...Lawrence Switzky Investigating the use of the famous trolley problem in a stage play, virtual reality simulation, and video game, Switzky explores the ways in which the transmediation of this philosophical thought experiment colors the process of moral decision making. Switzky focuses on the ways...

...Rebecca Adelsheim Tina Satter / Half Straddle s Is This A Room: reality winner verbatim transcription, the Kitchen, New York, 2019. Photo: © Paula Court. Courtesy of the Kitchen 97 P roduct ions and Events Rebecca Adelsheim Reality Winners Is This A Room: reality winner verbatim transcription Tina...

...Sarah Bay-Cheng This essay considers the impact of digital media and video recording on theater and performance criticism. Using the concept of telematic viewing, the essay argues for a new model of performance criticism and analysis based on reality television and a broader application of affect...

... of a dynamic engagement with existing communities and publics. He calls for a recentering on minoritarian forms, a shift that would embody a new ethics and reflect new American demographic and cultural realities. © 2017 by Thomas F. DeFranz 2017 performance curation black arts movement...

... and political realities of both the periods examined and the present day. A 24-Decade History of Popular Music , Mac Taylor , St. Ann’s Warehouse , Brooklyn , October 2016 Copyright © 2017 Yale School of Drama/Yale Repertory Theatre 2017 American history popular music Taylor Mac...

...Aaron C. Thomas In his essay, Thomas analyzes and contextualizes Thomas Ostermeier’s adaptation of Édouard Louis’s second novel, Histoire de la violence . The production, Im Herzen der Gewalt , uses theatrical means to explore the questions of truth and untruth, reality and unreality, revision...

... spectacles of human suffering in the twenty-first century. In a time when art no longer shocks, argues Friedman, Findlay’s work repurposes the confrontational attitude of the avant-garde by orienting it toward the insoluble impasse of desire and reality. Tracing the arc of Findlay’s oeuvre, Friedman...

... them. Sack sees in Gunn’s work the creation of heterotopias, places that open out onto an elsewhere, toward realities that simultaneously exist outside of the world and connect its disparate cultural manifestations together, from identity to ethics, politics to performance. Copyright © 2019 Daniel...

...Dana Tanner-Kennedy Dana Tanner-Kennedy stakes a claim for an unacknowledged category of contemporary American theater: postsecular theater. She argues that religious belief becomes a matter of choice in a postsecular era that struggles between post-truth reality and transcendental belief. Through...

... of the theatrical event—instead, Rau seeks to make the representation itself real, blurring the line between fiction and reality to trouble and implicate the audience. © 2021 by Laurens De Vos 2021 Milo Rau La Reprise. Histoire(s) du Théâtre (I) Bertolt Brecht Lam Gods Ghent Altarpiece theater...

... aim is to explain and ultimately affirm as the only way out of the current confusion "a theatre of social representation and reflexion" (TJ., p. 48). The preoccupation of the five articles concerning "The stage reality" (pp. 49-111 ) is, precisely, the advent of mim en schne as the inte...

... in a paradoxical relation to reality, inhabiting a zone between reality as experienced during day-to-day existence and a wholly imaginary conception of that reality. It is in the attempt to resolve (but not the successful resolution of) this paradox by bringing the work of art into line with what...

...Colette Brooks Copyright © THEATER 1978 1978 The Theatrical Image On Photography by Susan Sontag. Farrar, Straus and Giroux, 1977 Colette Brooks The powers of photography have in effect de-Platonized our under- standing of reality, making it less...

.... There are works of art whose primary realities are not in themselves mysterious; attribute is the defiance with which they but rather our connection to them makes frustrate critical dissection. Such works them so. These relics...

... starting point which would later allow the actors a freedom to experiment. We had had a great deal of difficulty in our first production attempt, which was to collate from extant literary materials a text relating to the reality of Aubrey Beardsley's work, life, and milieu. The non-acting problems...

..., an exhibition hall for the overturning of intellectual pieties and the destruction of conventional, optimistic wisdom. There is a coarser but somewhat related portrait of Pirandello as the dramatist par excellence of "illusion and reality," as if their relationship had not been...

... schools, but they are ed his own works. And he never referred us to theater literature, not able to transfer it to their work - that is, to transfer inaterialistic either. What he recommended - and I would recommend it to you, dialectics from sociology to an unreal reality, an illusory reality...

... there for the immediate present:- the farce of the about lecherously on the sofas, is matched recreationlwherever I am put I do my Majdanek trial 1979, where the victims by the everyday realities of the media: duty/& the others did it too/: didn’t...

... the unfamiliar with his own actor is used to suggest the ambiguity narrow experience, Delano refuses to ac- which exists between reality and-appear- cept its reality and thus interprets it as a 83 play staged for his benefit. In Lowell, this of human nature, Lowell has reversed and idea...

... not feel like cheating with reality. By being true to yourself, you are trying to live up Milan, 2011. to that reality, nothing more or less. You simply testify. His theater is a theater of rev- Photo: Salvatore elation, not of artificiality. By exposing a part of themselves, the actors, whether direct...