...Allen J. Kuharski © 2004 by Yale School of Drama/Yale Repertory Theatre 2004 Allen J. Kuharski Witold Gombrowicz A Visual Production History Looking at photographs of Gombrowicz’s plays in production...

... Entertainment Production Photography 1986 – Now Working with Forced Entertainment has been a constant of my professional life as a photographer. They were the first theater company I ever worked with, and their work and vision run through my life and work, informing and illuminating everything I do...

...Mark Bly Copyright © THEATER 1986 1986 American Production Dramaturgs: An Introduction But here was Alan Schneider...

... of reformulating the ways Production in which plays are created and produced in this country. They are not simply redefining their own roles, they are reevaluating the pur• Dramaturgy poses of American dramatic literature and the institutions which pro• duce the literature. As a community, they share...

...Sheila Rabillard Copyright © Theater 1994 1994 Fen and the Production of a Feminist Ecotheater Sheila Rabillard 62 I...

...Cyrus Hamlin © 2002 by Yale School of Drama/Yale Repertory Theatre 2002 Cyrus Hamlin Faust in Performance: Peter Stein’s Production of Goethe’s Faust, Parts 1 and 2 So in this narrow house of boarded space Creation’s fullest circle go to pace, And walk with leisured speed...

...Mona Heinze Copyright © THEATER 1988 1988 UNE LIAISON ENNUYEUSE: WILSON’S PRODUCTION OF MULLER’S QUARTET...

...Janice Paran; Joel Schechter The Long Wharf Theatre in New Haven, Connecticut opened July 4, 1965, and has since become one of American foremost regional theaters. Its American premiere productions include The Contractor and The Changing Room by David Storey, The National Health and Forget-Me...

... designed by Mary Gould, make-up and wigs designed by Libby Tucker, lighting designed by Thomas Stocker, properties designed by Mary Gould and Rus Quan, sound design by Terry Hunter, special music by James Livingood; the production stage manager was Katharyn Davies, and the stage manager was Patricia Keaney...

...William Kleb In 1984, the San Francisco Mime Troupe celebrated its twenty-fifth anniversary with two major productions and a major announcement. The productions were Steeltown, a musical about the current plight of the progressive labor movemat, and 1985, an updating of Dickens' A Christmas Carol...

... of three years. Each production will be rooted in the indigenous cultural context of the individual city; it will be performed by an actress belonging to the city, who will shape Kroetz's text according to her own needs and tensions, her own sense of history. Totally wordless, Kroetz's monodrama focuses...

...Jasmine Mahmoud Two early twenty-first century ensembles of color in Seattle—and their methods—anchor this article. The first: sis Productions, which started in 2000 as “Sex in Seattle,” an episodic and humorous theatrical series about the romantic relationships of Asian American women. Conceived...

...Aaron C. Thomas In his essay, Thomas analyzes and contextualizes Thomas Ostermeier’s adaptation of Édouard Louis’s second novel, Histoire de la violence . The production, Im Herzen der Gewalt , uses theatrical means to explore the questions of truth and untruth, reality and unreality, revision...

...Matthew Wilson Smith Smith considers Robert Lepage’s recent high-tech production of Wagner’s Ring cycle at New York’s Metropolitan Opera, as a digital-age extension of the modernist aspiration—incited by Wagner—to create the total work of art. © 2012 by Matthew Wilson Smith 2012 Das Rheingold...

...Jean Graham-Jones This introduction to the author’s translation of Rafael Spregelburd’s play situates both text and production within the Argentine artist’s oeuvre and poetics and analyzes them as critiques of contemporary globalized society. The article argues that Spam proposes language as a tool...

...Michael Thalheimer In this interview, theater scholar Jonathan Kalb and acclaimed German director Michael Thalheimer discuss Thalheimer's radically stripped-down approach to canonical dramatic texts, with reference to several recent productions, including Liliom , The Oresteia , Emilia Galotti...

... for, and division among Russian artists. The article also discusses major milestones, such as the opening of the Gogol Center, the closing of Teatr.doc, and provocative productions by Konstantin Bogomolov and Timofei Kulyabin. © 2016 by Yale School of Drama/Yale Repertory Theatre 2016 Russian theater...

... In 2006, after nearly two decades of creating distinguished productions, Attila Vidnyánszky, an ethnically Hungarian director from Ukraine, became artistic director of the Csokonai Theatre in Debrecen. Theater critic and historian Nina Király spoke with Vidnyánszky in September 2007...

...Steve Moore; Carlos Treviño In this interview, theater scholar Jonathan Kalb and acclaimed German director Michael Thalheimer discuss Thalheimer's radically stripped-down approach to canonical dramatic texts, with reference to several recent productions, including Liliom , The Oresteia , Emilia...