... or they have come to start a revolution, because it’s not like we are revolutionizing it. et cetera — then we can accept it. That’s why Our weapons are perhaps quite charming, and we are excited to perform...

...Michael Feingold Copyright 1968 by yale/theatre 1968 A Revolution Wasted by Michael Feingold Tom Paine by Paul Foster was produced Off-Off Broadway really is to the by William Dorr and Michael White at American theatre what Paine...

...Richard Gilman Copyright © THEATER 1991 1991 IVANOV: PROLOGUE TO A REVOLUTION RICHARD GILMAN y plot is unprecedented," Chekhov an Author, Brecht's Baul or Beckett's...

...Michael Feingold Copyright 1968 by yale/theatre 1969 A Revolution Wasted by Michael Feingold Tom Paine by Paul Foster was produced Off-Off Broadway really is to the by William Dorr and Michael White at American theatre what Paine...

...Charles C. Hampton, Jr. Copyright © by yale/theater 1969 1969 Polarity and Stasis: Drama as Reflection of a Revolution by Charles C. Hampton, Jr It was ten o'clock Monday morning; the scenes were designed to confront-as a strike at San Francisco State College was disguised...

... Copyright 1969 by yale/theatre 1969 Judith on the revolution The following discussion took place between Judith Malina of the Living Theatre and students and faculty of the Yale School of Drama on the afternoon following (16 September 7968) the opening...

... ): 43 –53. Ozouf , Mona . La Fête révolutionnaire, 1789–1799 . Paris: Gallimard, 1976 . THEATRICALIZATIONS OF THE FRENCH REVOLUTION JUDITH GRAVES MILLER “The text of the Revolution has disappeared...

...Marc Robinson; Joel Schechter Copyright © THEATER 1990 1990 REVOLUTION One photograph in the newspapers last November, REVOLUTION FROM when parts of the Berlin Wall came down, provides us with the perfect introduc- 1789 TO 1989...

...’HER REVOLUTIONS RACHEL SHTEIR and criticism, he once chose theater as Kenyatta’s government. Mother Sing For Me: People’s Theater a weapon to disarm...

...) and the relationships between dissident playwrights, apologists, and censors throughout the 1980s. He also considers the work of Romanian dramatists who continue to examine the psychological consequences of self-censorship and reform after the 1989 revolution. © 2009 by Yale School of Drama/Yale Repertory Theatre...

...Marina Davydova Marina Davydova impugns what she calls a “total conservative revolution” in Russian culture. Self-censorship has rendered censorship superfluous, she argues, as reverence for fossilized classics forbids their transformation or modernization. Her polemic traces the cult of the past...

.... “Down with the joy of submission. Long live hate, disdain, revolution, death” (97). Muller confronts his audience with visions of the end of the world in many of his other dramas. An apocalyptic tone is frequently introduced at the beginning of his works, often articulated...

... of the revolution- atre. They haven‘t carried the action from aries are willing to martyr themselves. So the street into the military police bar- in the place of political revolution, there racks, into the court rooms, into the Viet- is this mystical or religious revolution nam war, into the State...

... remarked, “Wait until they discover Ostrovsky -he wrote fifty plays!” 4 No doubt there is something of all this of our ersatz revolution is compounded by a in the current Gorky vogue, and a certain...

... Revolution, much less to contribute to their produc- A pity that Przybyszewska’s most pouring over histories and dramatic tion. In any case, she believed that in concise exposition of her philosophy - literature, and producing three plays of order truly to understand a theater a two-part article...

...Marc Robinson Copyright © THEATER 1990 1990 BREAKING THE BOND WITH EDWARD BOND Something is rotten in this age of hope. - HEINER MULLER ONE CASUALTY OF THE THATCHER REVOLUTION...

... was the Russo-Japanese War (1904-5) and the Revolution of 1905, although the Slavic culture of last things had roots going back several centuries. Russians had habitually turned to apocalyptic prophecies about the Antichrist in times of social upheaval.3 During the partitions of their country, captive...

.... At whose tradition went back to the Middle Ages. first they ruminated on folk tales, reading Propp’s analyses as well as While the group continued to exist marginally on part-time work, the tales. Soon, however, they shifted to the French Revolution, itself Mnouchkine enrolled...

... of years, but immediately thereafter, in the period of the revolution and civil war, Gorky the established dramatist fell silent. For the Early Soviet next fifteen...