...David Savran Copyright © THEATER 1986 1986 ADAPTATION AS CLAIRVOYANCE: THE IWOOSTER GROUP’S SAINT ANTHONY DAVID...

...Faith E. Beasley Costume design from Le Bourgeois gentilhomme, in uvres complètes de Molière, Paris, 1852 Faith E. Beasle y Molière and Indiennes Taste in Louis xiv s France Since the 1960s, Yves Saint Laurent s iconic collections have embodied the certain je ne sais quoi that the world...

... be used again later. It was a preliminary model for work with non-theater people in its utilization time. The process was emphasized in the final pro- duct, the performance. Gatti’s tribal work became even more process-oriented in projects in the Brabant Wallon region of Belgium and in Saint...

...: the basic method of understanding. Danton, The Revolutionaries Meet Saint-Just, Robespierre, Lucy-these are all characters who carry with them not only the Daniel Stern fragments and detritus of history that have...

... Thomson opera, Four Saints in Three Acts, and Gertrude Stein was pleased with his work. The opera was first performed at the Hartford, Connecticut, Athenaeum in February of that year. Thirteen years later, in 1947, he provided the scenario for the second...

... alone with a chair. Beggar cifically Egyptian: The wave of materi- saint’s domed shrine rises up before me. children with snot dangling from their alism and self-fullillmentwhich thwarts White and pristine in the daytime, at noses play in the rag heaps alongside artistic development...

... “simple” Don Juan, she is, nevertheless, can- A scene from Donna Gtouanni and high-heeled Don Juan clones drag nibalized by her own desire. Like Saint Masetto off stage to permit “Don Giovanni” Theresa of Avila, the “woman” imaged in Theresa’s folds...

... Gertrude Stein meant by saying that the play henceforth is a landscape Maurice Grosser, who turned Gertrude Stein’s text of Four Saints in Three Acts into the opera scenario for Virgil Thomson, was among other things-curious fact-a landscape painter...

..., and only vaguely, way upstage; what is most striking are projections, neatly fit- ting into modular boxes, of Roman statuary-in cool green light the cold stone figures that posed as models for the French revolutionaries: dead saints of an earlier era. As the performance begins...

... productions in ten years: Molière’s School for Wives it in.” Sometimes he would argue and say, “No, and Brecht’s Saint Joan of the Stockyards at Yale that character really is kind of a schmuck, and Repertory Theatre and Phèdre at American Reper- of course he would speak...

... Buchner not to marry Min- ment; and if he had lived to na Jaegle, and to write a play about complete the anecdote, it wou Id Aretino instead, which may explain have ended with Aretino telling why the play was burned by Buchner's Saint Peter: "I committed Cardi...

... it. this I wonder. Who? Not me. Saint BLACK MAN: I kin tell whats mines mines. by whats gots my looks. Ssmy- Panel I: BLACK WOMAN: Killed every hen on method. Try it by testin...

...Tom Sellar © 2015 by Tom Sellar 2015 Brett Bailey’s Exhibit B, Festival d’Avignon, 2013. Photo: Ada Nieuwen Up Front Europe on Exhibit Tom Sellar Paris, November 28, 2014: Emerging from the rer regional train in Saint-Denis, a gritty suburb home to many immigrants from sub...

...Alexandra Ripp © 2015 by Alexandra Ripp 2015 Brett Bailey’s Exhibit B, Festival d’Avignon, 2013. Photo: Ada Nieuwen Up Front Europe on Exhibit Tom Sellar Paris, November 28, 2014: Emerging from the rer regional train in Saint-Denis, a gritty suburb home to many immigrants...

... a roar, And laughed and hooted more and more, and kept on singing,—only think!— “Oh! Blacky, you’re as black as ink.” Now Saint Nicholas lived close by, So tall he almost touched the sky; He had a mighty inkstand too, In which a great goose-feather grew; He...

...-­Barbe de Saint-Balmon each published a Christian tragedy (unperformed) in 1650, while the playwright was still crisscrossing France with Charles Dufresne s troupe. After the Fronde, beginning in 1660 plays by women timidly arrive to enrich the repertoires of professional companies, but the visibility...

...Andrew Rincón Andrew Rincón I Wanna Fuck like Romeo and Juliet Characters The Dental Hygienist The Gods cupid God of Love. Appears as a Latinx woman in her twenties or thirties. Puts on a bitter, hard exterior. Incredibly heartbroken and tired. Fierce and ferocious. valentine Patron Saint...

... to a cheap fashion like the characters in the music of Saint-Saens on Red Square in “The Ages of Man.” Moscow-a new version of “The Ages of Man.” At that time one idea kept bothering The essence of Gorky’s charm is that while me and it would give me no rest. I had he...

... . BRILLIANCE. WRITING A SONG OR AN OPERA IS JUST AS EXTRAS IT SHOULD BE EQUIPPED WITH FIVE TRYING TO BE SPECIFIC . 24 HOLY SAINTS ALIVE SISTER SUSIE . . DO WE EVER COME BY ARE WE EVER MOVING PICTURES...

... scarabs or "relics" like the cane he claimed to have been Saint Patrick's. His dandified figure did not just arrive and depart; it would materialize, then dematerialize, usually alone and unannounced-a foreign body whatever the milieu (fearing for his mind from one instant to the next, how...