Search Results for salome

...Richard C. Beacham Copyright 1968 by yale/theatre 1968 Sex and the Censored SALOME by Richard C. Beacham N • • • I want to tell you how gratified I was by your letter . . . for its strong protest against the contemptible official tyranny that exists in England in reference...

... to the demands of social climbing. lightly this confrontation with his own Above: Michael A. Schottenberg as Titus, Sen- In order to advance himself, this Titus duplicity. When Salome leaves, his in- ta Wengraf as Constantia (left) and Elfriede Ott becomes a contortionist...

.... In our third issue, Richard Beacham wrote “Sex and the Censored Salome,” celebrating the 1968 demise of the office of the Lord Chamberlain - after more than two centuries of its absolute power to censor theater in Britain - with an essay on the horrified contemporary reactions to Wilde’s play...

..., Titus is totally conscious of the deception he around I’m suddenly able to charm people. What can I say? When perpetrates. The village goatherd Salome, an innocent red-haired I think about this morning and now, that’s quite a change within a woman who becomes his conscience, constantly reminds...

... the author. Apocalypse Song Laughing Song Opening Monologue Frog Song City gps Song Times Square/Salome Houses Train With No Midnight Appearances Instrumentalists Matthew Dean Marsh piano, synth, backup vocals Lavinia Pavlish violin Michael Hanf drums, vibraphone, guitar, bass guitar keckler 10 Note...

... The Clemency of the disorder he’s created and - just for a of Titus. Soon Titus, and then Salome, join moment - throws his head up in a howl of in with a string of parodies of the music of bewildered animal anger. Soon Titus will Mozart, Beethoven, and Strauss (Viennese find other wigs to wear...

... from France: Robert Peter SeUars, Interviewed by Mark Bates,” no. Wilson, Peter Greenaway, and Ariane 2,87-90. Mnouchkine,” no. 3,92-97. Beacham, Richard, “Sex, Censorship, and Copelin, David, “Dogma, Dreams, and Salome in 1968: Or, I’m Not Allowed to Take...

... ofwriting Beau Žrst two volumes, the editors are well up to it. Brummel (1889–90). The essays in this new collection are Behind him on the wall is a portrait of highly engaging and rigorously researched. Salomé holding the Their authors faced many challenges, one...

...). The essays in this new collection are Behind him on the wall is a portrait of highly engaging and rigorously researched. Salomé holding the Their authors faced many challenges, one of severed head ofJohn the most signiŽcant being the need to gather the Baptist. Photo sufŽcient scholarly evidence...

... ofwriting Beau Žrst two volumes, the editors are well up to it. Brummel (1889–90). The essays in this new collection are Behind him on the wall is a portrait of highly engaging and rigorously researched. Salomé holding the Their authors faced many challenges, one...

... 1 102 Sex and the Censored Salome Beacham 1 13 Slaughterhouse Play (play) Yankowitz 2 109 The Stanford Repertory Theatre McHose 2...

... moments in Ludlam’s work, transcends comic tim- intentioned dramatic naturalism is not as stageworthy as ing. Beyond his innate gifts as an actor, which would place him Moliere or Salome’s wiles: film noir, already over-worked as in the company of great comic actors like Bert Lahr, Ludlam’s grist...

... or Alcestis or think of something?” I had been reading a lot of books on Salome. Those all have narratives and yet if one isn’t familiar mythology ’cause I’d been thinking about doing something with the work one certainly wouldn’t get the story by looking with that and eventually I came back and said...

... entertainment entirely in black and white except for the pivotal red hair of Titus that swept the country in the late 1860 s. An Austrian today might and Salome; the Dieter Haspel staging of He’s Outfor a Fling (1976) relate to Nestroy’s theatrical ground as we relate to the comedy of set in an empty...

... sold out wonder if that’s because there are fewer the- for months and months just reading Salomé aters of quality in Cambridge and Boston. onstage. With fewer choices, people are just in the habit of going to A.R.T., regardless of the rep- horowitz Celebrity certainly sells, but can’t ertory...

... theater plans. Among them were Arturo Ui, National Actors plays with widely varying artistic results, but it Richard III, and Herod in Wilde’s Salome, all of Theater’s production has never resolved into a company with per- which he had already performed. (The third of ofBrecht’ s...

... theater plans. Among them were Arturo Ui, National Actors plays with widely varying artistic results, but it Richard III, and Herod in Wilde’s Salome, all of Theater’s production has never resolved into a company with per- which he had already performed. (The third of ofBrecht’ s...

... theater plans. Among them were Arturo Ui, National Actors plays with widely varying artistic results, but it Richard III, and Herod in Wilde’s Salome, all of Theater’s production has never resolved into a company with per- which he had already performed. (The third of ofBrecht’ s...

... — of perfumed Boulevard comedies by Jean Anouilh (Ring Sotigui Kouyate Round the Moon and Colombe); or of several operas at Covent Garden, one of them as Tierno Bokar, Strauss’s Salome, designed by Salvador Dalí (whose instruction to place one live hip- Théâtre des Bouffes popotamus over center stage...

... — of perfumed Boulevard comedies by Jean Anouilh (Ring Sotigui Kouyate Round the Moon and Colombe); or of several operas at Covent Garden, one of them as Tierno Bokar, Strauss’s Salome, designed by Salvador Dalí (whose instruction to place one live hip- Théâtre des Bouffes popotamus over center stage...