...Luciana Eastwood Romagnolli © 2015 by Yale School of Drama/Yale Repertory Theatre 2015 Diogo Liberano’s Symphony Dream, Teatro Glaucio Gill, Rio de Janeiro, 2012. Photo: Thaís Grechi Luciana Eastwood Romagnolli Translated by Elizabeth Jackson A Poet in the Dark...

...Gary Jay Williams Copyright © THEATER 1978 1978 Theater in New York Jason and the Guilt Fleece: A Touch of the Poet Directed by Jose Quintero Helen Hayes Theater Gary Jay Williams With Broadway as it is this season to date...

...Robert Nichols; Al Carmines © 2005 by Yale School of Drama/Yale Repertory Theatre 2005 Selected Documents from the Judson Poets’ Theater Archives The following selection of documents from the Judson Poets’ Theater archives is rep- ­resented with minimal...

...Adrian Giurgea Yale School of Drama/Yale Repertory Theatre 2007 Anatoly Vasiliev with Yuri Lyubimov, School of Dramatic Art Theatre, 1989. Courtesy School of Dramatic Art Theatre Up Front “What Good Are Poets in a Bereft Time?” “Wozu Dichter in durftiger Zeit,” asked...

... by Daniel Gerould and Jadwiga Kosicka An insane asylum surrounded by a large forest. A rectangular ward where the madmen either stand or lie-the Doctor in a white apron leads in the Poet. The Poet carries a branch of flowering plane-tree and a small traveling bag. Madmen (all around...

... it. said “ourwhole past still exists. . .consciousness Both men are, appropriately, poets, men who has but to remove an obstacle, to withdraw a veil, strive to make words immortal. Hirst, in whose in order that all it contains, all in fact that it house the play takes place...

... in Athens in 411 Seek not to hear what thou shalt see with thine own eyes B. C. The excerpt published here is the play's opening scene, in which the forthwith. tragic poet Euripides expressesfears about women condemning his plays at their annual festival, the Thesmophoria. As in The Frogs...

... considered a The letter to Henri Parisot is a metaphysical cry of pain in which concluding statement, reveals the poet’s identification with Christ Artaud amalgamates his being with that of Christ, while pro- whom he believed to have stolen into his being. In the asylum of testing that it is Christ who...

... the raison d'etre of the poet: Swedenborg . . . has already taught us that everything, form, movement, number, color, perfume, in the spiritual as in the natural, is significant, reciprocal...

... is the confronta- mentioned, even blithely accepted fact that Antonin Artaud spent tion between Artaud and Ferdihe, true poet and dilettante, nine of the last eleven years of his life incarcerated in mental in- genius and envy. stitutions. Six years were spent in four different asylums; the last three...

...Daniel Gerould Copyright © by yale/theatre 1975 1975 The Magus Tadeusz Miciriski Daniel Gerould Mystical sage, student of the occult, symbolist poet, anti-novelist, and self• appointed madman ("In choosing my destiny I have chosen madness...

..., including some accused of Red the poet undergoes another unexpected Brigade terrorism. transformation: he becomes sexually arous- Rame spoke about the dire physical con- ed...

... to “roots music” from the writing of the poem. Moreover, Breuer holds to the ideal Africa, South America, the Middle East and the Caribbean, of the poem as direct address, intensifying its atmosphere of links all the widely varied theatrical styles and techniques he privacy. The poet addresses a reader...

... of the statue in Moscow, official, discouragements like those portrayed in his play and state-approved poets read their work without Schmidt’s adaptation; he was, unfortunately, not the last ce. Later, a group of “unoflficial poets” gathered at writer who found it necessary to defend...

... of Love. Appears as any ethnicity, slightly younger than Cupid. Joyous, a rascal more of a trickster than a saint. Believer in Love, completely and indefinitely. the poet God, or something like it. A voice. Can be voiced by another actor in the ensemble. betti A woman of color (any ethnicity...

... first sound expresses the primitiveness, the beginning at zero, . . the new . " the tabula ram. (Hulsenbeck) Dada dislocates the word from its meaning, and the poet from his personality, forcing each to adopt a new, Dada identity. The Dadist acts, both...

... artistic language of the work as a whole. And her ear, like Obama’s, is tuned to more than one way of speaking. Is that a defect or a virtue? Ms. Smith argues that it is a rare and unrecognized talent in a politician as well as a great virtue in a poet. She cites Obama’s perfect pitch in his...

...María Irene Fornès Copyright 1968 by yale/theatre 1968 Dr. Kheal by Marla Irene Fornes Dr. Kheal was first performed at the Judson Poets Theatre, New York, by David Tice, directed by Remy Charlip. It was subsequently performed in the Theatre-in-Progress Workshop...

...Laurence Shyer Copyright © THEATER 1980 1980 Ballet in New York Poets have sung of Orpheus does it truly attempt an exploration of its Who returned from hell implications and images in a new...

..., which centers around productions by reproducing Meyerhold's mise en scene and Bruno, a poet in the throes of a "lyrical crisis," (the practical techniques fail to recognize a primary tenet of his photograph catches one of Bruno's self-proclaimed "crises revolutionary theater: that theater should...