... preoccupation boy who (in the original epic) failed to ask his with travelers and strangers figures prominently dying king the “correct” question. In Handke’s in his recent essays and fiction; when immi- early scenes this Parzival writhes in anguish, grants, visitors, and tourists enter his field...

...Lee Baxandall Copyright 1968 by yale/theatre 1969 On the Nitty-Gritty Question of a Breakthrough by Lee Baxandall Since this issue is devoted entirely to the role appealed to a public brought up on present crisis in imagination, politics, and the Indian...

...Annie Dorsen; Alexis Soloski © 2012 by Alexis Soloski 2012 Hello Hi There, directed by Annie Dorsen, Steirischer Herbst Festival, Graz, 2010. Photo: W. Silveri/ Steirischer Herbst “Would You Like to Have a Question?” Annie Dorsen Interviewed and Introduced by Alexis...

... reserved. Particular emphasis is laid on the question of readings, permission of which must be secured from Kirk Lynn and Melanie Joseph, Foundry Theater, 140–142 Second Avenue, Suite 405, New York, ny 10003. Kirk Lynn Created by Kirk Lynn and Melanie Joseph How Much Is Enough? Our Values...

...Joan Holden Copyright © THEATER 1988 1988 AN ANSWER TO THE QUESTION, “WHEN ARE YOU GOING TO TRY WRITING A REAL PLAY...

...Jack Zipes Copyright © 1999 by Yale School of Drama/Yale Repertory Theatre 1999 JACK ZIPES GEORGETABORI AND THE JEWISH QUESTION Ever since the production thirty years ago of his first major play, The Cannibals, George Tabori has been turning Jewish...

...Lee Baxandall Copyright 1968 by yale/theatre 1968 On the Nitty-Gritty Question of a Breakthrough by Lee Baxandall Since this issue is devoted entirely to the role appealed to a public brought up on present crisis in imagination, politics, and the Indian conquest...

...Elinor Fuchs © 2004 by Yale School of Drama/Yale Repertory Theatre 2004 A chart of Mars. Illustration: Sir Robert Stawell Ball Elinor Fuchs EF’s Visit to a Small Planet: Some Questions to Ask a Play Since its origination as a classroom tool in the early 1990s, Elinor Fuchs’s...

...Mac Wellman Copyright © Theater 1993 1993 A Chrestomathv Of 22 Answers to 22 Whollv Unaskable and r! Unrelated Questions Concerning Political and Poetic Theater Mac Wellman...

...Kirk Lynn How Much Is Enough?, by Kirk Lynn, St. Ann’s Warehouse, Brooklyn, 2011. Photo: Diana Matos Kirk Lynn Questions and Prayers An Author’s Preface to How Much Is Enough? Five or six years ago I was working on an adaptation of The Letters and Diaries of Etty Hillesum...

...David B. Feiner Copyright © Theater 1993 1993 Up Front Questions and Answers From the Editor: some aspect of Theater’s new incarnation. That’s interesting, I say (pride...

... describes current and emerging trends in Latinx theater across the Americas as expressed over the course of two panel discussions and among small-group participants. Recounting how these geographically diverse conveners responded to questions concerning Latinx aesthetics, political activism, funding...

...Jennifer Buckley In this article, Jennifer Buckley investigates digital durational performances like Forced Entertainment's 12 a.m.: Awake & Looking Down and questions if and how media can feel like live theater and create community. She also discusses how social media platforms like Twitter...

... the psychological-realism tradition. Schilling and Pintér are the heirs: Schilling, praised for the founding of his company Krétakör, whose constant, chameleonic reinvention resists stasis; Pintér, for the theatrical incorporation of Hungarian folk tradition and the resultant questioning of the parameters...

... in the new South Africa; Savas Patsalidis considers the elusive question of who actually is the “audience” for theater festivals; Max Glauner examines new models of tailoring festival experiences to individual spectators; Barbara Orel parses the situation of national arts festivals in an increasingly...

...Martin Harries Harries looks back at Samuel Beckett’s complex intermedial experiments to historicize the question of theater’s relationship to “new” media, and argue for a more nuanced theorization of theater’s exchanges with other media, and theater’s status as a medium in itself. © 2012...

... places the pieces into four distinct categories—reenactment, recollection, reactment, and reclassification—each of which allows for a kind of questioning of and engagement with history and the present. © 2021 by Lily Climenhaga 2021 Milo Rau International Institute of Political Murder ( iipm...

..., Ntsikelelo “Boyzie” Cekwana, Brett Bailey, and Tebogo Munyai, among others, to examine questions of representation and the myth of the “postracial,” highlighting the uncomfortable position of live art curators that take contemporary South African protest movements as their subject. © 2017 by Jay Pather...

... by the villagers. ‘Not enough flair,’ he comments. Then he buys a mask after checking the price with his guide: ‘Is that what you would pay for it?’ Reassured, he asks his favourite question: ‘What else are you going to show me?’ It is getting dark and everyone is tired — the maestro, his Indian hosts...

... curatorial reason, and question the assumed hierarchies of artists, objects, and subjects inherent within traditional curatorial practice. © 2017 by André Lepecki 2017 Lygia Clark postcolonial studies performance curation Jacques Rancière Fred Moten Wendy Brown neoliberalism Lygia Clark’s...