... Pxhibition on the history and a large enough basement, you can build bottle and can opener. peacejul uses of nuclenr power. ‘Iiicre is a the BASEMENT CONCRETE BLOCK Other important items to have avaii- %lorking” model of Enriko Fmi’s$rst nuclear SHELTER. Third is the UNDER- able are matches...

... accompanied by some fifty production the contrary, the sections on this chapter of photos—Veidlinger pieces together a power- Mikhoels’s life are the book’s most stirring— ful narrative. Veidlinger chronicles the varied and vibrant In a similarly ardent act of rummaging, life of the theater, from its...

... Power of  Theater The word theater truly resonates in the most disparate and distant ways. For me, it is a word that continuously intersects with another one, less known but not less intrigu- ing, a word of Byzantine and inflexible flavor: iconoclasm. Theater, and any art form that does...

... four years, that will likely become his regular venue in Brussels. He is already planning his first production for the Kaai: “a piece about the inner workings of festivals, the roles, power structures, and hidden sexual energies among those who meet there. All...

... to nature; to show virtue her preface to The Power of Forms in the English Renaissance, own feature, scorn her own image, and the very body of the Greenblatt outlines his views on the inevitable amalga- time his form and mation...

... © 2001 by Yale School of Drama/Yale Repertory Theatre 2001 Theater 31.3-04 Conversation.sh 10/16/01 11:13 AM Page 30 Theater 31.3-04 Conversation.sh 10/16/01 11:14 AM Page 31 Rethinking Power, Rethinking Theater A conversation between...

... thirty-three weeks. A.C.T. has a staff of over 200 with a yearly budget of $4,000,000.00; only 28% of this figure comes from grants and foundations. The position of “dramaturg” at A.C.T. evolved as the pragmatic “literary” needs of the company made themselves apparent over the years. Dennis Powers has...

...Kim Powers whose mother died is apologetic, Big Eight My Sisters Kim Powers is grinning, Scraps is serious, and the tat...

...Kim Powers former whose trio of separate but inter- Fragments of a Kim Powers related davs is about Arnold Beckoff. the w...

...Jonathan Kalb; Kim Powers; Joel Schechter AMERICAN DIRECTORS...

...Kim Powers Copyright © THEATER 1985 1985 for a National Theater in 1985. It’s not enough, now, to demand =theatrical productions of the highest type.” In a sense, the 1985 “We Are Not Going charter remains to be written as the American tradition of perfor- mance is discovered...

...Kim Powers The Back of the Book Hamkt directed by Klaus Michael Gruber, with Bruno Ganz as Hamlet and Edith Clever as Gertrude. Schaubuhne am Halleschen Ufer, Berlin, 1983...

... , Jerry Springer: The Opera , and My Name Is Rachel Corrie , explores ideas about the powers of live performance to provoke and offend, and parses contemporary debates about what actually constitutes the conceptual category of “censorship.” Yale School of Drama/Yale Repertory Theatre 2008 Miriam...

... discourse” in the presentation of contemporary performance, he points to the affinities that performance curation maintains with dramaturgy and criticism, even as the role stakes a claim to greater institutional and creative power. © 2014 by Yale School of Drama/Yale Repertory Theatre 2014 Truth...

..., poetics, and the ethical compass that guides them, with the demands of integrated worldwide capitalism and its contemporary power in the field of art. © 2017 by Suely Rolnik 2017 performance curation colonial-capitalistic unconcious postcolonial studies knowing-body Lygia Clark Caminhando...

... the “cesura between actor and character” to highlight the nature of the theatrical event for purposes that are largely social, drawing attention to systems of power, privilege, and violence. De Vos posits that unlike Brecht, however, Rau does not use these techniques to draw attention to the constructedness...

... of overwhelming irrationality. She concludes by meditating on the potential power of the digital sublime in art to resist contemporary forms of stuplimity, especially in politics, that threaten to psychic health, public discourse, and civilization at large. Annie Dorsen The Sublime and the Digital Landscape...

... interprets his Satanic approach to the hells of contemporary existence in Miltonic terms: suffering can be fleetingly transfigured through dream, ritual, and desire. For Findlay, claims Friedman, the theater proposes a redemptive power in which even “Lucifer is a love angel.” Jim Findlay 9/11 Electric...

... of Kids, A Histoly OflVuckar Power, is as much a nuclear power. Rather, it is a highly eclec- play about the possibilities and limitations tic history of the images through which we of theatrical imagination...

... of both is less interested in the individual pychohgy ofpower than in power as a socio- war and creativity. In his twenty-sevenyear career as a playwnght, Soyinka has political phmon. 77~phy satinies with equalforce Kaminis. spellbound become as well known for his passionate Political activism...