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Journal Article
Theater (2002) 32 (1): 117–136.
Published: 01 February 2002
...Cyrus Hamlin © 2002 by Yale School of Drama/Yale Repertory Theatre 2002 Cyrus Hamlin Faust in Performance: Peter Stein’s Production of Goethe’s Faust, Parts 1 and 2 So in this narrow house of boarded space Creation’s fullest circle go to pace, And walk with leisured speed...
Journal Article
Theater (2004) 34 (3): 18–29.
Published: 01 November 2004
...Allen J. Kuharski © 2004 by Yale School of Drama/Yale Repertory Theatre 2004 Allen J. Kuharski Witold Gombrowicz A Visual Production History Looking at photographs of Gombrowicz’s plays in production...
Journal Article
Theater (2016) 46 (3): 31–45.
Published: 01 November 2016
... Entertainment Production Photography 1986 – Now Working with Forced Entertainment has been a constant of my professional life as a photographer. They were the first theater company I ever worked with, and their work and vision run through my life and work, informing and illuminating everything I do...
Journal Article
Theater (1986) 17 (3): 5–6.
Published: 01 November 1986
...Mark Bly Copyright © THEATER 1986 1986 American Production Dramaturgs: An Introduction But here was Alan Schneider...
Journal Article
Theater (1986) 17 (3): 57–58.
Published: 01 November 1986
... of reformulating the ways Production in which plays are created and produced in this country. They are not simply redefining their own roles, they are reevaluating the pur• Dramaturgy poses of American dramatic literature and the institutions which pro• duce the literature. As a community, they share...
Journal Article
Theater (1988) 19 (3): 14–21.
Published: 01 November 1988
Journal Article
Theater (1994) 25 (1): 62–71.
Published: 01 February 1994
...Sheila Rabillard Copyright © Theater 1994 1994 Fen and the Production of a Feminist Ecotheater Sheila Rabillard 62 I...
Journal Article
Theater (2018) 48 (3): 112–116.
Published: 01 November 2018
Journal Article
Theater (1979) 10 (3): 40–46.
Published: 01 November 1979
...Janice Paran; Joel Schechter The Long Wharf Theatre in New Haven, Connecticut opened July 4, 1965, and has since become one of American foremost regional theaters. Its American premiere productions include The Contractor and The Changing Room by David Storey, The National Health and Forget-Me...
Journal Article
Theater (1985) 16 (2): 58–61.
Published: 01 May 1985
...William Kleb In 1984, the San Francisco Mime Troupe celebrated its twenty-fifth anniversary with two major productions and a major announcement. The productions were Steeltown, a musical about the current plight of the progressive labor movemat, and 1985, an updating of Dickens' A Christmas Carol...
Journal Article
Theater (1986) 18 (1): 42–51.
Published: 01 February 1986
... of three years. Each production will be rooted in the indigenous cultural context of the individual city; it will be performed by an actress belonging to the city, who will shape Kroetz's text according to her own needs and tensions, her own sense of history. Totally wordless, Kroetz's monodrama focuses...
Journal Article
Theater (1981) 13 (1): 22–25.
Published: 01 February 1981
... designed by Mary Gould, make-up and wigs designed by Libby Tucker, lighting designed by Thomas Stocker, properties designed by Mary Gould and Rus Quan, sound design by Terry Hunter, special music by James Livingood; the production stage manager was Katharyn Davies, and the stage manager was Patricia Keaney...
Journal Article
Theater (2019) 49 (2): 48–61.
Published: 01 May 2019
...Aaron C. Thomas In his essay, Thomas analyzes and contextualizes Thomas Ostermeier’s adaptation of Édouard Louis’s second novel, Histoire de la violence . The production, Im Herzen der Gewalt , uses theatrical means to explore the questions of truth and untruth, reality and unreality, revision...
Journal Article
Theater (2020) 50 (3): 29–47.
Published: 01 November 2020
...Jacob Gallagher-Ross Jacob Gallagher-Ross reviews Deanna Bowen’s God of Gods: A Canadian Play , an art exhibition that investigates and departs from the legacy of a modernist Canadian production of the same name. He examines Bowen’s critique of the legacies of settler colonialism and the influence...
Journal Article
Theater (2009) 39 (1): 29–39.
Published: 01 February 2009
...Michael Thalheimer In this interview, theater scholar Jonathan Kalb and acclaimed German director Michael Thalheimer discuss Thalheimer's radically stripped-down approach to canonical dramatic texts, with reference to several recent productions, including Liliom , The Oresteia , Emilia Galotti...
Journal Article
Theater (2008) 38 (2): 71–75.
Published: 01 May 2008
... In 2006, after nearly two decades of creating distinguished productions, Attila Vidnyánszky, an ethnically Hungarian director from Ukraine, became artistic director of the Csokonai Theatre in Debrecen. Theater critic and historian Nina Király spoke with Vidnyánszky in September 2007...
Journal Article
Theater (2009) 39 (2): 33–41.
Published: 01 May 2009
...Andrea Tompa Critic Andrea Tompa discusses the work of Romanian director Silviu Purc rete in the context of contemporary Romanian theater. She gives particular attention to his productions Pantagruel's Cousin and Faust , and examines Purc rete's approach and influence with regard to his...
Journal Article
Theater (2008) 38 (3): 111–139.
Published: 01 November 2008
...Steve Moore; Carlos Treviño In this interview, theater scholar Jonathan Kalb and acclaimed German director Michael Thalheimer discuss Thalheimer's radically stripped-down approach to canonical dramatic texts, with reference to several recent productions, including Liliom , The Oresteia , Emilia...
Journal Article
Theater (2012) 42 (1): 11–19.
Published: 01 February 2012
...Emily Coates In this article, Emily Coates proposes the concept of “intercultural kinesis” to describe the transnational collaborations; temporary, embodied onstage communities; and surprising juxtapositions of cultural heritages present in three productions brought to Yale University by the World...
Journal Article
Theater (2012) 42 (2): 65–77.
Published: 01 May 2012
...Matthew Wilson Smith Smith considers Robert Lepage’s recent high-tech production of Wagner’s Ring cycle at New York’s Metropolitan Opera, as a digital-age extension of the modernist aspiration—incited by Wagner—to create the total work of art. © 2012 by Matthew Wilson Smith 2012 Das Rheingold...