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postdramatic theater

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Journal Article
Theater (2009) 39 (3): 11–23.
Published: 01 November 2009
...Bernd Stegemann Ten years after the original German-language publication of Hans-Thies Lehmann's Postdramatic Theater —a book that altered the critical discourse about contemporary theater practice—Bernd Stegemann weighs the ramifications of Lehmann's book as European theater artists struggle...
Journal Article
Theater (2018) 48 (2): 47–63.
Published: 01 May 2018
... of their ambiguities—soaked in the aesthetics of folklore, kitsch, and spectacle. Tompa suggests that “less hierarchical forms of performance, such as postdramatic theater” hold the potential to upset these dominant single narratives with multiviewpoint art, including “forum theater, reenactment, and documentary plays...
Journal Article
Theater (2016) 46 (1): 72–78.
Published: 01 February 2016
... the last two decades. In “Dramaturgy in ‘Postdramatic’ Times,” Joseph Danan highlights the increasingly cen- tral role of the dramaturg in the “postdramatic theater,” referring to Hans-­Thies Leh­ mann’s seminal book, first published in German in 1999 and translated into English in 2006. Looking...
Journal Article
Theater (2007) 37 (3): 17–25.
Published: 01 November 2007
... be that what distinguishes late-twentieth- and early-twenty-first-century postdramatic the- aters — theaters that appear to play out a historical tendency toward the implosion of 2 dramatic fictions  — is the possibility that we can go up: or at least, a representative can go up on our...
Journal Article
Theater (2009) 39 (3): np.
Published: 01 November 2009
... and the War in Iraq: Eric Salzman A Virtual Roundtable David Adjmi, 11 After Postdramatic Theater Christine Evans, Bernd Stegemann Charlotte Meehan, Translated...
Journal Article
Theater (2021) 51 (2): 84–95.
Published: 01 May 2021
... additionally summarize critiques of Rau’s practice from other thinkers and artists and Rau’s response to these critiques. © 2021 by Peter M. Boenisch and Lise Sofie Houe 2021 Milo Rau ntg ent Ghent Manifesto Lam Gods Orestes in Mosul postdramatic theater Milo Rau s Lam Gods, ntgent...
Journal Article
Theater (2016) 46 (2): 35–53.
Published: 01 May 2016
..., nor are they neces- sarily premised on technophobia. Even some who champion the fragmented forms of postdramatic theater — a paradigm critics often use the work of Forced Entertainment to explicate — have not fully accounted for the increasing prevalence of the fragmented online audience...
Journal Article
Theater (2009) 39 (2): 23–31.
Published: 01 May 2009
... in Craiova in the 1990s, Purcărete made his way through the European (and North American) theater worlds with unusually strong productions that the theorist Hans- Witnesses, directed Thies Lehmann has described as among those leading in a vanguard of “postdramatic...
Journal Article
Theater (2011) 41 (1): 130–135.
Published: 01 February 2011
... of director/adaptor Jay Scheib’s Bellona, Destroyer of Cities, a reverential attempt to translate the experience of Dhalgren into the lan- guage of theater, the audience is hit with every self-­referential, nonlinear, and reality- ­fragmenting weapon in the postdramatic theater’s arsenal...
Journal Article
Theater (2009) 39 (3): 25–33.
Published: 01 November 2009
... be related to Hans-Thies Lehmann’s notion of postdramatic theater: a radically fragmented struc- ture and nondramatic textual patterns (long monologues, independent stage directions, deconstruction of the notion of the character, songs and verses, forms of communica- tion characteristic of the Internet...
Journal Article
Theater (2017) 47 (2): 108–115.
Published: 01 May 2017
... the tip of South America. Other works sutured together invented stories into a kind of climate of the times. At a moment when most postmodern or postdramatic theater had essentially abandoned narrative, the Builders steered their productions closer...
Journal Article
Theater (2008) 38 (2): 92–97.
Published: 01 May 2008
...-Thies Lehmann’s book Postdramatic Theater: “We are watching a party. . . . One could say: the spectator spends an evening at Jan’s and his friends (not ‘with’ them Lehmann’s assessment reflects both Needcompany’s theatrical acuity, and their chancy and inviting power. Lauwers was a painter...
Journal Article
Theater (2008) 38 (2): 98–103.
Published: 01 May 2008
...-Thies Lehmann’s book Postdramatic Theater: “We are watching a party. . . . One could say: the spectator spends an evening at Jan’s and his friends (not ‘with’ them Lehmann’s assessment reflects both Needcompany’s theatrical acuity, and their chancy and inviting power. Lauwers was a painter...
Journal Article
Theater (2012) 42 (3): 88–92.
Published: 01 November 2012
... to the world. (Infante, who received a master’s degree in cultural analysis from the University of Amsterdam, situates herself within the global movement of “postdramatictheater.) The company has indeed been embraced internationally, performing in Italy, Spain, and Holland and at New York’s 2008...
Journal Article
Theater (2012) 42 (3): 93–101.
Published: 01 November 2012
... to the world. (Infante, who received a master’s degree in cultural analysis from the University of Amsterdam, situates herself within the global movement of “postdramatictheater.) The company has indeed been embraced internationally, performing in Italy, Spain, and Holland and at New York’s 2008...
Journal Article
Theater (2008) 38 (2): 9–29.
Published: 01 May 2008
... phone (a service he signed up for) and extended through a long process of improvisation, Blackland belongs to what the German scholar Hans-Thies Lehmann has termed the postdramatic theater. There is no storyline, but a nonhierarchical series of sequences and events, no fixed characters...
Journal Article
Theater (2014) 44 (3): 19–29.
Published: 01 November 2014
... Theater “Why do experimental theater makers persist in making shows rather than, say, encounters, parades, meals, businesses, vehicles, protests, games, or vacations?” This was the question we put to a group of artists, scholars, curators, and critics, each invited to contribute to a strange...
Journal Article
Theater (2009) 39 (3): 35–41.
Published: 01 November 2009
...Milena Bogavac; Miloš Lolić Tom Sellar speaks with two of Serbia's leading young theater artists—playwright Milena Bogavac and director Miloš Lolić, both in their twenties. In this interview, he asks them about the aesthetic and political aspirations of the next generation of theatermakers...
Journal Article
Theater (2007) 37 (1): 9–37.
Published: 01 February 2007
...: Ein Aspekt von Schauspielkunst heute,” in Seelen mit Methode: Schauspieltheorien vom Barock-bis zum postdramatischen Theater, ed. J. Roselt (Berlin: Alexander, 2005), 376 – 80. Roselt is one of the few critics also addressing the status of the actor in the so-called postdramatic theater...
Journal Article
Theater (2014) 44 (2): 142–150.
Published: 01 May 2014
... Mederos Syssoyeva and Scott Proudfit 2013: Palgrave Macmillan The standard history of Western theater is mainly a history of individuals: from Thes- pis to Shakespeare to Sarah Bernhardt to Robert Wilson, we generally read about and admire the achievements of persons with extraordinary talent...