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Theater (2016) 46 (3): 132–137.
Published: 01 November 2016
...Jennifer Krasinski After Live: Possibility, Potentiality, and the Future of Performance by Sack Daniel Ann Arbor : University of Michigan Press , 2015 © 2016 by Jennifer Krasinski 2016 Books Jennifer Krasinski After Live: Possibility, Potentiality, and the Future...
Theater (2018) 48 (2): 47–63.
Published: 01 May 2018
... of their ambiguities—soaked in the aesthetics of folklore, kitsch, and spectacle. Tompa suggests that “less hierarchical forms of performance, such as postdramatic theater” hold the potential to upset these dominant single narratives with multiviewpoint art, including “forum theater, reenactment, and documentary plays...
Theater (2013) 43 (1): 9–39.
Published: 01 February 2013
...Alexis Soloski In this forum, critic Alexis Soloski gathers a range of contemporary theater artists, with an array of approaches to fact-based performance, to discuss the potential, integrity, and complications of documentary theater. © 2013 by Alexis Soloski 2013 Unnatural Acts, Classic...
Theater (2018) 48 (1): 55–67.
Published: 01 February 2018
... of overwhelming irrationality. She concludes by meditating on the potential power of the digital sublime in art to resist contemporary forms of stuplimity, especially in politics, that threaten to psychic health, public discourse, and civilization at large. Annie Dorsen The Sublime and the Digital Landscape...
Theater (2019) 49 (1): 52–63.
Published: 01 February 2019
..., and community-based theater. Drawing on anecdotes, ruminations, and meditations, Alfaro narrates the story of his convergence with the larger Latinx theater community, and his account considers how artists past and present are paving the way for the potential future of Latinx theater. performance art Latinx...
Theater (2018) 48 (1): 79–89.
Published: 01 February 2018
.... As a collection, the poems offer a series of perverse paeans to theater’s potential, or perhaps more accurately a series of dares to realize the dreams theater traffics in but typically withholds. Theater 48:1 doi 10.1215/01610775-4250974 © 2018 by John H. Muse...
Theater (1979) 10 (2): 94–103.
Published: 01 May 1979
... culture and at• objectives. They direct the focus of their spectators to the real tempt to develop a sense of pride in themselves and their unique world where the change is to take place whether that is simply the potential. interpersonal world of the spectator or an entire economic and political...
Theater (1968) 1 (2): 102–109.
Published: 01 May 1968
... cello sounds recognizably ity deals with everything as it is: this is different from every other, yet to play the world of the positivists and empi• 20 cellos only on the A-string would ricists. Real infinity encompasses every• hardly imply the nature of the potential...
Theater (1992) 23 (2): 15–20.
Published: 01 May 1992
... of 9- 11 year which the participants' suggestions and concerns move the olds, who chose to work on the issue of conflict between drama forward. I find the British approach a more useful students and teachers. Using only the props available in educational model because of its potential...
Theater (2013) 43 (3): 25–35.
Published: 01 November 2013
... that will be sitting onstage in cash. It is an experiment in dialogue, in collective decision- making, in shared responsibility and in the potential for art to help us make our world a better place. Spectacularly eclectic in form, often delightful and occasion- ally uncomfortable, How to End...
Theater (2012) 42 (2): 43–63.
Published: 01 May 2012
... innovation.4 Despite their differences, single-tweet plays that seem to end as soon as they begin and Twitter performances that stretch over weeks or months both demonstrate the potential for social media to interrogate assumptions about theater. What is a play? Can one fit on the screen...
Theater (1971) 3 (2): 59–65.
Published: 01 May 1971
... of the myths themselves as a recognition of the dramatic potential of those mythologi- cal characters and situations. The original stories are no longer interpretations of communal beliefs about man's relationship to his gods and heroes, and the audi- ence's relation with the characters onstage...
Theater (1978) 10 (1): 63–65.
Published: 01 February 1978
... contemporary society in eastern and family and in society. They are not the western Europe as well. The potential for an enlightened society, one...
Theater (2021) 51 (2): 4–13.
Published: 01 May 2021
... techniques of provocation, agitation, and protest as an entrance into performative, symbolic social action; protest is, after all, always performative. Reactments, like reclassification productions, include a potentially trans- formative gesture that employs and interacts with the physical landscape...
Theater (2007) 37 (3): 17–25.
Published: 01 November 2007
...-twenty-first-century experimental theater and performance but is not exclusive to these practices. It is immanent even in the classical theater as, to use Lehmann’s own phrase, “a hidden possibility” of a sort of protodeconstructive thinking, which would be characterized by its potential to include...
Theater (2010) 40 (3): 9–23.
Published: 01 November 2010
.... As one blogger put it, they demonstrate “the power of many, in the pursuit of nothing.”3 As their name implies, flash mobs invoke anxiety about the unruly potential of crowds that gather with unnerving speed, but these are guerrillas without the guerre, terrorists...
Theater (1987) 18 (3): 21–29.
Published: 01 November 1987
...-fashioned human error is rare- the encyclopedias or biographical dic- flight 51-L to be launched althc ly factored into public debate on the tionaries," I complain. "Murphy's several warnings of potential da issue. Human error is too unpredictable. Law?" he...
Theater (2015) 45 (1): 11–31.
Published: 01 February 2015
... representations of the self, which are too limited and gir- dle the potential of performance. Pure action, on the other hand, is unencumbered by 13 davis the needs of interpretation — it just does. Gutierrez, however, sets out...
Theater (1992) 23 (1): 50–53.
Published: 01 February 1992
... is the seeming endless potential of the human at once rewarding and disappointing in nearly imagination for the perpetuation of discourse, the equal measure. At every turn I am impressed by his commerce of ideas, and the animation of human relations erudition and insight...
Theater (1998) 28 (3): 98–100.
Published: 01 November 1998
... imitation to transforma- fails to acknowledge precisely the types of images tion. He advocated learning through the imita- that the Ridiculous challenges us to consider. tion of models, but recognized the potential for This is not lost on Gerald Rabkin, whose chapter this imitation to spin out...