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Journal Article
Theater (1 February 2006) 36 (1): 5–25.
Published: 01 February 2006
...John Freedman © 2006 by Yale School of Drama/Yale Repertory Theatre 2006 Lost in the Stars, directed by Grigory Dityatkovsky, St. Petersburg, 1999. Photo: Yuri Belinsky John Freedman Russian Theater in the Twenty-First Century A Critic’s Journal...
Journal Article
Theater (1 November 1992) 23 (3): 94.
Published: 01 November 1992
...John Bell Petrushka: The Russian Carnival Puppet Theater by Catriona Kelly (Cambridge University Press, 1990). Copyright © THEATER 1992 1992 BOOK REVIEWS The Age and Stage of George L. Fox episodes, Irwin's play conveys the rise and because, Kelly shows, the...
Journal Article
Theater (1 November 1995) 25 (3): 64–79.
Published: 01 November 1995
...Denis Salter Copyright © Theater 1995 1995 Under Western Eves: J Permectives on C onternDorarv I I Russian Theater J Denis Salter...
Journal Article
Theater (1 November 1999) 29 (3): 47–70.
Published: 01 November 1999
...Daniel Gerould DANIELGEROULD THEAPOCALYPTIC MODE AND THE TERROROF HISTORY Turn-of-the- Century Russian and Polish MiZZenarian Drama History has meaning only because it ends. -Nikolas Berdyaev, The Russian Idea I. THEAPOCALYPTIC...
Journal Article
Theater (1 May 1976) 7 (2): 45–53.
Published: 01 May 1976
... personality. It is really harder to explain Marina Vladimir Maramzin, now living in Paris, Tsvetaeva,* who protested against the is part of the “third wave” of Russian Nobel Prize award to Ivan Bunin because emigre writers...
Journal Article
Theater (1 May 1976) 7 (2): 8–24.
Published: 01 May 1976
...Vladislav Khodasevich; Roberta Reeder, translated by Copyright © by yale/theatre 1976 1976 Khodasevich’s Gorky By Vladislav Khodasevich Translated by Roberta Reeder Vladislav Khodasevich, the Russian poet, was for a time Gorky’s closest friend. Roberta Reeder, translator...
Journal Article
Theater (1 February 2016) 46 (1): 15–35.
Published: 01 February 2016
...John Freedman John Freedman surveys the trends and important events in Russian theater from 2010 to 2015. Freedman pays particular attention to how changes in Russia's increasingly conservative political climate and cultural policy have resulted in increased censorship of, decreased funding for...
Journal Article
Theater (1 May 2018) 48 (2): 39–45.
Published: 01 May 2018
...Ivan Vyrypaev Translated and introduced by Susanna Weygandt, this polemic from the popular and controversial Russian playwright Ivan Vyrypaev responds to the new “Politics of Culture.” In June 2015, Minister of Culture Vladimir Medinsky published guidelines for artistic creation, which Vyrypaev...
Journal Article
Theater (1 May 2018) 48 (2): 33–37.
Published: 01 May 2018
...Marina Davydova Marina Davydova impugns what she calls a “total conservative revolution” in Russian culture. Self-censorship has rendered censorship superfluous, she argues, as reverence for fossilized classics forbids their transformation or modernization. Her polemic traces the cult of the past...
Journal Article
Theater (1 November 1992) 23 (3): 94.
Published: 01 November 1992
... fairground puppet theaters. This mistrust, Clown most popular clown in America 125 years according to Kelly, extended to the by Bill Irwin, with Geoff Hoyle and Friends ago: since then his name was virtually Russian Symbolists who, despite their...
Journal Article
Theater (1 February 2006) 36 (1): 45–47.
Published: 01 February 2006
.... This English text is a close but not word-for-word translation of the Russian. During Ivan’s residency at Royal Court Theatre, British actors worked on a rehearsed reading as British DJ and playwright Debbie Tucker Green provided backing tracks. Ivan keenly wanted the text to resonate in English...
Journal Article
Theater (1 November 1992) 23 (3): 94–95.
Published: 01 November 1992
... years according to Kelly, extended to the by Bill Irwin, with Geoff Hoyle and Friends ago: since then his name was virtually Russian Symbolists who, despite their (Seattle Rep, April, 1992). forgotten, until Senelick's commanding enthusiasm for "low" culture...
Journal Article
Theater (1 May 1998) 28 (2): 19–26.
Published: 01 May 1998
...Joseph Roach Copyright © Theater 1998 1998 R eferences Van Norman Baer , Nancy , ed. Theatre in Revolution: Russian Avant-Garde Stage Design, 1913 to 1935 . New York: Thames and Hudson, 1991 . Van Norman Baer , Nancy , ed. “Design and Movement in the Theatre of the Russian...
Journal Article
Theater (1 May 2005) 35 (2): 103–107.
Published: 01 May 2005
... with many experimental studios led by Vladimir Nemirovich-Danchenko, Vsevolod Meyerhold, and Alexander Tai- rov, established Moscow as the Russian theater capital, and St. Petersburg has always remained in its shadows. During the Soviet regime, Communist Party attempts to unify and popularize...
Journal Article
Theater (1 May 1991) 22 (2): 28–32.
Published: 01 May 1991
... most powerful of these tableaux in His preference for open spaces and a minimum of set Yefi-emov’s production came after Ivanov told Anna that she pieces runs counter to the lavish, naturalistic sets that are was going to die soon. Anna slowly walked upstage in the the Russian tradition for...
Journal Article
Theater (1 May 1991) 22 (2): 4.
Published: 01 May 1991
... experienced new freedom, power, but the Soviet democratic reforms and artistic as Gorbachev’s policy of glasnost (openness) permitted advances of recent years appear to be in danger. The them to renew the debates and experimentation stifled Russian political activist Boris Kagarlitsky said early in...
Journal Article
Theater (1 February 2006) 36 (1): np.
Published: 01 February 2006
... © 2006 by Yale School of Drama/Yale Repertory Theatre 2006 Theater Tom Sellar, Editor yale school of dr ama yale repertory theatre volume 36, number 1 editor    Tom Sellar c0editor, Russian Theater    Yana Ross associate editor    Rachel Rusch managing editors    Lydia...
Journal Article
Theater (1 February 1988) 20 (1): 25–28.
Published: 01 February 1988
... and memories. The action takes place in a North Russian village of Peka- shino, in the land of “white nights and limitless woods”. The protagonists are the villagers, mostly women and children who have been running the collective fann while the men were away at war. Now the war has ended...
Journal Article
Theater (1 February 2006) 36 (1): 97–107.
Published: 01 February 2006
... and divine. Russian regional cities are centers of local culture that have specific physiognomies, customs, and tradi- tions. They have their own rhythm of development, not always aligned with indus- trial progress or population growth. They often outsource directing jobs to established names...
Journal Article
Theater (1 May 1976) 7 (2): 95–105.
Published: 01 May 1976
... place in Russian literature: His works present a maze of involved patterns, linguistic sleights, verbal and...