.... But in wealthy countries of sound fiscal health, such as the United Kingdom and the Netherlands, the culture sec- tor’s wounds were self-­inflicted. Theater 42:1  doi 10.1215/01610775-1436472 © 2012 by Yale School of Drama/Yale Repertory Theatre Room for Art Mark Russell Since 1979, when...

... the healing room goings of r&b and pop singers in the late 1970s and 80s. My mentors were consistent in their teasing about what they believed to be my sometimes-t­acky taste. But I held fast, and that love of records came full circle (pun intended) again and again over the years and was here today as I...

...Kathleen Dimmick Bert O. States, Great Reckonings in Little Rooms: On the Phenomenology of Theater , University of California Press, Berkeley, 1985, $14.50. Copyright © THEATER 1987 1987 STATES’ GREAT RECKONINGS IN LITTLE ROOMS...

..., and the driver who has spent eight hours at the wheel. When they reach another village, the maestro is guided to a rest house, which is actually no more than a room. He says, ‘Thank you very much,’ and shuts the door behind him. The Indians are left staring at the door, wondering where they will sleep that night...

... through his play such as rage as a social force and the collision of opposing political ideals. He also describes his writing process and his reliance on discoveries made in the rehearsal room for the composition of his plays. © 2011 by Yale School of Drama/Yale Repertory Theater 2011 Freedom Club...

...Janice Paran; Joel Schechter The Long Wharf Theatre in New Haven, Connecticut opened July 4, 1965, and has since become one of American foremost regional theaters. Its American premiere productions include The Contractor and The Changing Room by David Storey, The National Health and Forget-Me...

..., Hooded, Or Being Black for Dummies , Carpenter posits that to depict black suffering on stage without sensationalizing or depersonalizing the violence—and thus contributing to the cycle of violence you depict—theatermakers must make room for the dramaturgical stutter: strategic dysfluency that defies...

... also mean the world. Did I say that already? Listen, it s been a long time. A long time since I wanted to even do this again. Because I ve seen lots of plays in all kinds of rooms, But likely in real time we see something else instead or in counterpoint to the above. For instance, maybe one manipulates...

... area into two rooms - room 7 stage right, room 2 stage left. The Mother sits in a rocking chair in room 2, the Boy next to her. The Teacher, in room 7, comes to the door. Teacher I am the teacher. I have a group of students...

... markets. But in wealthy countries of sound fiscal health, such as the United Kingdom and the Netherlands, the culture sec- tor’s wounds were self-­inflicted. Theater 42:1  doi 10.1215/01610775-1436472 © 2012 by Yale School of Drama/Yale Repertory Theatre Room for Art Mark Russell Since...

...• mance. After a time, French doors open to another, darker room. Slowly, the uncer• tain audience approaches this new area...

... from seventeen countries around the sonal question in mind during the ensuing jour- world to Berlin for two weeks. The festival ney. A heavy door then opens up into a room included renowned directors, authors, and full of huge, rusty pipes and hoppers and the installation artists like Christian...

... by Ginsberg on a recent visit proved invaluable to her design formulation, which presented a dilapidated room pasted with torn, stained wallpapers. Midway through the performance, a visual tapestry of tattered stuffed animals was pinned to the upstage wall...

...: From Living Room to Storefront, refers to the two signature locales used by our theater collective (1970–85) eventually named Squat theatre: one was a living room in Budapest (1972–76); the other, a storefront in New York (1977–82). Both reflect our search for a space in which to perform outside...

... Other Spaces: Essays and Manifestos, 1944 – 1990 I always go back to the hotel, in a way. — Sophie Calle, “How Suite It Is: Sophie Calle Makes an Artwork Out of a Hotel Room” More than half a century after director, painter, and luminary Tadeusz Kantor pro- claimed the most powerful theatrical...

... are Celimene's drawing room and, in keeping with an old French inverted. At the outset of Ibsen's play the "strangers" are still out• stage tradition, knocks over a chair. In the last scene he leaves side Nora's house. "Them? Who cares about theml" she says. never to return. The Misanthrope may...

...Rebecca Adelsheim Tina Satter / Half Straddle s Is This A Room: reality winner verbatim transcription, the Kitchen, New York, 2019. Photo: © Paula Court. Courtesy of the Kitchen 97 P roduct ions and Events Rebecca Adelsheim Reality Winners Is This A Room: reality winner verbatim transcription Tina...

... loud stone We told you how it works! father Don’t be sad. I’ll take your luggage to your room. father One day it would not stop raining. the stones THERE ARE NO ROOMS! father I heard your name inside the rain...

...? I said (gong) Fantomas. But what, you ask, is Fantomas? Who, you ask, is Fantomas? Nobody, but somebody nevertheless. And what, you ask, does this somebody do? He frighten (A series of small rooms, each with a curtained center arch. FANTOMAS revealed, newspaper in hand, against a wall...

...? How can we welcome different kinds of people into the room? Can a site of performance be imbued with a similar rhetorical power as the site of government? To get remotely close to achieving anything like that, we have had to ask a lot of questions about who we are, where we are, and what...