...Rinde Eckert © 2000 by Yale School of Drama/Yale Repertory Theatre 2000 Photographs: Rinde Eckert in Romeo Sierra Tango. Photos: Amina Meyer. Rinde Eckert With Additional Text by Shakespeare Romeo Sierra Tango Lights come up on a raised platform covered in masquerading...

...Romeo Castellucci Yale School of Drama/Yale Repertory Theatre 2007 Translated by Joseph P. Cermatori Romeo Castellucci Translated by Joseph P. Cermatori Agamemnon Excerpted from Romeo Castellucci’s Oresteia (una commedia organica?) Darkness. The first sound...

...Karinne Keithley Karinne Keithley's essay introduces the script of Nature Theater of Oklahoma's Romeo and Juliet , placing it within a genealogy of American thought that begins with Emerson and Thoreau and continues through the artistic experiments of John Cage and of the Judson Dance Theatre. ©...

... by Peter Nigrini Featuring Anne Gridley and Robert M. Johanson with Elisabeth Conner Nature Theater of Oklahoma’s Romeo and Juliet a n n e (Monologue #1) Against each other? Uhhh . . . Aaannnd . . . Romeo and Juliet...

...Susan Mason Copyright © THEATER 1992 1992 ROMEO AND JULIET IN EAST LA. SUSAN MASON keletons wearing Converse All drugs: and teen-age...

...Andrew Rincón Brittany Vasta s set design for Andrew Rincón s I Wanna Fuck like Romeo and Juliet. Courtesy of Brittany Vasta Andrew Rincón Author s Preface to I Wanna Fuck like Romeo and Juliet When I first started writing this play in 2015, all I had was a funny title and a vague idea of Cupid...

...Andrew Rincón Andrew Rincón I Wanna Fuck like Romeo and Juliet Characters The Dental Hygienist The Gods cupid God of Love. Appears as a Latinx woman in her twenties or thirties. Puts on a bitter, hard exterior. Incredibly heartbroken and tired. Fierce and ferocious. valentine Patron Saint...

...Romeo Castellucci Yale School of Drama/Yale Repertory Theatre 2007 Translated by Gloria Pastorino Oresteia (una commedia organica directed by Romeo Castellucci, Teatro Fabbricone, Prato, 1995. Photo: Luca Del Pia Romeo Castellucci Translated by Gloria Pastorino...

... 87 The30.2-09 Seller idiot's.ak 5/24/00 2:02 PM Page 88 sellar different kinds of music as his mood changes. At one if it isn’t? If Romeo hadn’t been so busy enjoy- point the singing seems to draw...

... Repertory Theatre www.dukeupress.edu/journals. ISSN 0161-0775 Contributors romeo castellucci founded the Socìetas joe kelleher is professor of theater and Raffaello Sanzio with Claudia Castellucci performance in the School of Arts at and Chiara Guidi in 1981. The company...

.... 92 productions Monica Achen Bread and Ashes Romeo and Juliet directed by Oskaras Korsunovas International Festival of Arts and Ideas New Haven June 2004 An advertisement for Oskaras Korsunovas’s production of Romeo and Juliet...

.... 92 productions Monica Achen Bread and Ashes Romeo and Juliet directed by Oskaras Korsunovas International Festival of Arts and Ideas New Haven June 2004 An advertisement for Oskaras Korsunovas’s production of Romeo and Juliet...

.... 92 productions Monica Achen Bread and Ashes Romeo and Juliet directed by Oskaras Korsunovas International Festival of Arts and Ideas New Haven June 2004 An advertisement for Oskaras Korsunovas’s production of Romeo and Juliet...

.... 92 productions Monica Achen Bread and Ashes Romeo and Juliet directed by Oskaras Korsunovas International Festival of Arts and Ideas New Haven June 2004 An advertisement for Oskaras Korsunovas’s production of Romeo and Juliet...

... to the idea of authorship. In this issue of Theater, there appears a text titled Romeo and Juliet, cred- ited to Nature Theater of Oklahoma, an ensemble led by Pavol Liška and Kelly Cop- per. Part of Nature Theater’s strategy is to re-present and reconfigure ancient and con- temporary texts (from...

...Gloria Pastorino © 2012 by Gloria Pastorino 2012 On the Concept of the Face in the Son of God, directed by Romeo Castellucci, Opéra-Th­ éâtre, Avignon, 2011. Courtesy of Opéra-Th­ éâtre. Photo: Klaus Lefebvre Up Front The Face of Christ, Looking at Us Gloria Pastorino...

...Jacob Gallagher-Ross © 2012 by Jacob Gallagher-Ross 2012 On the Concept of the Face in the Son of God, directed by Romeo Castellucci, Opéra-Th­ éâtre, Avignon, 2011. Courtesy of Opéra-Th­ éâtre. Photo: Klaus Lefebvre Up Front The Face of Christ, Looking at Us Gloria...

... formed. Mercutio, who served as narrator Jehovah's Witnesses would not be amused and green capes, blue and orange head- throughout, persuaded Romeo not to kill by this topical, Aristophanic satire. pieces. The costumes seemed especially ap- himself, and the formerly tragic lovers...

... the way we in the company do — they made the sets, the costumes, the music. That gives you some hope. When we left they had registered in the second Kabul Theater Festival. They decided to do Romeo and Juliet and asked for more help, and that’s when Maurice and Shasha and I went to Afghanistan...

... in mediated and recorded performances. © 2016 by Yale School of Drama/Yale Repertory Theatre 2016 digital archives television Romeo Castellucci's Inferno Wafaa Bilal telematics Sarah Bay-Cheng­ Unseen Performance Criticism and Digital Recordings A few years ago I attended a talk...