screen terminal word processor, and they are both unprepared for the situation. Their sense of masculinity, as well as their sense of self at work...

...Daniel Sack In Daniel Sack’s discussion of Nicola Gunn’s dramatic oeuvre, he finds a through line running between her works—one of self-reference and autofiction, a kind of playful knowledge of the self. In tracing this affinity between her pieces, in particular In the Sans Hotel , In Spite...

... argues “are not undergirded by any realistic or logical basis,” but instead use hollow dictums to intimidate artists into self-censorship, despite the Constitutional ban on official censorship. After publishing his critique of Medinsky’s “enchanting utopia,” Vyrypaev and his artistic home, Teatr.doc...

...Marina Davydova Marina Davydova impugns what she calls a “total conservative revolution” in Russian culture. Self-censorship has rendered censorship superfluous, she argues, as reverence for fossilized classics forbids their transformation or modernization. Her polemic traces the cult of the past...

...) and the relationships between dissident playwrights, apologists, and censors throughout the 1980s. He also considers the work of Romanian dramatists who continue to examine the psychological consequences of self-censorship and reform after the 1989 revolution. © 2009 by Yale School of Drama/Yale Repertory Theatre...

...  — John Dewey, “The Theory of Emotion. (1) Emotional Attitudes” 21 22 Self/Expression 23 24 All right, then, let’s take it from your angle of vision: expression, expressivity, expres- 25 sionism. I extend my arm like this. (Extend arm to side in a casual manner.) Is that 26...

...Tom Sellar [email protected] © 2023 by Tom Sellar 2023 Eva Doumbia s Autophagies (Self-E­ aters), Invisible Dog, Brooklyn, 2023. Photo: Argenis Apolinario Up Front Melting Pots Tom Sellar Was it a performance or a communal meal? A tasting session or a history class? Perhaps it s...

... is central to its meaning, to its explo- rations of the nature of consciousness. His plays, he has written, are “things on which I can lean my ideas, which can support my obsessive manias,” and so are his self-designed props, set pieces, and lights, his actors’ movements, his music loops, his sound...

... Gutierrez The culture industry often curtails personality in favor of concise, marketable state- ments and crystalline images. But the choreographer and performance maker Miguel Gutierrez, who is now embedded in the contemporary art world, goes for a kind of amplified self-­expression. His...

... of a stable discourse, the at- Chicago courtroom, illustrated a new sense of the self which accom- tempt to break out of the ghettoes of race, class and institutional panied this alliance between theater and politics. Seale became a privilege did not escape the definitive ghetto of a repressive...

...: the society of Duke Orsino and Olivia, the sterility of its mannered behavior and its self-induced passions. The corollary Lamos found for Shakespeare's characters, so in love with being in love, lies in the leisure class of the 1920's and 30's (reflected primarily in the music and costumes...

... and the ultimate consequence: self-parody. For Bernhard, the writer who stories is profoundly theatrical: the narrator, by elaborately quoting has won the most prestigious literary awards as the twentieth century another, no longer functions as the conventional story teller, but visionary of doom, successor...

... ). Feinberg , Leslie Stone Butch Blues . Ithaca, New York: Firebrand, 1993 . Garber , Marjorie Vested Interests: Cross Dressing and Cultural Anxiety . New York: Routledge, 1992 . Goffman , Erving The Presentation of Self in Everyday Life . Garden City: Doubleday, 1959 . Nestle...

... into faith - a faith in self- preservation and strength ofwill. But for Ronse, faith rests in the certainty of death; one’s sense of self is gained...

..., head tilted up, smoke curling from a lit cigarette held between supple fingers. Or that figure appears engaged in the ritual of breathing, of walking, of admiring a reflection of her- self. The ordinary existence of an African American female body becomes the frame- work for circular structure...

... and his own younger self enact scenes progress from the past around his bed, bringing along fur- Theirs is a patterned chaos, carefully ordered niture from their 1950s suburban Washington and planned, but, by its very nature as a theatrical home and decades...