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pollesch

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Journal Article
Theater (2005) 35 (1): 67–91.
Published: 01 February 2005
...René Pollesch © 2005 by Yale School of Drama/Yale Repertory Theatre 2005 René Pollesch’s 24 Hours Are Not a Day, Volksbühne, Berlin, 2002. Photo: Th omas Aurin René Pollesch 24 Hours Are Not a Day Translated by Anna Kohler, with samples by Stephan Lanz and Jochen Becker...
Journal Article
Theater (2007) 37 (1): 9–37.
Published: 01 February 2007
...: playwright-director René Pollesch’s new production pre- mieres at the Prater, the studio venue of Germany’s Volksbühne am Rosa-Luxemburg- Platz. As could be expected, Strepitolino — I giovanotti disgraziati takes up an ongoing dialogue with the previous and subsequent Pollesch pieces, at least those...
Journal Article
Theater (2005) 35 (1): 7–15.
Published: 01 February 2005
... in plays such as Fireface and The Cold Child. René Pollesch, whose play 24 Hours Are Not a Day appears...
Journal Article
Theater (2016) 46 (3): 5–13.
Published: 01 November 2016
... the performance dramaturgy of some of the city’s most impor- tant directors (Frank Castorf and René Pollesch) and established the Volksbühne’s post-­reunification aesthetics of contradiction. His designs distilled politics, propa- ganda, and consumerism into a visual slap that forced Berlin’s history onto its...
Journal Article
Theater (2011) 41 (2): 1–2.
Published: 01 May 2011
..., 2010, at the age of 49. It was two days before rehearsals began for Metanoia, an opera he planned to direct with music by Jens Joneleit and text by René Pollesch. He left behind little to guide his collaborators and friends on the project as it moved forward: a few scenic drawings, some ideas...
Journal Article
Theater (2011) 41 (2): 3–5.
Published: 01 May 2011
.... It was two days before rehearsals began for Metanoia, an opera he planned to direct with music by Jens Joneleit and text by René Pollesch. He left behind little to guide his collaborators and friends on the project as it moved forward: a few scenic drawings, some ideas for the text, and the concept...
Journal Article
Theater (2011) 41 (2): 5–7.
Published: 01 May 2011
.... It was two days before rehearsals began for Metanoia, an opera he planned to direct with music by Jens Joneleit and text by René Pollesch. He left behind little to guide his collaborators and friends on the project as it moved forward: a few scenic drawings, some ideas for the text, and the concept...
Journal Article
Theater (2012) 42 (3): 31–41.
Published: 01 November 2012
...- ple, has their take on presenting real people tual rigor, like Marina Abramović and René onstage. Nature Theater of Oklahoma has Pollesch. So there’s all kinds of different stuff their approach to text and verbatim transcripts coming together...
Journal Article
Theater (2005) 35 (3): 146–167.
Published: 01 November 2005
... Pollesch, René. Morris, David Evans. See Timbes, Alex. Krishnamurthy, Prem. See CiNE. Müller, Heiner. See Kalb, Jonathan. Kulick, Brian. See Mendicino, Kristina, and Tom Sellar. Nanda...
Journal Article
Theater (2010) 40 (3): 116–127.
Published: 01 November 2010
... generations in Theatre Is More Beautiful than War —  ­f rom t he “old masters” Peter Stein (b. 1937), Claus Peymann (b. 1937), and the late Peter Zadek (1927–2009) to Christoph Marthaler (b. 1951), Frank Castorf (b. 1951), and Andrea Breth (the only woman director, b. 1952) to René Pollesch (b. 1962...
Journal Article
Theater (2009) 39 (3): 11–23.
Published: 01 November 2009
... Translated by Matthew R. Price René Pollesch’s Cappuccetto Rosso, Salzburg, 2005. Photo: Thomas Aurin Bernd Stegemann Translated by Matthew R. Price After Postdramatic Theater Hans-Thies Lehmann’s book Postdramatic Theater has generated vigorous discussion and debate among...
Journal Article
Theater (2005) 35 (1): iii–np.
Published: 01 February 2005
... 30 CONTRIBUTORS REN£ POLLESCH JT BSUJTUJD EJSFDUPS PG UIF CATHERINE SHEEHY JT DIBJS PG UIF 1SBUFS 5IFBUSF BU #FSMJO T 7PMLTCàIOF BN ESBNBUVSHZ BOE ESBNBUJD DSJUJDJTN 3PTB -VYFNCVSH 1MBU...
Journal Article
Theater (2020) 50 (1): 31–61.
Published: 01 February 2020
..., or the unresolved question at the heart of these works. stilled lives 50 akhe s Wet Wedding, St. Petersburg, 2001. Courtesy of akhe a photographic retrospective 5 1 René Pollesch s 24 Hours Are Not a Day, Volksbühne, Berlin, 2002. Photo: Thomas Aurin stilled lives 52 The Oresteia, directed by Michael Thalheimer...
Journal Article
Theater (2020) 50 (1): 1–11.
Published: 01 February 2020
... to America s cultural and political isolation. The plays and biographies of the artists of the Berliner Volks- bühne, at the time the most radical theater in the world, were one example Frank Castorf, Rene Pollesch, Christoph Schlingensief, and Nobel laureate Elfriede Jelinek, whose work criticized...
Journal Article
Theater (2014) 44 (1): 78–85.
Published: 01 February 2014
... dividing the two protagonists. In Stutt- gart, René Pollesch’s Die Revolver der Überschüsse (The Revolvers of Excess) took place on a huge revolving stage — a grandiose metaphor for ever-­changing life and the imperma- nence of love, friendship, and even the Pope: “Love knows no ex-­loves or ex...
Journal Article
Theater (2014) 44 (1): 86–95.
Published: 01 February 2014
... dividing the two protagonists. In Stutt- gart, René Pollesch’s Die Revolver der Überschüsse (The Revolvers of Excess) took place on a huge revolving stage — a grandiose metaphor for ever-­changing life and the imperma- nence of love, friendship, and even the Pope: “Love knows no ex-­loves or ex...
Journal Article
Theater (2014) 44 (1): 96–102.
Published: 01 February 2014
... dividing the two protagonists. In Stutt- gart, René Pollesch’s Die Revolver der Überschüsse (The Revolvers of Excess) took place on a huge revolving stage — a grandiose metaphor for ever-­changing life and the imperma- nence of love, friendship, and even the Pope: “Love knows no ex-­loves or ex...
Journal Article
Theater (2017) 47 (1): 17–37.
Published: 01 February 2017
... at Gies- some were quite interesting. sen anymore. Hans-­Thies Lehmann was not For me it didn’t make a difference that there anymore; Andrzej Wirth was not there this happened all at the same time. Being a anymore; René Pollesch...