...Yasmeen Godder; Opiyo Okach; Yvonne Rainer; Thomas F. DeFrantz 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 1 Movement in the Age of Globalization: 2 3 A Panel 4 5...

...Yvonne Rainer 1 2...

...Emily Coates In this article, Emily Coates discusses the work of three choreographers—Opiyo Okach, Yasmeen Godder, and Yvonne Rainer—whose work was shown at Yale University's Festival of International Dance in 2008. She examines their work from both global and local perspectives, suggesting various...

... criticism Baryshnikov, Twyla Tharp, and Yvonne program at the Yale School of Drama, and an Rainer, among others. Recent projects associate editor of Theater. His writing has include a residency at the Baryshnikov Arts also appeared in t d r , TheatreForum, Center, during which she...

..., a sampling of Stuart Sherman there. A little Kids performance Yvonne Rainer, a smattering of Jack Smith. at the Kitchen, 1978, Rituals of Rented This also means that you are likely to engage with a video as an arresting image Island, New York, first — privileging those performances that catch...

... Professor of and in the companies of Mikhail Theater and principal investigator of the Baryshnikov, Twyla Tharp, and Yvonne World Performance Project at Yale Rainer. Her recent projects include a duet...

... of pop art organized by Howard Moody that showed works by Jim Dine, Tom Wesselmann, and Claes Oldenburg. It all started when a group of young choreographers — Steve Paxton, Marni Mahaffay, Simone (Forti) Morris, Paulus Berenson, and Yvonne Rainer — enrolled in Robert Dunn’s choreography class...

... — and Yvonne Rainer and her no Manifesto in particu- lar — looms large over the work. Critic Isabelle Ginot, in “A Common Place,” one of the most comprehensive essays in the anthology, writes: Yvonne Rainer has become the authority for many of these young artists . . . anti-­ shows...

..., defiantly messy, and frustrating, his aesthetic owes more to the extravagant junkiness and obstinate stalling of Jack Smith than it might to the Jud- son unfussiness and efficiency of Yvonne Rainer. And yet, there is the feeling that he would not consider them to be in opposition. In her widely...

... Musée de la self as a curator. You still like the word choreog- Danse be? Jim Fletcher’s Musée de la Danse? raphy, and I’ve even heard you talk about drama- Or Yvonne Rainer’s? What would these be? turgy...

... circles until recently. This obscurity He also from time to time worked at various amateur and “alter- was in large part due to the fact that only a few of Kroetz’s more than native” theaters, including the late Rainer Werner Fassbinder‘s thirty works for radio, television and the stage were...

...)’ after Rainer Steinweg painstakingly compiled balance this excessive glorification and remind Jan Needle and Peter Thomson took up once a theory of the Lehrstiick which Rrecht was thc reader that he was, after all, human.” (xi;) again the whole range of Brecht criticism, never able to conclude...

... perceived as autonomous in modernist artworks. Within the development of dance, Lepecki sees this strain of Konzepttanz as engaging the innovations of Pina Bausch and Yvonne Rainer through the former’s “distrust of representation, and an insistence on the dancer’s presence” and the latter’s “suspicion...

...- ing the infinite within the Natalie, 2008. finite space of the stage Photo: even more by transform- Rainer...

.... finite space of the stage Photo: even more by transform- Rainer Sennewald 151 orenstein ing...

... by locating them definitively under one rubric or another, even though some dance artists-Yvonne Rainer or Deborah Hay for example-having absolutely transcended the craft or visible technique usually associated with dancing, seem unmistakably "post-modern...

..., credited by David Bradby as the author of “the first authentically modernist theatre and by Roland Barthes as the inventor of “a new language a new use of the real,”2 unequaled even in Brecht. Vinaver is often identified with the playwrights of the Thiatre du Quotidien, Rainer Fassbinder, Franz...

..., in 1924 and 1929, which insisted the mind be excavated for its hidden desires and agendas. Choreographer Yvonne Rainer’s “No Manifesto” of 1965 punctured the Installation of Julian Rosefeldt’s puff of spectacle...

... an important part. The plays of Franz Xaver Kroetz, Rainer Werner Fassbinder, or - in Austria - Wolfgang Bauer, Peter Turrini or Franz Buchrieser, each in a very different way, derive much of their power from a critique of the popular idiom, the empty cliches and ossified locutions that enshrine...

..., the leading actress in many of Rainer Fassbinder’s films, has written a tribute to Valentin which describes the contemporary appeal of his language: “In your craziness...