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postmodern
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Journal Article
Theater (2000) 30 (2): 160–163.
Published: 01 May 2000
... of the Moby Dick is a head-on collision between our
Postmodern Deep: most postmodern nineteenth-century novelist
Laurie Anderson’s Songs and and a performance artist who, since the early
Stories from Moby Dick eighties, has been praised and skewered...
Journal Article
Theater (2014) 44 (1): 5–23.
Published: 01 February 2014
...Madison Moore In this article, Madison Moore discusses the work of choreographer Trajal Harrell, which critically crosses the downtown pedestrianism of postmodern dance with the high-fashion spectacle of uptown Harlem drag balls. By considering the social contexts of these apparently disparate...
Journal Article
Theater (1992) 23 (2): 15–20.
Published: 01 May 1992
...Sharon Grady Copyright © THEATER 1992 1992 SOURCES Aronowitz , Stanley , and Henry Giroux, Postmodern Education: Politics, Culture, and Social Criticism , Minneapolis: U of Minnesota, 1991 . Babcock , Barbara , “Reflexivity: Definitions and Discriminations”, Semiotica , 30...
Journal Article
Theater (1992) 23 (1): 6–14.
Published: 01 February 1992
...Framji Minwalla Copyright © THEATER 1992 1992 SOURCES Baudrillard , Jean . Simulations . Translated by Foss, Paul, Paul Patton, and Philip Beichtman. New York: Semiotext(e), 1983 . Blau , Herbert . The Eye of Prey: Subversions of the Postmodern . Bloomington, Ind.: Indiana...
Journal Article
Theater (2021) 51 (2): 62–73.
Published: 01 May 2021
...Andreas Englhart Andreas Englhart examines the aesthetics of evil, particularly extreme evil, in the work of director Milo Rau, focusing on Five Easy Pieces . Englhart considers the ways in which postmodern aesthetics are beginning to turn once again toward the ethical and how this turn is both...
Journal Article
Theater (2021) 51 (2): 38–47.
Published: 01 May 2021
... that Rau fills that role in the theater and positions the director in relation to other postmodern thinkers and theater artists. According to Kraft, Rau actively courts controversy with his work as a means of drawing attention to conflict and corruption around the world, but, despite frequent comparisons...
Journal Article
Theater (1993) 24 (1): 19–30.
Published: 01 February 1993
...
“In postmodernism.. .everyone has learned to consume culture.. .You
are no longer aware of consuming it. Everything is culture, the culture
of the commodity.. .which accounts for the disappearanceof what we
used to call aesthetics...
Journal Article
Theater (2024) 54 (1): 120–125.
Published: 01 February 2024
... with opacities. The movement purposely plays with legibility, particularly expectations around how differently marked bodies (along lines of race, gender, and sexuality) should move. The performance s approach can be contextualized within a history of postmodern dance that resists virtuosity and technical...
Journal Article
Theater (2001) 31 (1): 41–49.
Published: 01 February 2001
... of a
tragic protagonist is replaced by a bureaucratic noncharacter. This mode of production
is best represented by the figure of displacement, from the battlefield to the banality of
the everyday.
Postmodern theater of the last three...
Journal Article
Theater (2010) 40 (1): 11–23.
Published: 01 February 2010
... postmodern dance, boiled down to
18 stage space. Opiyo Okach of Nairobi decided to increase the depth of the stage for his
19 solo, No Man’s Gone Now, by opening up the rear wall of the theater, exposing the car-
20 pentry shop just behind. Mid-dance, he entered the shop and walked along...
Journal Article
Theater (2009) 39 (3): 11–23.
Published: 01 November 2009
.... Postdramatic theater begins instead
with an emphatic relationship with itself.
Mimesis and Postmodernity
The prior function of theater was well described in the saying that all the world is a
stage. The axiom may have been understood differently depending on one’s worldview
or aesthetic zeitgeist...
Journal Article
Theater (2011) 41 (2): 1–2.
Published: 01 May 2011
...) to
resurrect experiments from decades past. In doing so, it faces particular challenges.
Postmodern dance has seldom spoken in the past tense. Determined to discard
inherited styles — and even to avoid the self-continuity that sustains style as such — its
choreographers have preferred to grace...
Journal Article
Theater (2011) 41 (2): 3–5.
Published: 01 May 2011
...) to
resurrect experiments from decades past. In doing so, it faces particular challenges.
Postmodern dance has seldom spoken in the past tense. Determined to discard
inherited styles — and even to avoid the self-continuity that sustains style as such — its
choreographers have preferred to grace...
Journal Article
Theater (2011) 41 (2): 5–7.
Published: 01 May 2011
...) to
resurrect experiments from decades past. In doing so, it faces particular challenges.
Postmodern dance has seldom spoken in the past tense. Determined to discard
inherited styles — and even to avoid the self-continuity that sustains style as such — its
choreographers have preferred to grace...
Journal Article
Theater (1998) 28 (3): 100–103.
Published: 01 November 1998
... to tell any truths, is
choanalyst/doctor is to expose the roots of the newest form of the alliance theatrical repre-
repression. Diamond writes, “This is posi- sentation and power. Postmodernism is,
tivism’s demand, rooted in medical melodrama Frederick Jameson said, the cultural expression...
Journal Article
Theater (2001) 31 (2): 96–105.
Published: 01 May 2001
... with Savran that there has been a tendency in postmodern culture,
in which (if we are talking about cultural contextualization) we must put the rise of per-
formance studies, to evade any practical engagement with the serious political problems
created...
Journal Article
Theater (1993) 24 (1): 124–125.
Published: 01 February 1993
... Guide to Ken Goldberg, Keren, “East and West: Outreach
Campbell: An Interview,” no. 3,39-46. Outlined,” no. 2,48-50.
Canning, Charlotte, “Education and Politics at Grady, Sharon, “A Postmodern Challenge:
Seattle Children’s Theater,” no. 2, 25-29. Universal Truths Need Not Apply,” no. 2,15...
Journal Article
Theater (1996) 27 (1): 104–106.
Published: 01 February 1996
..., in performance “whose history” loses prominence as
terms, ‘this is what we the director, Coursen strays off into the discussions of
designers, and actors think the play means,’ each production, and the book lacks the
postmodern Shakespeare is open-ended, at propulsion of a clearly wrought argument...
Journal Article
Theater (2007) 37 (2): 102–109.
Published: 01 May 2007
... on history, he wished to construct an interpretation of the present,
postmodern culture. He presented our era, which he characterizes as having little faith
in progress, as a backwards glance, a collage of past elements. The focus today is on
skill in creating playful, even ingenious syntheses of what...
Journal Article
Theater (2007) 37 (2): 110–116.
Published: 01 May 2007
... on history, he wished to construct an interpretation of the present,
postmodern culture. He presented our era, which he characterizes as having little faith
in progress, as a backwards glance, a collage of past elements. The focus today is on
skill in creating playful, even ingenious syntheses of what...
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